Papirformat

Guide til elevkunst

Self Portrait

Navn Klasse Dato

Andrew Young, Self Portrait (1922). Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren. Se dette lærred under bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Andrew Young topimpressionists.com/da/artists/andrew-young/
Malet
1922
Oprindelig størrelse
32 x 24 cm

I kontekst

Self Portrait — Andrew Young

Dimensioner

Originalen måler 32 × 24 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920

▲ dette værk, 1922 hvert dateret maleri, årti for årti

Sammenlignelige værker

  • A Select Tea Party topimpressionists.com/da/art/andrew-young-a-select-tea-party-AR262U-en/
  • Cat on a Chair topimpressionists.com/da/art/andrew-young-cat-on-a-chair-AR262Y-en/
  • Portrait of a Girl topimpressionists.com/da/art/andrew-young-portrait-of-a-girl-AR262S-en/

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: topimpressionists.com/da/art/similar/andrew-young-self-portrait-AR262J-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Espresso #65573f

    Gemt palet

    • #65573F
    • #252528
    • #423E34
    • #968573

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Primær farve
    Espresso
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Serene Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Andrew Young i løbet af de sidste tolv måneder — 1 lande i alt. Hvor disse tal stammer fra

    De ti førende lande

    1. 1 Kina 100,0%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 4 mest viste værker af Andrew Young

    1. 1 Girl and Flowers 33,3%
    2. 2 Portrait of a Girl 33,3%
    3. 3 Mary Barclay 33,3%
    4. Self Portrait, 1922 dette maleri 0,0%

    Sammen udgør disse værker 99,9% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 10 værker af denne kunstner, hvoraf 3 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Andrew Young

    A Tapestry of Tradition and Observation

    The artistic essence of Andrew Young is a profound dialogue between the meticulous observation of the natural world and a deep-seated reverence for the storytelling traditions of his heritage. A Taiwanese-Indonesian-American artist and educator currently based in Minneapolis, Young possesses a unique perspective shaped by a multicultural upbringing. This rich tapestry of influences—spanning from the vibrant landscapes of Southeast Asia to the quiet, rugged terrains of New England—informs a practice that is as much about memory and identity as it is about light and color. His journey into the visual arts was deeply intertwined with his training in puppetry, a discipline that taught him the delicate balance of movement, character, and narrative, elements that he now translates onto the canvas through expressive brushwork and evocative compositions.

    Young’s creative development reached a pivotal moment during his formative years at the University of Minnesota, where his fascination with the nuances of the American landscape began to coalesce into a distinct painterly voice. He found himself drawn to the quietude of rural life, seeking to capture the subtle emotional resonances found in moments of solitude. His work is heavily indebted to the masters of American realism and regionalism; one can discern the haunting, solitary atmospheres of Edward Hopper and the grounded, tactile storytelling of Andrew Wyeth within his landscapes. By synthesizing these influences, Young has developed a style that bridges the gap between stark realism and a more poetic, impressionistic interpretation of the world around him.

    The Luminous Language of Landscape

    At the heart of Young’s technical mastery is a commitment to capturing the ephemeral qualities of light and atmosphere. His practice frequently centers on the landscapes of Maine, a region whose rugged topography and rich visual heritage provide an endless source of inspiration. To convey the shifting moods of the natural world—from the soft, pearlescent glow of a winter dawn to the deep, melancholic shadows of dusk—Young employs a sophisticated technique of layered glazing. By applying thin, translucent washes of color over successive layers, he builds a depth of tone that allows light to appear as if it is emanating from within the painting itself.

    This meticulous approach enables him to render the textures of the earth—the frost on a snowscape, the roughness of bark, or the stillness of a forest floor—with remarkable clarity. Yet, his work transcends mere topographical accuracy. Through his use of color and light, Young explores profound themes of connection and isolation. His paintings often serve as meditations on the passage of time and the enduring presence of the natural world, inviting the viewer into a space of quiet contemplation. In his hands, a simple landscape becomes a vessel for intangible feelings, capturing the very essence of stillness and the weight of memory.

    Legacy of Regionalism and Innovation

    Young’s artistic vision is defined by a beautiful tension between honoring historical movements and embracing contemporary innovation. He draws significant inspiration from the American Regionalist movement, an era characterized by artists who sought to find beauty and significance in the everyday lives and landscapes of the American heartland. By situating his work within this tradition, Young contributes to a continuing legacy of art that celebrates the local, the rural, and the authentic.

    Beyond his contributions to landscape painting, his role as an educator and puppeteer underscores a holistic approach to art as a tool for community engagement and storytelling. His career is marked by several notable achievements, including:

    Collaborative Artistry: His work with organizations such as Mayday and Barebones, where he integrates performance and visual art.

    Cultural Synthesis: The successful integration of his Taiwanese-Indonesian roots into the context of American Regionalist painting.

    Technical Mastery: The refinement of glazing techniques to achieve a unique luminosity in New England subject matter.

    Ultimately, Andrew Young stands as a contemporary voice that reminds us of the power of observation. His work does not merely depict a place; it evokes a feeling, ensuring that the quiet beauty of the natural world remains a central subject in the modern artistic consciousness.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Self Portrait

    topimpressionists.com/da/art/download/andrew-young-self-portrait-AR262J-en/

    Kildehenvisning til dette kunstværk

    MLA
    Young, Andrew. Self Portrait. 1922, https://topimpressionists.com/da/art/andrew-young-self-portrait-AR262J-en/
    APA
    Young, Andrew (1922). Self Portrait [Painting]. https://topimpressionists.com/da/art/andrew-young-self-portrait-AR262J-en/
    Chicago
    Andrew Young. Self Portrait. 1922. https://topimpressionists.com/da/art/andrew-young-self-portrait-AR262J-en/
    Harvard
    Young, Andrew (1922) Self Portrait. Available at: https://topimpressionists.com/da/art/andrew-young-self-portrait-AR262J-en/

    Se nærmere efter

    Self Portrait — Andrew Young

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på A Select Tea Party tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Hvad har kunstneren måske ønsket, at du skulle føle?
    5. Hvis du kunne stille kunstneren ét spørgsmål om dette værk, hvad ville det så være?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål & svar

    Er farverne i "Self Portrait" af Andrew Young livlige eller dæmpede?

    "Self Portrait" af Andrew Young er gengivet med en Muted mætning og en Monochromatic intensitet.

    Hvor kraftig er kontrasten i "Self Portrait" af Andrew Young?

    "Self Portrait" af Andrew Young fremviser en Serene kontrast mellem sine lyse og mørke områder.

    Hvilken farvepalette og hvilken dominerende farve definerer "Self Portrait"?

    "Self Portrait" af Andrew Young benytter en Earthy farvepalet, hvor Espresso (#65573f) er den dominerende farve.