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      Max Klinger, 1857 – 1920

      100 nejslavnějších obrazů autora Max Klinger, seřazených podle popularity

      Nejoblíbenějším dílem autora Max Klinger je The death peeing. Následují The Isle of the Dead a Presa z platen, která čtenáři znají nejlépe. Náš katalog obsahuje 281 děl umělce Max Klinger: zde je 100 nejznámějších, z nichž každé uvádí svůj rok vzniku, muzeum a důvod, proč je nezapomenutelné.

      Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno říjen 2026. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci na lněném plátně, nebo jako umělecký tisk vyrobený v požadovaném rozměru.

      Portrét Max Klinger
      Max Klinger · 1857 – 1920
      Narozen · zemřel
      1857 – 1920, Lipsko
      Směr
      Symbolism
      Díla v našem katalogu
      281
      Nejslavnější
      The death peeing
      Nejvíce děl v
      Bavarské státní sbírky malby

      Nejlepší 10 obrazů: Max Klinger – plátna, která zná každý

      The death peeing od Max Klinger
      1

      The death peeing

      Painting

      The air hangs heavy near the riverbank where a skeletal figure stands, stripped of the terrifying dignity often assigned to the Grim Reaper. This figure, a personification of death, occupies the shoreline with a startlingly mundane presence. He stands with legs apart, facing the water, engaged in the most basic of biological functions. The act of urination into the stream demystifies the specter, pulling the concept of mortality away from…

      The Isle of the Dead od Max Klinger
      2

      The Isle of the Dead

      Painting

      The Isle of the Dead emerges from the vision of Max Klinger, a German artist who leaves a profound mark on the landscape of late 19th-century thought. Born in Leipzig in 1857, Klinger moves through a world of shifting aesthetics, eventually passing away in 1920. In this specific work, titled The Isle of the Dead, he captures a moment that feels suspended in a quiet, heavy stillness.

      Presa od Max Klinger
      3

      Presa

      Lithograph

      The artwork presents a monochrome scene rendered in grayscale, utilizing a range of black, white, and gray tones. At the bottom center of the frame, a reclining nude female figure is positioned as the primary focal point. Above her, a large group of men in formal attire occupies the upper portion of the composition. These figures are partially obscured by shadow, creating a sense of depth through overlapping forms. The…

      Y sin embargo! od Max Klinger
      4

      Y sin embargo!

      Graphite

      Max Klinger, born in Leipzig in 1857, produced Y sin embargo! as part of a career that bridged the transition from Realism to Symbolism. The artist, who died in 1920, was a significant figure in German art, known for his ability to move beyond mere visual representation to explore the psychological and the subconscious. This specific work reflects his interest in the intersection of the human form and the natural…

      Více pláten od Max Klinger, od 11 do 100

      Plátna umělce Max Klinger podle jednotlivých období

      Co nejčastěji maloval Max Klinger

      Čtyři témata, která se na těchto plátnech nejčastěji objevují, každé s jedním z jejich nejoblíbenějších příkladů.

      Kde visí plátna umělce Max Klinger

      4 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

      Muzea Město Díla autora Max Klinger Obrazy z tohoto seznamu
      Bavarské státní sbírky malby, MnichovBavarské státní sbírky malby Mnichov 2 At the Beach, Seaside Idyl
      Alte Nationalgalerie, BerlínAlte Nationalgalerie Berlín 3 Venus in the Shell Carriage. Part of the Wall Decoration of Villa Albers in Berlin-Steglitz
      Národní galerie Praha, PrahaNárodní galerie Praha Praha 1 Evening
      Städel Museum, Frankfurt nad MohanemStädel Museum Frankfurt nad Mohanem 1 Portrait of a Roman Woman on a Flat Roof in Rome

      Nejoblíbenější plátno každého desetiletí od Max Klinger

      1. 1870s
        Evening (1879) od Max Klinger
        9 z 100

        Evening

        Věk 13 – 22 · Národní galerie Praha
      2. 1880s
      3. 1890s
        At the Beach (1890) od Max Klinger
        Pořadí 11 z 100

        At the Beach

        Věk 33 – 42 · Bavarské státní sbírky malby
      4. 1910s

      O plátnech umělce Max Klinger: odpovědi na vaše otázky

      Kterým nejslavnějším dílem je Max Klinger?Přečtěte si odpověď

      The death peeing, následovaný dílem The Isle of the Dead a Presa.

      Kterých 10 nejslavnějších obrazů má Max Klinger?Přečtěte si odpověď

      The death peeing, The Isle of the Dead, Presa, Y sin embargo!, Rescue, Mermaid holding a shell up, the philosopher, Venus in the Shell Carriage. Part of the Wall Decoration of Villa Albers in Berlin-Steglitz, Evening a Play in the meadow. U každého plátna v uvedeném žebříčku je uveden rok jeho vzniku a muzeum, ve kterém se nachází.

      Kolik děl celkem namaloval/a Max Klinger?Přečtěte si odpověď

      V našem katalogu je 281 děl umělce Max Klinger, datovaných od 1879 do 1912.

      Kde mohu vidět nejznámější plátna umělce Max Klinger?Přečtěte si odpověď

      Většinou v Bavarské státní sbírky malby (Mnichov), Alte Nationalgalerie (Berlín) a Národní galerie Praha (Praha); výše uvedený seznam obsahuje názvy jednotlivých muzeí a jejich pláten.

      Kdy Max Klinger namaloval své nejoblíbenější obrazy?Přečtěte si odpověď

      V období 1880s, které tvoří 3 z 100 děl na této stránce, mezi nimi i Venus in the Shell Carriage. Part of the Wall Decoration of Villa Albers in Berlin-Steglitz.

      Která jsou nejstarší a nejnovější slavná plátna umělce Max Klinger?Přečtěte si odpověď

      Nejstarší plátno se zde datuje do Evening (1879); nejnovější je z Bathing Women (1912).

      Co nejčastěji maloval/a Max Klinger?Přečtěte si odpověď

      Gods (7), Symbolic imagery (6) a Landscape (4) napříč 100 díly na této stránce.

      Kterou techniku používal(a) Max Klinger nejčastěji?Přečtěte si odpověď

      Painting, použito u 2 z 100 děl na této stránce.

      Kterému směru patří obraz autora Max Klinger?Přečtěte si odpověď

      Symbolism, jak dokazují plátna na této stránce.

      Která plátna od Max Klinger visí v Bavarské státní sbírky malby?Přečtěte si odpověď

      Muzeum Bavarské státní sbírky malby, Mnichov se vlastní 2 děl z této stránky, mezi nimiž jsou i At the Beach a Seaside Idyl.

      Mohu si koupit reprodukci plátna od Max Klinger?Přečtěte si odpověď

      Ano. Každý obraz na této stránce lze objednat z jeho vlastní stránky jako ručně malovanou olejovou reprodukci nebo jako umělecký tisk v požadovaném rozměru.

      Max Klinger: život v barvách

      The Shadowed World of Max Klinger: A Pioneer of Symbolism

      Max Klinger, born in Leipzig in 1857, emerged as a pivotal figure bridging the gap between Realism and the burgeoning world of Symbolism. His artistic journey wasn’t one of immediate recognition but rather a gradual unfolding of a unique vision—a descent into the psychological depths that would profoundly influence modern art. Klinger's early training at the Academy of Fine Arts in Karlsruhe, under Karl Gussow, provided him with a solid foundation in traditional techniques, yet it was his fascination with the etchings of artists like Menzel and Goya that truly ignited his imagination. These masters demonstrated the power of printmaking to convey not merely visual representation but also narrative complexity and emotional intensity—qualities Klinger would masterfully employ throughout his career. He wasn’t content simply to depict the world as it appeared; he sought to unveil its hidden currents, its anxieties, and its dreams.

      From Realism's Embrace to Symbolic Depths

      Klinger’s artistic evolution was marked by a deliberate shift away from straightforward realism towards a more subjective and symbolic language. Initially, his work reflected the prevailing aesthetic of the time—detailed depictions of everyday life. However, this phase proved merely a stepping stone. The turning point came with his series of etchings, Paraphrase on the Finding of a Glove (1881). This ambitious project, comprising ten plates, wasn’t a literal illustration of an event but rather a fragmented, dreamlike exploration of desire, loss, and the complexities of human relationships. The glove itself became a potent symbol—a relic imbued with memory and longing. This series established Klinger as a leading voice in the Symbolist movement, demonstrating his ability to transform ordinary objects into vehicles for profound psychological insight. He wasn’t interested in simply showing what things looked like; he wanted to convey what they *felt* like, what they represented on a deeper, more subconscious level. His early work also included depictions of urban life and social commentary, reflecting the concerns of his time.

      Sculpture, Printmaking and the Exploration of Myth

      Klinger's artistic output was remarkably diverse, encompassing painting, sculpture, and printmaking—though it’s arguably in the realm of graphic arts that he achieved his most enduring legacy. His prints are characterized by their meticulous technique, dramatic use of light and shadow, and haunting imagery. He wasn’t afraid to tackle challenging themes—mortality, sexuality, and the darker aspects of the human psyche. Beyond Paraphrase on the Finding of a Glove, works like his depictions of Faustian bargains and mythological scenes reveal a fascination with archetypal narratives and universal human struggles. His sculptural work, though less prolific than his prints, was equally ambitious. A prime example is his monumental installation in homage to Beethoven at the Vienna Secession in 1902—a powerful testament to the composer’s genius and a bold statement of artistic innovation. Klinger's sculptures were often deliberately unsettling, challenging conventional notions of beauty and form. He experimented with various materials and techniques, pushing the boundaries of traditional sculpture.

      Influences and Artistic Development

      Klinger’s artistic development was shaped by a diverse range of influences. Initially, he studied under Karl Gussow at the Karlsruhe Academy, absorbing classical techniques and academic principles. However, his encounter with the etchings of Menzel and Goya proved transformative, introducing him to the expressive potential of printmaking. He also deeply admired the work of Pierre Puvis de Chavannes in Paris, a key figure in the Symbolist movement, whose emphasis on dreamlike imagery and psychological depth resonated profoundly with Klinger’s own artistic vision. Furthermore, his exposure to Japanese woodblock prints broadened his understanding of composition, perspective, and decorative design. He was also influenced by the philosophical ideas of Arthur Schopenhauer and Friedrich Nietzsche, which informed his exploration of themes such as pessimism, alienation, and the search for meaning.

      Legacy and Influence: A Bridge to Modernity

      Max Klinger’s influence extended far beyond his own lifetime. He paved the way for Expressionism, Surrealism, and other avant-garde movements that sought to explore the inner world of human experience. His emphasis on symbolism, psychological depth, and subjective interpretation resonated with artists grappling with the anxieties and uncertainties of the modern age. The artist’s exploration of dreamlike states and subconscious desires anticipated the work of later Surrealists like Salvador Dalí and René Magritte. Even in more recent times, Klinger's ideas continue to inspire contemporary artists. In 1991, the Moscow art collective Inspection Medical Hermeneutics created “Klinger’s Boxes,” an installation directly inspired by his work—a testament to the enduring power of his vision. He remains a crucial figure in understanding the transition from 19th-century academic traditions to the radical experimentation of the 20th century. His art invites us to confront our own shadows, to delve into the mysteries of the human psyche, and to recognize the profound beauty that can be found even in the darkest corners of existence.

      Notable Works & Continued Relevance

      Beyond the celebrated Paraphrase on the Finding of a Glove, Klinger’s oeuvre boasts numerous significant pieces. Paintings like “Karl Haberstock,” showcasing his influence on fellow artists, and works reflected in collections at Kunstsammlungen und Museen Augsburg demonstrate his broad impact. His monochrome photographs, such as "Days Of March III," with their intriguing UFO sightings, reveal a willingness to embrace the unconventional and explore the boundaries of perception. Klinger’s art isn't merely historical; it remains strikingly relevant today. In an era defined by uncertainty and rapid change, his exploration of psychological themes—anxiety, alienation, and the search for meaning—continues to resonate with audiences worldwide. His legacy is a reminder that true artistic innovation lies not in simply replicating reality but in revealing its hidden depths and challenging our preconceived notions about the world around us.

      Všechna díla od Max Klinger: 281 →