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HMY Victoria and Albert II and HMS Warrior
Ručně malovaná olejná reprodukce od $178 39 × 26 cm
Velikost jako originál $200 47 × 37 cm Objednat v originální velikosti →
William Frederick Settle, 1821 – 1897
1 nejslavnějších obrazů autora William Frederick Settle, seřazených podle popularity
Nejoblíbenějším dílem autora William Frederick Settle je HMY Victoria and Albert II and HMS Warrior, které je vystaveno v instituci National Maritime Museum, Londýn. Náš katalog obsahuje 1 děl umělce William Frederick Settle: zde je 1 nejznámějších, z nichž každé uvádí svůj rok vzniku, muzeum a důvod, proč je nezapomenutelné.
Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026. Každý obraz na této stránce lze objednat jako ručně malovanou olejovou reprodukci na lněném plátně, nebo jako umělecký tisk vyrobený v požadovaném rozměru.
- Narození · úmrtí
- 1821 – 1897, Kingston upon Hull
- Díla v našem katalogu
- 1
- Nejslavnější
- HMY Victoria and Albert II and HMS Warrior
- Nejvíce děl v muzeích
- National Maritime Museum
Nejlepší 10 obrazů: William Frederick Settle – plátna, která zná každý
Kde visí plátna umělce William Frederick Settle
Muzeum s největším počtem obrazů na této stránce.
| Muzeum | Město | Díla autora William Frederick Settle | Obrazy z tohoto seznamu |
|---|---|---|---|
 National Maritime Museum |
Londýn | 1 | HMY Victoria and Albert II and HMS Warrior |
O plátnech umělce William Frederick Settle: odpovědi na vaše otázky
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HMY Victoria and Albert II and HMS Warrior
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V našem katalogu je 1 děl umělce William Frederick Settle.
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Většinou v National Maritime Museum (Londýn); výše uvedený seznam obsahuje názvy jednotlivých muzeí a jejich pláten.
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Ano. Každý obraz na této stránce lze objednat z jeho vlastní stránky jako ručně malovanou olejovou reprodukci nebo jako umělecký tisk v požadovaném rozměru.
William Frederick Settle: život v barvách
A Life Defined by the Tide
Born in Kingston upon Hull, United Kingdom, in 1821, William Frederick Settle entered a world deeply connected to the movement of the sea. He was the nephew and pupil of John Ward, a relationship that likely shaped his early understanding of light and form. By 1863, he had moved to London, seeking a broader stage for his maritime interests. His career was not merely a pursuit of aesthetics but a meticulous documentation of a maritime era, capturing the essence of ships and the waters they traversed.
His technical skill earned him a place within the highest circles of British society. He was commissioned by Queen Victoria to design nautical Christmas cards and to draw nautical ephemera, a task requiring both precision and a sense of seasonal grace. His ability to translate the complexities of rigging and hull to paper also led to commissions from the Prince Regent. These appointments suggest a man whose hand was trusted to represent the dignity of the sea to the most influential figures of the age.
Maritime Precision and Royal Patronage
Settle’s work was characterized by a deep familiarity with the vessels of his time. He was not a distant observer but a painter who understood the mechanics of sailing. His professional standing was reflected in his associations with prestigious institutions and clubs, which provided him with a steady subject matter and a dedicated audience.
- Marine painter for the Royal Scottish Yacht Club
- Painter for the Royal Yorkshire Yacht Club
- Artist commissioned by Queen Victoria for nautical designs
His compositions often focused on specific geographic landmarks, particularly the Humber and the Solent. Whether depicting the shipping scenes on the Humber or the quietude of a seascape, his watercolors captured the specific character of these waters. His work remains preserved in significant collections, including the National Maritime Museum in London and the Victoria and Albert Museum.
The Final Horizon
The later years of his life saw him continuing his work as a painter until his death in London in 1897. He left behind a body of work that serves as a visual record of 19th-century maritime life. His paintings, such as those depicting the HMY Victoria and Albert II and HMS Warrior, provide a window into the naval architecture and the atmosphere of the Victorian era. He remains a significant figure for those studying the intersection of maritime history and British watercolor painting.