Atelier — Gratis fragt til hele verden — Leveringstid: 2–6 uger
      Tiziana Pers, født 1976

      Tiziana Pers: De 5 mest kendte malerier

      Af alle Tiziana Pers's malerier er Elephant Song (2016) det mest berømte; det hænger på THAT'S CONTEMPORARY i Milan. Lige efter følger I see you (2014) og I see you (2014). Blandt de 5 værker af Tiziana Pers i vores katalog er disse 5 de mest fejrede, hver vist med sin dato, sit museum og sin historie.

      Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret oktober 2026.

      Portræt af Tiziana Pers
      Tiziana Pers · født 1976
      Født · død
      født 1976, Udine
      Værker i vores katalog
      5
      Mest kendte
      Elephant Song (2016)
      Flest værker hos
      THAT'S CONTEMPORARY

      Tiziana Perss 10 mest fejrede malerier

      Hvor Tiziana Pers's lærreder hænger

      Det museum, der rummer flest af malerierne på denne side.

      Museum By Værker af Tiziana Pers Malerier fra denne liste
      THAT'S CONTEMPORARY, MilanTHAT'S CONTEMPORARY Milan 5 Elephant Song, I see you, I see you

      År for år: Tiziana Perss mest fejrede lærreder

      Kun 3 år, fra 2014 til 2016, adskiller de daterede lærreder af Tiziana Pers på denne side: her er hvert år i maleri.

      1. 2014
        I see you (2014) af Tiziana Pers
        Lærred 2 af 5

        I see you

        Alder 38 · THAT'S CONTEMPORARY
      2. 2014
        I see you (2014) af Tiziana Pers
        Lærred 3 af 5

        I see you

        Alder 38 · THAT'S CONTEMPORARY
      3. 2014
        I see you (2014) af Tiziana Pers
        Lærred 4 af 5

        I see you

        Alder 38 · THAT'S CONTEMPORARY
      4. 2016
      5. 2016

      Dine spørgsmål om Tiziana Perss malerier, besvaret

      Hvilket er det mest berømte maleri af Tiziana Pers?Læs svaret

      Elephant Song (2016), THAT'S CONTEMPORARY, Milan. I see you (2014) og I see you (2014) følger efter.

      Hvor gammel var Tiziana Pers på tidspunktet for Elephant Song?Læs svaret

      Tiziana Pers, født i 1976, var 40 år gammel: Elephant Song er fra 2016.

      Hvor mange malerier af Tiziana Pers er kendt?Læs svaret

      5 værker af Tiziana Pers er i vores katalog, dateret fra 2014 til 2016.

      Hvilke museer udstiller Tiziana Perss mest kendte lærreder?Læs svaret

      Primært i THAT'S CONTEMPORARY (Milan); listen ovenfor nævner hvert museum og dets lærreder.

      I hvilke år malede Tiziana Pers sine mest berømte lærreder?Læs svaret

      I 2014, som udgør 3 af de 5 værker på denne side, herunder I see you.

      Hvad er de første og de sidste af Tiziana Perss berømte lærreder?Læs svaret

      Det tidligste lærred her er I see you (2014); det seneste er Elephant Song (2016).

      Hvad kan jeg se af Tiziana Pers på THAT'S CONTEMPORARY?Læs svaret

      THAT'S CONTEMPORARY, Milan har 5 af værkerne på denne side, herunder Elephant Song, I see you og I see you.

      Tiziana Pers: malerens historie

      A Life Dedicated to Bridging Worlds: The Art of Tiziana Pers

      Tiziana Pers, born in Udine, Italy, in 1976, is a visual artist whose work transcends traditional boundaries, existing at the compelling intersection of art, activism, and philosophical inquiry. Her multidisciplinary practice—encompassing performance, video, drawing, painting, and installation—is fundamentally rooted in an exploration of the complex relationship between humans and nonhuman animals, and a critical examination of systems of dominion and discrimination that permeate our society. Pers doesn’t simply depict this connection; she actively engages with it, challenging viewers to confront their own preconceptions and complicity within these structures. Her journey began with a strong academic foundation—an honors degree followed by a PhD in Comparative Literature focusing on the dialogue between visual arts and literature—which provided her with a robust theoretical framework for her increasingly impactful artistic endeavors.

      The Art_History Project: An Exchange of Value

      At the core of Pers’s practice lies the groundbreaking *Art_History* project, an ongoing series that embodies her commitment to biocentrism and antiespeciesism. This initiative involves exchanging one of her paintings for a sentient being destined for slaughter—a horse, donkey, rabbit, lamb, chicken, pig, or goat, depending on circumstance. The painting is deliberately sized to match the animal it saves, creating a poignant visual equivalence. Crucially, Pers does not choose the animal herself; rather, the selection is made by the butcher or breeder, adding another layer of complexity and challenging conventional notions of artistic control and agency. A legally binding contract formalizes the exchange, transforming art into a tangible instrument for saving lives without relying on monetary transactions. This act raises profound questions about the economic valuation of life—both human and nonhuman—and the very nature of art’s power to effect change. It is not merely an aesthetic gesture but a real-world intervention with significant ethical implications.

      RAVE East Village Residency: A Sanctuary for Dialogue

      Pers's commitment extends beyond individual acts of rescue through *Art_History* into the broader realm of fostering dialogue and collaboration. She co-founded and directs the *RAVE East Village Artist Residency*, a meta-project situated in a small village in Friuli, Italy, populated by animals rescued through her art exchange program. This residency serves as a unique platform for artistic research and production centered on the role and responsibility of contemporary art in relation to “the Otherness” represented by animals. Pers actively invites artists, critics, philosophers, architects, poets, biologists, and activists to engage with these themes, creating a vibrant interdisciplinary community dedicated to rethinking our relationship with the natural world. The residency has hosted notable figures such as Adrian Paci, Ivan Moudov, Regina José Galindo, and Tomàs Saraceno, demonstrating its growing influence within the contemporary art landscape.

      Themes of Biocentrism and Antiespeciesism

      Pers’s work is deeply informed by biocentric philosophy—the belief that all life has inherent value—and antiespeciesism—the rejection of speciesism, which posits human superiority as a justification for exploiting animals. Her exploration extends beyond the ethical treatment of individual animals to encompass broader issues of racism, sexism, colonialism, and violence against ecosystems. She sees these forms of oppression as interconnected, rooted in similar power dynamics and systems of domination. Her artistic interventions—whether through performance actions, video installations, or meticulously rendered paintings—aim to disrupt these structures and promote a more equitable worldview. The *Elephant Song* series, initially focused on the plight of elephants facing extinction, expanded to include sharks, drawing attention to the cruel practice of finning in parts of Asia. Works like *I see you* serve as direct appeals for empathy and recognition, challenging viewers to acknowledge the sentience and inherent worth of all living beings.

      Historical Significance and Ongoing Impact

      Tiziana Pers’s work occupies a unique position within contemporary art, bridging the gap between aesthetic practice and political activism. Her commitment to biocentrism and antiespeciesism is not merely thematic but deeply embedded in her methodology—from the *Art_History* project's radical exchange of value to the collaborative environment fostered by the *RAVE East Village Residency*. She has exhibited extensively in museums, galleries, and institutions across Italy and internationally, including the Civic Museum of Natural History of Trieste, Palazzo Manin (Udine), Castello di Rivoli Museum of Contemporary Art, and Google Arts & Culture. Pers’s ongoing research continues to challenge conventional artistic boundaries and inspire a critical re-evaluation of our relationship with the nonhuman world, solidifying her position as a significant voice in contemporary art and a powerful advocate for social justice.