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Guide til elevkunst

Sack Race, Bournemouth

Navn Klasse Dato

Andrew Macara, Sack Race, Bournemouth (1991). Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Andrew Macara topimpressionists.com/da/artists/andrew-macara/
Kunstnerens årstal
1944 –
Malet
1991
Oprindelig størrelse
74 x 49 cm

I kontekst

Sack Race, Bournemouth — Andrew Macara

Hvor stor er den?

Originalen måler 74 × 49 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode, hvor 0 tælles fra fødslen.

Malet da kunstneren var 47 år gammel. 2 af de 8 daterede værker af denne kunstner i vores katalog er skabt tidligere.

▲ dette værk, 1991 hvert dateret maleri, årti for årti

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: topimpressionists.com/da/art/similar/andrew-macara-sack-race-bournemouth-AR29UL-en/

Farver

Målt ud fra billedet

    Primær farve

    Clay #df594f

    Katalogiseret palet

    • #DF594F
    • #E8CFB3
    • #29678C
    • #7C8884

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Neutrals Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Clay
    Intensitet
    Vivid Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Bold Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Discordant Palette Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Balanced Soft Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Andrew Macara i løbet af de sidste tolv måneder — 1 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 100,0%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 3 mest viste værker af Andrew Macara

    1. 1 The Upturned Boats, Llandudno, 1991 50,0%
    2. 2 Sandcastles, Blackpool, 1991 50,0%
    3. — Sack Race, Bournemouth, 1991 dette maleri 0,0%

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 8 værker af denne kunstner, hvoraf 2 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Andrew Macara

    Andrew Macara (b.1944): A Painter Rooted in Coastal Devon

    Andrew Macara, born in Ashbourne, Derbyshire, in 1944, embarked on a largely self-taught artistic journey that would ultimately establish him as one of Britain’s most distinctive contemporary landscape painters. Rejecting formal academic training initially, he honed his skills through observation and experimentation, developing a singular style characterized by vibrant colour palettes and an intuitive grasp of light and shadow—elements that would become central to his oeuvre. His formative years were spent absorbing the artistic spirit of St Ives School of Painting alongside Leonard Fuller, fostering connections with fellow artists who championed Impressionistic techniques.

    Early Influences: Macara’s initial exposure to art was profoundly shaped by the Cornish landscape and the pioneering work of artists like Alfred Munnings and Stanhope Forbes, whose depictions of coastal scenes instilled in him a deep appreciation for capturing atmospheric conditions and conveying emotion through colour.

    Royal Society of British Artists Membership (1981): Recognition of his artistic talent arrived with election to the Royal Society of British Artists (RBA) in 1981, marking a pivotal moment in his career and solidifying his position within the British art establishment.

    A Distinctive Style: Impressionism and Coastal Landscapes

    Macara’s artistic approach is fundamentally rooted in Impressionistic principles—a deliberate choice that prioritizes capturing fleeting moments of light and colour over meticulous detail. He eschews photographic realism, instead striving to convey the essence of his subjects through expressive brushstrokes and tonal variations. This stylistic commitment is particularly evident in his celebrated depictions of Devon’s coastline, where he meticulously renders the interplay between sunlight and sea spray, creating canvases brimming with vibrancy and dynamism. His paintings are frequently compared to those of William Gear and Annish Kapoor, artists who similarly championed a bold aesthetic that embraced abstraction while retaining an awareness of tonal harmony.

    Palette & Technique: Macara’s distinctive palette—often dominated by hues of turquoise, ochre, and crimson—reflects his fascination with capturing the dramatic beauty of coastal environments. He employs loose brushstrokes and layering techniques to build up textures and imbue his canvases with palpable energy.

    Notable Exhibitions & Commissions

    Macara’s artistic reputation gained considerable traction through participation in prestigious art exhibitions, including Royal Academy Summer Exhibitions and the New English Art Club mixed exhibitions. His work has been showcased at galleries across Britain, notably Red Rag Gallery and Olympia Contemporary Art Fair, attracting attention from discerning collectors worldwide. Furthermore, he undertook significant commissions for public and private clients—a testament to his ability to translate conceptual ideas into compelling visual narratives.

    Specific Achievements: Among Macara’s most notable accomplishments is his contribution to the “Olympic Art Programme” in 2009, where he created a series of paintings inspired by the spirit of athletic endeavour and human resilience.

    Travel & Artistic Inspiration

    Throughout his career, Macara has travelled extensively—capturing images from diverse locales including South India, Santorini (Greece), and the Costa Brava (Spain)—to fuel his artistic imagination. These journeys broadened his visual vocabulary and deepened his understanding of cultural landscapes, enriching his paintings with nuanced observations about human interaction with nature. His Derbyshire home continues to serve as a source of inspiration—particularly for winter scenes that evoke the quiet beauty of snow-covered hillsides.

    Legacy & Recognition

    Andrew Macara’s enduring influence on British landscape painting is undeniable. His unwavering dedication to Impressionistic technique and his masterful portrayal of coastal vistas have cemented his place among Britain's most respected artists. He remains a prolific painter, consistently producing works that resonate with viewers through their expressive colour palettes and evocative compositions—a testament to the transformative power of artistic vision and lifelong engagement with the natural world. His work is held in numerous collections internationally, ensuring that his distinctive style will continue to inspire future generations of painters.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Sack Race, Bournemouth

    topimpressionists.com/da/art/download/andrew-macara-sack-race-bournemouth-AR29UL-en/

    Kildehenvisning til dette kunstværk

    MLA
    Macara, Andrew. Sack Race, Bournemouth. 1991, https://topimpressionists.com/da/art/andrew-macara-sack-race-bournemouth-AR29UL-en/
    APA
    Macara, Andrew (1991). Sack Race, Bournemouth [Painting]. https://topimpressionists.com/da/art/andrew-macara-sack-race-bournemouth-AR29UL-en/
    Chicago
    Andrew Macara. Sack Race, Bournemouth. 1991. https://topimpressionists.com/da/art/andrew-macara-sack-race-bournemouth-AR29UL-en/
    Harvard
    Macara, Andrew (1991) Sack Race, Bournemouth. Available at: https://topimpressionists.com/da/art/andrew-macara-sack-race-bournemouth-AR29UL-en/

    Se nærmere efter

    Sack Race, Bournemouth — Andrew Macara

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Late Afternoon, Woolacombe (1989) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Andrew Macara var omkring 47 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Er farverne i "Sack Race, Bournemouth" af Andrew Macara mættede eller dæmpede?

    "Sack Race, Bournemouth" af Andrew Macara er gengivet med en Balanced Soft mætning.

    Hvordan finder jeg kunstværker, der minder om "Sack Race, Bournemouth" af Andrew Macara?

    Se lignende værker til "Sack Race, Bournemouth" på siden Lignende værker.

    Er billedet af "Sack Race, Bournemouth" af Andrew Macara frit tilgængeligt i det offentlige domæne?

    "Sack Race, Bournemouth" af Andrew Macara er stadig beskyttet af ophavsret. Denne status bestemmer, hvordan billedet af værket må reproduceres.