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      1938

      Dimensioner
      72.0 x 92.0cm
      Dkr 1796

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      Størrelse

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      Afslut

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      Corner sample of the WhiteWrap canvas edge finish, stretched on massivt træ bars
      Hvid kant Dkr1
      Corner sample of the BlurSideWrap canvas edge finish, stretched on massivt træ bars
      Udvasket kant Dkr1
      Corner sample of the ExtendedWrap canvas edge finish, stretched on massivt træ bars
      Fortsat motiv Dkr1
      Corner sample of the P118B picture frame: støbt polystyren, 5 cm wide and 3 cm thick
      P118B Dkr10
      Corner sample of the P118H picture frame: støbt polystyren, 5 cm wide and 3 cm thick
      P118H Dkr10
      Corner sample of the P118W picture frame: støbt polystyren, 5 cm wide and 3 cm thick
      P118W Dkr10
      Corner sample of the P438Z picture frame: støbt polystyren, 5.5 cm wide and 3.5 cm thick
      P438Z Dkr10
      Corner sample of the P508JH picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
      P508JH Dkr12
      Corner sample of the P508YH picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
      P508YH Dkr12
      Corner sample of the P805H picture frame: støbt polystyren, 5 cm wide and 3.5 cm thick
      P805H Dkr10
      Corner sample of the P805Z picture frame: støbt polystyren, 5 cm wide and 3.5 cm thick
      P805Z Dkr10
      Corner sample of the P919BZ picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
      P919BZ Dkr10
      Corner sample of the P919G picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
      P919G Dkr10
      Corner sample of the P919XJ picture frame: støbt polystyren, 7 cm wide and 3.5 cm thick
      P919XJ Dkr10
      Corner sample of the P959ZH picture frame: støbt polystyren, 5 cm wide and 3 cm thick
      P959ZH Dkr10
      Corner sample of the P968JZ picture frame: støbt polystyren, 6 cm wide and 4 cm thick
      P968JZ Dkr12
      Corner sample of the W106C picture frame: massivt træ, 5 cm wide and 3 cm thick
      W106C Dkr8
      Corner sample of the W218G picture frame: massivt træ, 5 cm wide and 3 cm thick
      W218G Dkr10
      Corner sample of the W218JH picture frame: massivt træ, 5 cm wide and 3 cm thick
      W218JH Dkr8
      Corner sample of the W218Y picture frame: massivt træ, 5 cm wide and 3 cm thick
      W218Y Dkr10
      Corner sample of the W307PJ picture frame: massivt træ, 6 cm wide and 3 cm thick
      W307PJ Dkr10
      Corner sample of the W316G picture frame: massivt træ, 6 cm wide and 3 cm thick
      W316G Dkr10
      Corner sample of the W316PJ picture frame: massivt træ, 6 cm wide and 3 cm thick
      W316PJ Dkr8
      Corner sample of the W316Y picture frame: massivt træ, 6 cm wide and 3 cm thick
      W316Y Dkr10
      Corner sample of the W398PJ picture frame: massivt træ, 5 cm wide and 3 cm thick
      W398PJ Dkr8
      Corner sample of the W4111J picture frame: massivt træ, 6.5 cm wide and 3.5 cm thick
      W4111J Dkr10
      Corner sample of the W500HY picture frame: massivt træ, 7 cm wide and 5 cm thick
      W500HY Dkr15
      Corner sample of the W500JH picture frame: massivt træ, 7 cm wide and 5 cm thick
      W500JH Dkr15
      Corner sample of the W692G picture frame: massivt træ, 8 cm wide and 4 cm thick
      W692G Dkr12
      Corner sample of the W849H picture frame: massivt træ, 5 cm wide and 3 cm thick
      W849H Dkr8
      Corner sample of the W940BG picture frame: massivt træ, 7.5 cm wide and 4.5 cm thick
      W940BG Dkr15
      Corner sample of the W953PJ picture frame: massivt træ, 6 cm wide and 3.5 cm thick
      W953PJ Dkr8
      Corner sample of the H24-GOLD picture frame: udskåret træ med gesso, 10 cm wide and 6 cm thick
      H24-GOLD Dkr30
      Corner sample of the H24-SILVER picture frame: udskåret træ med gesso, 10 cm wide and 6 cm thick
      H24-SILVER Dkr30
      Corner sample of the H36-GOLD picture frame: udskåret træ med gesso, 15 cm wide and 6.5 cm thick
      H36-GOLD Dkr45
      Corner sample of the H36-SILVER picture frame: udskåret træ med gesso, 15 cm wide and 6.5 cm thick
      H36-SILVER Dkr45

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      Navneskilt

      Detaljer om indgraveret bronzeskilt

      This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.

      It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.

      Detaljer om gennemsigtig akrylplade

      The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.

      It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.

      Detaljer om sort akrylplade

      This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.

      The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.

      Samlet pris Dkr 1796

      Glasmulighed er kun tilgængelig i størrelser under 110 cm

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      Beskrivelse af samlerobjektet

      This 1938 abstract oil on canvas by Ben Nicholson features a vibrant return to color. Explore this masterpiece and add it to your collection today.

      Kunstnerbiografi

      Opdag Ben Nicholson OM (1894-1982), en dansk kunstner kendt for sin abstrakte kunst og landskabsbilleder. Inspireret af kubisme og primitiv stil – et ikonisk navn inden for moderne britisk kunst!" meta_keywords: "Ben Nicholson, Ben Nicholson OM, dansk kunstner, abstrakt kunst, modern kunst, kubisme, landskaber, stilleben, reliefkunst

      Om maleriet

      Identification of the Painting 1938

      1938 is an oil on canvas work by the British artist Ben Nicholson. Created in 1938, the piece marks a significant period in the artist's career, coinciding with a return to color. During this time, Nicholson and his wife, the sculptor Barbara Hepworth, provided shelter to the painter Piet Mondrian.

      Born in 1894 in Buckinghamshire, United Kingdom, Ben Nicholson became a central figure in the development of abstract art. His practice evolved from naturalistic still lifes toward the exploration of geometric forms and the relationships between space and form. This specific work, executed in 1938, reflects his engagement with the principles of Cubism and the emerging abstract movements of the era.

      Nicholson lived until 1982, leaving behind a body of work that transitioned from realistic treatments of the material world to a focus on transcendental formal relationships. This painting remains a key example of his mid-career development.

      The Composition and Visual Elements

      The composition marks a significant return to color for the artist, moving away from previous periods of austerity. It is an abstract work that utilizes geometric forms to establish a sense of order. The arrangement is characterized by the use of circles, squares, and rectangles, which simplify the visual field into essential relationships between shapes. This approach reflects a departure from realistic treatments of the material world in favor of exploring transcendental formal structures.

      The work is deeply rooted in the principles of Cubism, emphasizing the flattening of space and the intersection of planes. Its structural logic is linked to the St Ives School and the broader development of abstract art in Britain. The visual language relies on a controlled palette to define these geometric intersections, creating a tension between the perceived surface and the underlying mathematical precision of the forms.

      Technique and Artistic Materials

      The work is an oil painting executed on canvas. Nicholson utilized oil paint to achieve the specific tonal qualities required for this composition, marking a significant return to color in his practice during this period.

      The application of oil on canvas allowed for the precise layering of pigments. This method was essential for the development of the geometric forms and the subtle shifts in the palette that characterize the piece.

      Scientific Studies and Conservation

      Technical analysis through infrared photography has provided significant insight into the structural layers of this oil on canvas. These scans reveal a prominent yellow grid positioned beneath the surface composition. This underlying geometry suggests a deliberate preparatory stage that anticipates the yellow lattices found in the later New York canvases of Piet Mondrian. The presence of this grid is particularly notable given that the work was executed while Nicholson and his wife, Barbara Hepworth, were sheltering Mondrian.

      The painting marks a specific transition in the artist's technical approach, representing a period when Nicholson returned to the use of colour. This shift in palette coincides with the historical circumstances of its creation, capturing a moment of significant cross-influence within the artist's immediate circle. The layering of these geometric elements beneath the visible surface offers a rare view into the conceptual development of the work.

      Spørgsmål og svar

      Hvilken atmosfære ville en reproduktion af "1938" af Ben Nicholson tilføre et rum?

      Den Classic atmosfære i "1938" af Ben Nicholson komplementerer det anbefalede rum: et Living Room.

      Hvilken teknik og stil kendetegner "1938" af Ben Nicholson?

      "1938" er udført i Oil On Canvas i Cubism-stil.

      Kan "1938" forhåndsvises i augmented reality?

      Siden Se i AR for "1938" af Ben Nicholson bruger augmented reality til at vise kunstværket i dit eget rum på en kompatibel enhed.

      Hurtige fakta og kunstquiz

      Hurtige fakta

      • Medium: Oil on canvas
      • Movement: Abstract Art, Cubism, St Ives School
      • Influences: Piet Mondrian
      • Artist: Ben Nicholson
      • Title: 1938
      • Notable elements or techniques: Yellow grid underneath composition

      Kunstquiz

      Der er kun ét korrekt svar på hvert spørgsmål.

      Spørgsmål 1:
      What is the medium used for the artwork '1938'?
      Spørgsmål 2:
      According to the description, what color is the subject's linen shirt?
      Spørgsmål 3:
      What does infrared photography reveal underneath the composition of this painting?
      Spørgsmål 4:
      Who was Nicholson sheltering when this work was painted?
      Spørgsmål 5:
      What is the size of the artwork in centimeters?
      Om Ben Nicholson
      Ben Nicholson

      Ben Nicholson

      1894 - 1982, Storbritannien

      Kunstnerbiografi

      Ben Nicholson OM: Et liv i abstrakt kunst

      • Født: 10. april 1894, Denham, Buckinghamshire, Storbritannien
      • Død: 6. februar 1982, London, Storbritannien

      Tidligt liv og kunstnerisk uddannelse

      • Ben Nicholson blev født ind i en kunstnerisk familie; hans far, Sir William Nicholson, og hans mor, Mabel Pryde, var begge dygtige malere. Dette miljø fremmede en dyb værdsættelse for kunsten fra en tidlig alder.
      • Han modtog sin tidlige uddannelse ved Tyttenhangar Lodge Preparatory School, Seaford, Heddon Court, Hampstead, og Gresham's School i Holt, Norfolk.
      • Nicholson gennemførte sine formelle studier ved Slade School of Fine Art (1910-1911), hvor han var samtidige med fremtrædende kunstnere som Paul Nash, Stanley Spencer, Mark Gertler og Edward Wadsworth. Anecdotisk fortælles det, at han brugte betydelig tid på at spille billard i denne periode, hvor han fandt en æstetisk appel i spillets geometri og bevægelse.

      Kunstnerisk udvikling og indflydelser

      • Tidlige værker: Nicholsons indledende kunstneriske bestræbelser omfattede naturalistiske stilleben, inspireret af hans fars stil.
      • Kubistisk indflydelse: Omkring 1926 begyndte han at udforske abstraktionen, kraftigt påvirket af den syntetiske kubisme og Pablo Picassos arbejde.
      • Neoplasticisme og primitiv stil: Et møde med Piet Mondrian introducerede ham til neoplasticismen, mens hans bekendskab med Henri Rousseau vækkede en interesse for en primitiv stil. Disse indflydelser formede hans kunstneriske retning betydeligt.
      • Centrale bevægelser: Nicholson blev involveret i flere vigtige kunstbevægelser i samtiden, herunder Seven and Five Society (hvor han var formand), Unit One og Abstraction-Création.

      Hovedværker og kunstnerisk stil

      • Relieffer: Nicholson er særligt berømt for sine abstrakte relieffer, som han begyndte at skabe i 1933. Disse værker kombinerede maleri med skulpturelle elementer og skabte en unik visuel oplevelse. De hvide relieffer fra midten af 1930'erne betragtes som blandt hans mest betydningsfulde bedrifter.
      • Stilleben og landskaber: Selvom han er kendt for sin abstraktion, producerede Nicholson også fængslende stilleben og landskaber, der ofte inkorporerede geometriske former og dæmpede farver.
      • Nicholson-væggen: Et bemærkelsesværdigt offentligt værk er "Nicholson Wall", et vægmaleri skabt til haven ved Sutton Place i Guildford, Surrey, som demonstrerer hans overbevisning om, at abstrakt kunst bør være tilgængelig for et bredere publikum.
      • Materialer og teknikker: Han eksperimenterede med forskellige materialer og teknikker, herunder oliemaling, blyant, grus og masonit, som han ofte kombinerede på innovative måder.

      Eftermæle og historisk betydning

      • Moderne britisk kunst: Ben Nicholson anerkendes som en skelsættende figur i moderne britisk kunst, der bidrog væsentligt til udviklingen af abstraktion og reliefskulptur.
      • International anerkendelse: Hans arbejde opnåede international hyldest med udstillinger på prestigefyldte steder som Venedig Biennalen og retrospektive udstillinger på store museer verden over. Han modtog adskillige priser, herunder Order of Merit i 1968.
      • Auktionsrekorder: Nicholsons malerier opnår høje priser på auktion, hvilket afspejler deres kunstneriske værdi og historiske betydning. For eksempel blev "Sept 53 (Balearic)" solgt for 1.650.500 dollars hos Christie's New York i 2011, og "Fiddle and Spanish Guitar" indbragte 3.313.000 euro hos Christie’s Paris i 2012.
      • Indflydelse på efterfølgende kunstnere: Nicholsons innovative tilgang til abstraktion og hans udforskning af form og rum har inspireret generationer af kunstnere.

      Hurtige fakta om Ben Nicholson

      • Artistic Movement Or Style:
        • Abstrakt kunst
        • Kubisme
      • Artists Who Influenced This Artist:
        • Henri Rousseau
        • Pablo Picasso
      • Date Of Birth: April 10, 1894
      • Date Of Death: Februar 6, 1982
      • Full Name: Ben Nicholson OM
      • Nationality: Britisk
      • Notable Artworks:
        • Sept 53 (Balearic)
        • Fiddle og spansk guitar
      • Place Of Birth: London, Storbritannien
      Ben Nicholson 1938 () · Inklusive ramme: · Håndmalet med olie på lærred

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