Af alle Charles Bertier's malerier er Les Fréaux near La Grave (1894) det mest berømte; det hænger på Musée de Grenoble i Grenoble. Lige efter følger Romanche Valley at Pied-du-Col (1894) og The Vénéon Valley in Saint-Christophe-en-Oisans (1894). Blandt de 4 værker af Charles Bertier i vores katalog er disse 4 de mest fejrede, hver vist med sin dato, sit museum og sin historie.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Charles Bertier | Malerier fra denne liste |
|---|---|---|---|
| Grenoble | 4 | Les Fréaux near La Grave, Romanche Valley at Pied-du-Col, The Vénéon Valley in Saint-Christophe-en-Oisans |
Et langt liv i farver: 17 år, fra 1894 til 1910, og Charles Bertiers mest fejrede lærreder fra hvert år.
Les Fréaux near La Grave (1894), Musée de Grenoble, Grenoble. Romanche Valley at Pied-du-Col (1894) og The Vénéon Valley in Saint-Christophe-en-Oisans (1894) følger efter.
Charles Bertier, født i 1860, var 34 år gammel: Les Fréaux near La Grave er fra 1894.
4 værker af Charles Bertier er i vores katalog, dateret fra 1894 til 1910.
Primært i Musée de Grenoble (Grenoble); listen ovenfor nævner hvert museum og dets lærreder.
I 1894, som udgør 3 af de 4 værker på denne side, herunder Les Fréaux near La Grave.
Det tidligste lærred her er Les Fréaux near La Grave (1894); det seneste er Between Two Rains, Lac Robert. Chamrousse (1910).
Musée de Grenoble, Grenoble har 4 af værkerne på denne side, herunder Les Fréaux near La Grave, Romanche Valley at Pied-du-Col og The Vénéon Valley in Saint-Christophe-en-Oisans.
Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.
Born in 1860 in the French city of Grenoble, Charles Alexandre Bertier was destined to follow a path shaped by both family tradition and a profound connection to the mountains. His family operated a glove making business, and for a time, he followed this practical route. He enrolled in a vocational school to master the family trade, learning the discipline of drawing alongside the craft of leather. However, the pull of the landscape proved stronger than the demands of commerce. After serving his military duty, where he first began to display his creative output, he sought formal training at the École des Beaux-Arts in Paris. It was there that his talent for capturing the essence of the natural world began to take a definitive shape.
His early education was deeply influenced by his teacher, Laurent Guetal, who introduced him to the majesty of mountain scenery. This mentorship helped shape a style that would become central to the École Dauphinoise. Alongside contemporaries like Ernest Victor Hareux and Jean Achard, Bertier sought to translate the rugged, imposing presence of the Alps onto canvas. His work was not merely a recording of geography, but an attempt to capture the atmosphere of the high peaks and the valleys that lie beneath them.
The career of Bertier was marked by both significant recognition and sudden, personal loss. He achieved considerable success within the French art establishment, earning thirty-one awards and becoming a member of the Société des Artistes Français. His reputation grew to the point that he was invited to provide decorations for Le Train Bleu, the celebrated restaurant near the Gare de Lyon in Paris. He even ventured briefly into portraiture, working for a benefactor in Russia who intended to place his works in the Hermitage.
His dedication to the mountains was a constant, even when faced with hardship. In 1913, a devastating fire destroyed his studio, consuming his paintings, drawings, and manuscripts. Rather than succumbing to this loss, he sought solace in the very landscapes he loved. He traveled through the French and Swiss Alps, including the heights of Mont Blanc, to find fresh inspiration and resume his exhibitions.
His artistic output included several notable depictions of the Alpine regions, such as:
Bertier was a man deeply embedded in the institutional life of French art. He was a founding member of the Société des Peintres de Montagne and frequently served as a judge on various art competition juries. His ability to render the specific light and texture of the mountains earned him a permanent place in the history of landscape painting. He remained in Grenoble, the city of his birth, until his death in 1924.