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      Taras Ševčenko, 1814 – 1861

      Taras Ševčenko: 58 nejznámějších obrazů

      Z všech obrazů autora Taras Ševčenko je nejznámější dílo The death of Bohdan Khmelnytsky (1837). Hned za nimi následují Vydubychi Monastery in Kyiv (1844) a Self-Portrait (1852). Z 58 děl umělce Taras Ševčenko v našem katalogu je těchto 58 nejuznávanějších, z nichž každé je uvedeno s datem vzniku, muzeem a příběhem.

      Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno říjen 2026. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci na lněném plátně, nebo jako umělecký tisk vyrobený v požadovaném rozměru.

      Portrét Taras Ševčenko
      Taras Ševčenko · 1814 – 1861
      Narozen · zemřel
      1814 – 1861, Moryntsi
      Směr
      Romanticism
      Díla v našem katalogu
      58
      Nejslavnější
      The death of Bohdan Khmelnytsky (1837)
      Nejvíce děl v
      Taras Shevchenko National Museum

      10 nejslavnějších obrazů autora Taras Ševčenko

      Obrazy umělce Taras Ševčenko se řadí od 11 do 58

      Kde visí plátna umělce Taras Ševčenko

      3 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

      Muzea Město Díla autora Taras Ševčenko Obrazy z tohoto seznamu
      Taras Shevchenko National Museum, KievTaras Shevchenko National Museum Kiev 26 Self-Portrait, Cathedral of the Annunciation in Nizhny Novgorod, Archangel Cathedral in Nizhny Novgorod
      National Art Museum of Ukraine, KievNational Art Museum of Ukraine Kiev 1 Self-portrait
      Národní umělecké muzeum v Kyjevě, KyjevNárodní umělecké muzeum v Kyjevě Kyjev 1 Portrait of Gorlenko

      Dekáda po dekádě: nejuznávanější plátna umělce Taras Ševčenko

      1. 1830s
      2. 1840s
      3. 1850s
        Self-Portrait (1852) od Taras Ševčenko
        Pořadí 3 z 58

        Self-Portrait

        Věk 36 – 45 · Taras Shevchenko National Museum
      4. 1860s

      Vaše otázky k obrazům autora Taras Ševčenko, odpovědi

      Který z obrazů autora Taras Ševčenko je nejuznávanější?Přečtěte si odpověď

      The death of Bohdan Khmelnytsky (1837), následovaný dílem Vydubychi Monastery in Kyiv (1844) a Self-Portrait (1852).

      Kolik let bylo Taras Ševčenko ve době vzniku díla The death of Bohdan Khmelnytsky?Přečtěte si odpověď

      Taras Ševčenko, narozen 1814, měl 23 let: dílo The death of Bohdan Khmelnytsky pochází z roku 1837.

      Kterých deset obrazů je Taras Ševčenko nejznámější?Přečtěte si odpověď

      The death of Bohdan Khmelnytsky, Vydubychi Monastery in Kyiv, Self-Portrait, Aulia-Tau, Valley on the Khiva road, Cathedral of the Annunciation in Nizhny Novgorod, Mezhyhirya Monastery, Catholic Church of St. Alexander, Archangel Cathedral in Nizhny Novgorod a Architectural project of private house. Plan.. U každého plátna v uvedeném žebříčku je uveden rok jeho vzniku a muzeum, ve kterém se nachází.

      Kolik obrazů autora Taras Ševčenko je známo?Přečtěte si odpověď

      V našem katalogu je 58 děl umělce Taras Ševčenko, datovaných od 1833 do 1861.

      Která muzea uchovávají nejznámější plátna umělce Taras Ševčenko?Přečtěte si odpověď

      Většinou v Taras Shevchenko National Museum (Kiev), National Art Museum of Ukraine (Kiev) a Národní umělecké muzeum v Kyjevě (Kyjev); výše uvedený seznam obsahuje názvy jednotlivých muzeí a jejich pláten.

      V jakých letech namaloval Taras Ševčenko svá nejslavnější plátna?Přečtěte si odpověď

      V období 1830s, které tvoří 27 z 58 děl na této stránce, mezi nimi i The death of Bohdan Khmelnytsky.

      Jaká jsou první a poslední slavná plátna umělce Taras Ševčenko?Přečtěte si odpověď

      Nejstarší plátno se zde datuje do Portrait of P.V. Engelhardt (1833); nejnovější je z Self-Portrait (1861).

      K kterému uměleckému směru patří Taras Ševčenko?Přečtěte si odpověď

      Romanticism, jak dokazují plátna na této stránce.

      Co mohu vidět od Taras Ševčenko v Taras Shevchenko National Museum?Přečtěte si odpověď

      Muzeum Taras Shevchenko National Museum, Kiev se vlastní 26 děl z této stránky, mezi nimiž jsou i Self-Portrait, Cathedral of the Annunciation in Nizhny Novgorod a Archangel Cathedral in Nizhny Novgorod.

      Mohu si objednat ručně malovanou kopii obrazu od Taras Ševčenko?Přečtěte si odpověď

      Ano. Každý obraz na této stránce lze objednat z jeho vlastní stránky jako ručně malovanou olejovou reprodukci nebo jako umělecký tisk v požadovaném rozměru.

      Taras Ševčenko: příběh malíře

      A Life Etched in Poetry and Paint: The World of Taras Shevchenko

      Taras Hryhorovych Shevchenko, a name synonymous with Ukrainian identity and resilience, was more than just an artist or a poet—he was the embodiment of a nation’s yearning for freedom. Born into serfdom in 1814 in the humble village of Moryntsi, Ukraine, his early life was steeped in hardship, yet illuminated by an innate artistic talent that would ultimately transcend his circumstances and ignite a cultural awakening. The weight of oppression bore down on young Taras; he lost his mother at seven and his father eight years later, experiences that indelibly marked his sensibility and fueled the poignant social commentary woven throughout his life’s work. His initial exposure to art came through apprenticeships with local icon painters, laying the foundation for a technical skill that would blossom under formal training. This early period wasn't merely about mastering technique; it was an immersion into Ukrainian folklore, religious imagery, and the visual language of his people—elements that would become cornerstones of his artistic expression.

      From Serfdom to St. Petersburg: The Flowering of a Genius

      Shevchenko’s path took a pivotal turn when he was sent to Kyiv for education, first at the Grammar School and then the Theological Seminary. However, these institutions proved ill-suited to his artistic spirit. Fate intervened through the patronage of several individuals who recognized his exceptional talent. This led to his liberation from serfdom in 1838—a watershed moment achieved through a lottery where the prize was a portrait by Karl Bryullov. This freedom unlocked access to the prestigious Imperial Academy of Arts in St. Petersburg, where he studied under Karl Brück. Here, Shevchenko wasn’t simply absorbing artistic techniques; he was engaging with the broader European art scene, encountering Romanticism and Realism, styles that would subtly influence his own developing aesthetic. His work began to blend traditional Ukrainian themes with a modern sensibility, foreshadowing the unique voice he would soon project through both brushstrokes and verse. During this period, he honed his skills in painting, etching, and drawing, demonstrating a remarkable versatility that set him apart.

      The Poet of Ukraine: *Kobzar* and the Voice of a Nation

      While Shevchenko excelled as an artist, it was through poetry that he truly captured the soul of Ukraine. The publication of *Kobzar* in 1840 marked a turning point not only in his career but also in Ukrainian literature itself. This collection wasn’t merely a compilation of poems; it was a declaration of national identity, a lament for past injustices, and a call for future liberation. The verses resonated deeply with the Ukrainian peasantry, articulating their struggles under serfdom and igniting a sense of collective consciousness. *Kobzar* became a symbol of resistance and hope, circulating widely despite censorship attempts by the Tsarist regime. Beyond *Kobzar*, Shevchenko’s artistic output continued to reflect his deep connection to Ukraine—paintings depicting rural life, historical events, and portraits that captured the spirit of his people. Works like “Architectural project of private house. Main facade” and "Cathedral of the Annunciation in Nizhny Novgorod" demonstrate a range beyond purely nationalistic themes, showcasing his architectural interests and technical skill. His monochrome illustration, “The Death of Bohdan Khmelnytsky,” stands as a powerful example of his mastery of realism and etching, depicting a pivotal moment in Ukrainian history with profound emotional depth.

      Exile, Resilience, and Enduring Legacy

      Shevchenko’s outspoken criticism of the Tsarist regime and involvement with the Petrashevsky Circle—a group advocating for political reform—led to his arrest in 1847 and a decade-long exile to Central Asia. This period was marked by immense hardship; he was forbidden from writing or painting, subjected to harsh conditions, and constantly monitored. Yet, even in the face of such oppression, Shevchenko’s spirit remained unbroken. He continued to sketch secretly, documenting his surroundings and preserving his artistic vision. His exile became a symbol of Ukrainian suffering under Russian rule, further solidifying his status as a national hero. Upon his premature release due to failing health, he returned to St. Petersburg only to succumb to illness in 1861 at the age of 47. His death was mourned throughout Ukraine and beyond. Today, Taras Shevchenko is revered as a foundational figure in Ukrainian literature and art. Numerous museums and memorials—including the Taras Shevchenko National Museum in Kyiv and the Tereshchenko Museum—are dedicated to preserving his legacy. His works continue to inspire generations of artists, writers, and activists, ensuring that his voice—a voice forged in hardship and fueled by a deep love for Ukraine—will resonate for centuries to come. The recent creation of a Taras Shevchenko AI chatbot is a testament to the enduring power of his ideas and the ongoing commitment to sharing his work with new audiences.

      Všechna díla od Taras Ševčenko: 58 →