1
Untitled
Ručně malovaná olejná reprodukce od $178 111 × 9 cm
Velikost jako originál $221 87 × 28 cm Objednat v originální velikosti →
Wang Yi, 1330 – 1362
1 nejslavnějších obrazů autora Wang Yi, seřazených podle popularity
Nejoblíbenějším dílem autora Wang Yi je Untitled (1363), které je vystaveno v instituci Palácové muzeum, Peking. Náš katalog obsahuje 1 děl umělce Wang Yi: zde je 1 nejznámějších, z nichž každé uvádí svůj rok vzniku, muzeum a důvod, proč je nezapomenutelné.
Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci na lněném plátně, nebo jako umělecký tisk vyrobený v požadovaném rozměru.
- Narození · úmrtí
- 1330 – 1362
- Díla v našem katalogu
- 1
- Nejslavnější
- Untitled (1363)
- Nejvíce děl v muzeích
- Palácové muzeum
Nejlepší 10 obrazů: Wang Yi – plátna, která zná každý
Kde visí plátna umělce Wang Yi
Muzeum s největším počtem obrazů na této stránce.
| Muzeum | Město | Díla autora Wang Yi | Obrazy z tohoto seznamu |
|---|---|---|---|
 Palácové muzeum |
Peking | 1 | Untitled |
O plátnech umělce Wang Yi: odpovědi na vaše otázky
Kterým nejslavnějším dílem je Wang Yi?Přečtěte si odpověď
Untitled (1363)
Kolik děl celkem namaloval/a Wang Yi?Přečtěte si odpověď
V našem katalogu je 1 děl umělce Wang Yi.
Kde mohu vidět nejznámější plátna umělce Wang Yi?Přečtěte si odpověď
Většinou v Palácové muzeum (Peking); výše uvedený seznam obsahuje názvy jednotlivých muzeí a jejich pláten.
Mohu si koupit reprodukci plátna od Wang Yi?Přečtěte si odpověď
Ano. Každý obraz na této stránce lze objednat z jeho vlastní stránky jako ručně malovanou olejovou reprodukci nebo jako umělecký tisk v požadovaném rozměru.
Wang Yi: život v barvách
A Life in Ink and Form
Born in Muzhou, in the area known today as Jiande within Zhejiang province, Wang Yi lived during the Yuan Dynasty. He eventually settled in Hangzhou, a place that likely influenced the quiet grace of his brushwork. Known by his style name Sishan and his pseudonym Chi Juesheng, he was a man deeply preoccupied with the essence of the human form. His life was spent observing the way people moved and held themselves, seeking to capture more than just a likeness on paper.
His work focused heavily on human figures, a subject he approached with a specific technical rigor. He was not merely interested in the surface of a face or the fold of a robe, but in the spirit that resided within the body. This pursuit of capturing the inner life of his subjects led him to develop a style that emphasized both shape and spirit, ensuring his figures possessed a sense of presence that transcended simple representation.
The Secrets of the Brush
Wang Yi was a man of theory as much as practice. He did not simply paint; he studied the mechanics of the art, eventually compiling his observations into a written work. This text, titled "The Secrets of Painting Human Figures," served as a guide to his personal methods and experiences. Through his writing and his art, he sought to codify the subtle nuances required to render a person with accuracy and life.
His artistic output and intellectual contributions included several distinct areas of focus:
- The meticulous rendering of human figures to capture their physical and spiritual essence.
- The creation of landscapes that complemented his figurative studies.
- The formalization of portraiture techniques through his written treatises.
Historical Legacy
Though the exact circumstances of his passing remain unknown, the impact of his technical insights endured. His writings became part of a long tradition of Chinese art theory, influencing how later generations understood the relationship between the brush and the subject. His ability to bridge the gap between the physical appearance of a person and their internal character remains a significant aspect of his contribution to the history of Chinese painting.
Today, his influence is felt in the collections of major institutions, such as The Palace Museum in Beijing, which holds works associated with his era. He remains a figure of study for those interested in the Yuan Dynasty and the evolution of portraiture and figure painting in China.