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      William Johnstone, 1897 – 1981

      22 nejslavnějších obrazů autora William Johnstone

      Summer, Selkirk (1927) je obraz, podle kterého je nejznámější William Johnstone; nachází se v Scottish National Gallery of Modern Art, Édin. A Point in Time (1937) a Francis George Scott (1880–1958), Composer (1933) doplňují trio nejoblíbenějších pláten. Náš katalog obsahuje 22 děl umělce William Johnstone. Zde je 22 nejznámějších děl včetně roku vzniku, muzea a příběhu každého plátna.

      Seřazeno podle našeho skóre popularity, které kombinuje počet vyhledávání, návštěv a objednávek u každého díla. Aktualizováno listopad 2026.

      Portrét William Johnstone
      William Johnstone · 1897 – 1981
      Narození · úmrtí
      1897 – 1981
      Díla v našem katalogu
      22
      Nejslavnější
      Summer, Selkirk (1927)
      Nejvíce děl v muzeích
      Scottish National Gallery of Modern Art

      Deset nejoblíbenějších obrazů autora William Johnstone

      William Johnstone: plátna 11 až 22 v žebříčku

      Kde visí plátna umělce William Johnstone

      6 muzea, v nichž je umístěno nejvíce obrazů z této stránky.

      Muzeum Město Díla autora William Johnstone Obrazy z tohoto seznamu
      Scottish National Gallery of Modern Art, ÉdinScottish National Gallery of Modern Art Édin 3 Summer, Selkirk, A Point in Time, Mrs J. E. Winand
      Abbot Hall Art Gallery, KendalAbbot Hall Art Gallery Kendal 3 Street Musicians (Post Cubist), Landscape with Trees (verso), Geometric Landscape (recto)
      The Fleming Collection, LondýnThe Fleming Collection Londýn 2 Self Portrait, Entombment
      Scottish National Portrait Gallery, EdinburghScottish National Portrait Gallery Edinburgh 1 Francis George Scott (1880–1958), Composer
      Government Art Collection, LondýnGovernment Art Collection Londýn 1 Surrey Landscape
      Pallant House Gallery, ChichesterPallant House Gallery Chichester 1 Landscape (Scottish Landscape)

      Nejslavnější plátno umělce William Johnstone, dekádu po dekádě

      1. 1910s
      2. 1920s
        Summer, Selkirk (1927) od William Johnstone
        1 z 22

        Summer, Selkirk

        Věk 23 – 32 · Scottish National Gallery of Modern Art
      3. 1930s
        A Point in Time (1937) od William Johnstone
        Pořadí 2 z 22

        A Point in Time

        Věk 33 – 42 · Scottish National Gallery of Modern Art
      4. 1940s
        Golgotha (1948) od William Johnstone
        Plátno 11 z 22

        Golgotha

        Věk 43 – 52

      Plátna umělce William Johnstone otázka po otázce

      Kterým plátnem je William Johnstone nejvíce známý/á?Přečtěte si odpověď

      Summer, Selkirk (1927), Scottish National Gallery of Modern Art, Édin. Následují A Point in Time (1937) a Francis George Scott (1880–1958), Composer (1933).

      Summer, Selkirk: kolik let bylo William Johnstone, když bylo namalováno?Přečtěte si odpověď

      William Johnstone, narozen 1897, měl 30 let: dílo Summer, Selkirk pochází z roku 1927.

      Kterých deset nejslavnějších obrazů má William Johnstone?Přečtěte si odpověď

      Summer, Selkirk, A Point in Time, Francis George Scott (1880–1958), Composer, Self Portrait, Thomas Scott (1854–1927), Artist (after George Fiddes Watt), Street Musicians (Post Cubist), Ode to the North Wind, Francis George Scott, Richard Thomas Church a Border Landscape The Eildon Hills. U každého plátna v uvedeném žebříčku je uveden rok jeho vzniku a muzeum, ve kterém se nachází.

      Kolik obrazů vytvořil/a William Johnstone?Přečtěte si odpověď

      V našem katalogu je 22 děl umělce William Johnstone, datovaných od 1918 do 1948.

      Kde se dnes nacházejí nejslavnější plátna umělce William Johnstone?Přečtěte si odpověď

      Většinou v Scottish National Gallery of Modern Art (Édin), Abbot Hall Art Gallery (Kendal) a The Fleming Collection (Londýn); výše uvedený seznam obsahuje názvy jednotlivých muzeí a jejich pláten.

      Kdy William Johnstone namaloval svá nejslavnější plátna?Přečtěte si odpověď

      V období 1930s, které tvoří 5 z 22 děl na této stránce, mezi nimi i A Point in Time.

      Které plátno slavného umělce William Johnstone vzniklo jako první a které jako poslední?Přečtěte si odpověď

      Nejstarší plátno se zde datuje do Thomas Scott (1854–1927), Artist (after George Fiddes Watt) (1918); nejnovější je z Golgotha (1948).

      Která díla umělce William Johnstone se nacházejí v muzeu Scottish National Gallery of Modern Art?Přečtěte si odpověď

      Muzeum Scottish National Gallery of Modern Art, Édin se vlastní 3 děl z této stránky, mezi nimiž jsou i Summer, Selkirk, A Point in Time a Mrs J. E. Winand.

      Seznamte se s malířem: William Johnstone

      A Life Bathed in Light: The Poetic Vision of William Johnstone

      William Johnstone, born in 1897 and passing in 1981, remains a quietly compelling figure within the landscape of Scottish art. While not a household name, his work possesses a distinctive atmospheric quality that resonates with a deep sensitivity to place and mood. His life story, though somewhat elusive in detail, is inextricably linked to the poetic spirit that infuses his paintings – a spirit often described as Whistlerian in its subtle harmonies and evocative power. He also painted under the pseudonym Sholto Douglas. Johnstone’s artistic journey wasn't one of dramatic shifts or revolutionary pronouncements; rather, it was a gradual unfolding of a personal vision, rooted in observation and refined through dedicated practice.

      Early Influences & Artistic Development

      The early years of Johnstone’s life undoubtedly shaped his aesthetic inclinations. Scotland itself – its rugged highlands, misty lochs, and ever-changing skies – served as an enduring source of inspiration. While specific details regarding his formal training are scarce, the influence of James McNeill Whistler is readily apparent in his work. Whistler's emphasis on tonalism, a restrained palette, and the creation of atmosphere over precise representation clearly resonated with Johnstone. He wasn’t merely copying Whistler’s style; instead, he absorbed its principles and adapted them to his own unique sensibility, imbuing his landscapes with a distinctly Scottish character. This is not to say that Johnstone was solely beholden to Whistlerian aesthetics. A quiet realism, reminiscent of the Victorian portrait tradition – as exemplified by artists like William Herbert Johnston (a contemporary) – also subtly informs his depictions of figures and interiors.

      Themes & Techniques: Capturing Ephemeral Beauty

      Johnstone’s oeuvre primarily comprises landscapes and portraits, often interwoven with scenes of domestic life. His landscapes are not grand vistas designed to overwhelm the viewer; they are intimate studies of light and shadow, capturing fleeting moments of beauty in the natural world. He possessed a remarkable ability to convey atmosphere – the damp chill of a Scottish morning, the golden glow of late afternoon sunlight, the soft haze that hangs over rolling hills. His technique is characterized by delicate brushwork, subtle gradations of tone, and a masterful use of color to create mood. The colors are often muted, creating a sense of tranquility and introspection. In his portraits, Johnstone eschews flamboyant displays of virtuosity in favor of capturing the inner character of his sitters. He focuses on conveying personality through nuanced expressions and carefully observed details.

      Historical Significance & Legacy

      While Johnstone may not have achieved widespread fame during his lifetime, his work holds a significant place within the context of Scottish art history. He represents a continuation of the tonalist tradition, demonstrating its enduring appeal in the 20th century. His paintings offer a valuable glimpse into the social and cultural life of Scotland during this period, particularly through his portraits of local notables. More importantly, however, Johnstone’s legacy lies in his ability to evoke emotion and create atmosphere through subtle yet powerful means. He reminds us that true beauty often resides not in grand gestures but in quiet moments of observation and reflection. His work continues to captivate viewers with its poetic sensibility and masterful use of light, offering a timeless testament to the enduring power of artistic vision.