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At the Garden Table

Navn Klasse Dato

August Macke, At the Garden Table (1914). Offentlig ejendom. Se dette lærred under bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
August Macke topimpressionists.com/da/artists/august-macke_da/
Kunstnerens levetid
1887 – 1914
Malet
1914
Bevægelse
Fauvism Wild, unnatural colour used straight from the tube — critics called the painters "wild beasts".
Periode
Modern
Artistic style
Fauvist, Expressionist
Influences
Salvador Dali
Notable elements or techniques
Bold colors, Geometric shapes
Subject or theme
Everyday life, garden scene

I kontekst

At the Garden Table — August Macke

Hvornår er dette malet?

  1. 1880
  2. 1890
  3. 1900
  4. 1910

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 27 ved død.

Malet da kunstneren var 27 år gammel. Kunstneren blev 27 år gammel. 83 af de 138 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: August Macke' livstid (1887–1914) ▲ dette værk, 1914 hvert dateret maleri, årti for årti

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: topimpressionists.com/da/art/similar/august-macke-at-the-garden-table-8XXPFQ-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Steel Blue #3d588b

    Gemt palet

    • #3D588B
    • #AD5E3C
    • #302B26
    • #EAC090

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Dark Den dominerende farvefamilie i billedet.
    Primær farve
    Steel Blue
    Intensitet
    Vivid Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Discordant Palette Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Clear Color Presence Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af August Macke i løbet af de sidste tolv måneder — 40 lande i alt. Hvor disse tal stammer fra

    De ti førende lande

    1. 1 Kina 44,1%
    2. 2 USA 5,8%
    3. 3 Mexico 5,1%
    4. 4 Tyskland 4,7%
    5. 5 Spanien 4,1%
    6. 6 Frankrig 3,4%
    7. 7 Hong Kong 3,4%
    8. 8 Sydkorea 3,4%
    9. 9 Colombia 2,4%
    10. 10 Indien 2,0%
    11. · 30 andre lande 21,6%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 20 mest viste værker af August Macke

    1. 1 Kvinde i grøn jakke, 1913 40,9%
    2. 2 Landskab med køer og kamel, 1914 4,6%
    3. 3 Baderpiger med by baggrund, 1913 3,3%
    4. 4 Hat Shop, 1913 2,8%
    5. 5 Market in Tunis II 2,5%
    6. 6 Still life hyacinths carpet, 1910 1,5%
    7. 7 Three girls in yellow straw hats I, 1913 1,3%
    8. 8 Milliner 1,3%
    9. 9 Little Walter, 1912 1,0%
    10. 10 Inner courtyard of house in St. Germain, 1914 1,0%
    11. 11 Man Reading in a Park, 1914 0,8%
    12. 12 Portrait of Franz Marc, 1910 0,8%
    13. 13 At the Garden Table, 1914 dette maleri 0,8%
    14. 14 Red house in park, 1914 0,8%
    15. 15 Church with Flags, 1914 0,8%
    16. 16 Sailing boat on the Tegernsee, 1910 0,8%
    17. 17 Promenade, 1913 0,8%
    18. 18 Bright House, 1914 0,8%
    19. 19 Hat Shop, 1914 0,8%
    20. 20 Portrait of the Artist's Wife with Hat, 1909 0,8%

    Sammen udgør disse værker 68,2% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 228 værker af denne kunstner, hvoraf 118 er blevet set mindst én gang. Dette maleri rangerer som nummer 13 af dem, med 0,8% af den opmærksomhed. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Om dette kunstværk

    At the Garden Table — August Macke

    At the Garden Table: A Glimpse of Everyday Life Through Fauvism

    August Macke's At the Garden Table is a captivating oil on canvas painting created in 1914, offering a vibrant and intimate portrayal of everyday life through the lens of Fauvism. This artwork exemplifies Macke’s unique ability to distill complex scenes into elegant compositions characterized by bold colors and energetic brushstrokes. The piece, now residing within the esteemed collection of the Baltimore Museum of Art, invites viewers to step into a tranquil garden setting where two figures engage in quiet contemplation.

    The Artist and His Artistic Journey

    August Robert Ludwig Macke (1887-1914) was a pivotal figure in the German Expressionist movement. Born in Meschede, Germany, his artistic journey began at the Kunstakademie Düsseldorf. Initially influenced by Impressionism and Post-Impressionism, Macke's style underwent a significant transformation following his exposure to French Fauvism. A crucial turning point arrived with his encounter with Robert Delaunay in Paris (1912), which introduced him to Chromatic Cubism or Orphism – a style he incorporated into works like Shops Windows, blending it with the dynamism of Italian Futurism. As a member of Der Blaue Reiter (The Blue Rider) group, Macke sought to express inner emotions and spiritual experiences through color and form, departing from traditional representational art.

    Key Elements and Compositional Choices

    At the Garden Table showcases several defining characteristics of Macke’s artistic approach. The painting depicts two individuals seated at a table within a lush garden environment, surrounded by vibrant greenery and colorful flowers. Macke's masterful use of bold, saturated colors—ranging from striking greens and yellows to deep blues and reds—creates an immediate sense of energy and visual excitement. Geometric shapes are strategically employed to structure the composition, fostering a feeling of harmony and balance despite the seemingly spontaneous brushwork. The flattened perspective contributes to the painting’s immediacy, drawing the viewer into the scene. Macke's skillful manipulation of light and shadow adds depth and dimension, enhancing the overall sense of warmth and intimacy.

    Historical Context and Symbolism

    Created in 1914, just before the outbreak of World War I, At the Garden Table reflects a yearning for tranquility and beauty amidst growing societal unrest. The painting’s subject matter—a simple scene of everyday life—can be interpreted as a celebration of ordinary moments and human connection. While seemingly straightforward, the artwork also carries symbolic weight. The garden setting itself can represent paradise or an idyllic escape from the harsh realities of the world. Macke's vibrant color palette may symbolize joy, vitality, and optimism, offering a counterpoint to the impending darkness of war. The painting’s style is distinctly Expressionistic, characterized by distorted forms, heightened colors, and an emphasis on conveying inner emotions.

    A Lasting Legacy

    At the Garden Table stands as a testament to August Macke's artistic genius and his contribution to the development of modern art. His unique style continues to inspire artists today, demonstrating the enduring power of color, composition, and emotional expression. The painting’s ability to evoke a sense of warmth, intimacy, and quiet contemplation makes it a truly captivating piece—a timeless reflection on the beauty of everyday life.

    Kunstner og museum

    Kunstner

    August Macke

    Født i Meschede, Tyskland

    A Life Cut Short: The Vibrant World of August Macke

    August Robert Ludwig Macke, a name forever intertwined with the brief but brilliant flowering of German Expressionism, lived a life tragically curtailed by the horrors of the First World War. Born in 1887 in Meschede, a small town nestled within the Sauerland region of Westphalia, his artistic journey was one of rapid evolution and profound exploration – a relentless pursuit to capture not just what he saw, but how he felt about it. Macke’s early years were marked by a restless spirit and an insatiable curiosity, leading him away from his family's building business and towards the vibrant world of art. His formal training at the Düsseldorf Art Academy, though ultimately deemed insufficient by his own discerning eye, provided a crucial foundation, while independent study and extensive travel proved to be the true catalysts for his unique artistic voice. These formative years were characterized by an absorption of Impressionist and Post-Impressionist techniques – particularly the evocative use of light and color – laying the groundwork for the bolder, more emotionally charged expressions that would define his later work. He supplemented his income through stage design, a demanding profession that honed his compositional skills and sharpened his eye for visual harmony.

    Influences and Artistic Development

    Macke’s artistic trajectory was profoundly shaped by encounters with some of the most influential figures and movements of the early 20th century. A pivotal moment arrived in Paris in 1912, where he met Robert Delaunay, a leading proponent of Orphism – a branch of Cubism that focused on pure abstraction and the ecstatic harmony of color. This encounter proved transformative, introducing Macke to the concept of simultaneous contrast and profoundly influencing his approach to composition. He began experimenting with broken planes of color and abstracted forms, seeking to convey not just what he saw, but how he felt about it – a key characteristic of Expressionism. Simultaneously, his close friendship with Franz Marc, a fellow artist and a central figure in the influential group Der Blaue Reiter (The Blue Rider), drew him into the orbit of Wassily Kandinsky and other avant-garde thinkers. While Macke’s style remained distinct from Kandinsky's more purely abstract explorations, he embraced the group’s spirit of artistic freedom and spiritual inquiry. His paintings began to reflect a growing interest in depicting the emotional resonance of landscapes and everyday life – imbued with a sense of joy, optimism, and a yearning for connection. The influence of Henri Matisse, whose bold use of color and simplified forms captivated Macke during his time in Paris, is also evident in many of his works. He was particularly drawn to the Fauvist movement’s emphasis on vibrant hues and expressive brushstrokes, incorporating these techniques into his own distinctive style.

    The Blue Rider and Beyond: A Unique Expressionist Vision

    As an integral member of Der Blaue Reiter, Macke contributed significantly to the group's exhibitions and publications, helping to disseminate its radical ideas about art and spirituality. However, he wasn’t simply a follower; he forged his own unique path within the movement. Unlike some of his colleagues who leaned towards darker, more angst-ridden themes – often reflecting the anxieties of the time – Macke consistently sought to portray beauty and harmony in the world around him. His paintings, such as Bathing Girls with Town in the Background, exemplify this approach – vibrant colors, simplified forms, and a sense of idyllic tranquility characterize his work. He masterfully blended elements of Fauvism, Cubism, and Futurism into a distinctly personal style, creating compositions that are both visually striking and emotionally resonant. Woman in a Green Jacket, painted in 1913, is another prime example – a portrait radiating warmth and vitality through its bold color palette and confident brushwork. His later works, like Türkisches Café, demonstrate his luminist approach, capturing the play of light and shadow with remarkable sensitivity. The influence of Japanese art, particularly woodblock prints, can also be detected in his use of composition and perspective.

    A Tragic End and Lasting Legacy

    The outbreak of World War I brought a sudden and devastating end to Macke’s promising career. Driven by patriotic fervor – a sentiment tragically common among many artists at the time – he volunteered for military service in 1914. Tragically, he was killed in action just weeks later, on September 26th, at the front near Champagne, France, at the young age of 27. His final painting, Farewell, poignantly captures the somber mood that descended upon Europe as war engulfed the continent – a haunting testament to his untimely demise. Despite his tragically short life, August Macke left behind a body of work that continues to captivate and inspire. He remains a significant figure in the history of Expressionism, celebrated for his vibrant colors, dynamic compositions, and optimistic vision. His paintings offer a glimpse into a world on the cusp of change – a world grappling with modernity, industrialization, and the looming threat of war – imbued with a sense of beauty and hope amidst growing uncertainty.

    Exploring Macke’s World Today

    Today, August Macke's works are held in prominent collections worldwide, including the Staatsgalerie Moderner Kunst in Munich, the Museum Ludwig in Cologne, and the Kunsthaus Zürich. Several museums dedicated to Expressionism feature his paintings prominently, offering visitors a chance to experience the power of his art firsthand. The Westfälisches Landesmuseum Münster and the Kunstmuseum Bonn are particularly noteworthy for their holdings of Macke’s work. His influence can be seen in the continued exploration of color and emotion by contemporary artists. For those seeking to delve deeper into his world, resources like Artnet and Wikipedia provide valuable biographical information and insights into his artistic development. Exploring his paintings through online databases such as AllPaintingsStore allows for a closer examination of his technique and subject matter – revealing the enduring appeal of this remarkable artist whose life was tragically cut short but whose legacy continues to shine brightly.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for At the Garden Table

    topimpressionists.com/da/art/download/august-macke-at-the-garden-table-8XXPFQ-en/

    Kildehenvisning til dette kunstværk

    MLA
    Macke, August. At the Garden Table. 1914, https://topimpressionists.com/da/art/august-macke-at-the-garden-table-8XXPFQ-en/
    APA
    Macke, August (1914). At the Garden Table [Painting]. https://topimpressionists.com/da/art/august-macke-at-the-garden-table-8XXPFQ-en/
    Chicago
    August Macke. At the Garden Table. 1914. https://topimpressionists.com/da/art/august-macke-at-the-garden-table-8XXPFQ-en/
    Harvard
    Macke, August (1914) At the Garden Table. Available at: https://topimpressionists.com/da/art/august-macke-at-the-garden-table-8XXPFQ-en/

    Se nærmere efter

    At the Garden Table — August Macke

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Hvor mange ansigter kan du finde? ____ (vores katalog tæller 2 — er du enig?)
    4. Vores katalog klassificerer dette værk under: garden, table, figures. Er du enig? Hvad ville du tilføje eller fjerne?
    5. Se tilbage på Kvinde i grøn jakke (1913) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Kunstquiz

    At the Garden Table — August Macke

    Hvor godt kender du dette kunstværk?

    Afkryds ét svar for hvert af de 5 spørgsmål nedenfor. Hvert spørgsmål har præcis ét korrekt svar.

    1. 1. What artistic movement is August Macke’s ‘At the Garden Table’ most closely associated with?

      • A Cubism
      • B Fauvism
      • C Surrealism
    2. 2. According to the description, what element is prominently used in Macke's painting to convey a sense of energy and movement?

      • A Subtle shading
      • B Bold, vibrant colors
      • C Realistic depictions
    3. 3. Which artist is mentioned as sharing similarities with August Macke in their exploration of color and composition?

      • A Claude Monet
      • B Salvador Dali
      • C Vincent van Gogh
    4. 4. What is a key characteristic of the painting's style, as described in relation to Expressionism?

      • A Precise realism and detailed accuracy
      • B Distorted forms and heightened colors
      • C Monochromatic palettes and smooth brushstrokes
    5. 5. What group was August Macke a part of, contributing to the development of modern art?

      • A Impressionists
      • B Der Blaue Reiter
      • C Cubists

    Min score: ____ ud af 5

    Facitliste — til læreren

    Dette starter en ny trykt side, som blot kan udelades fra kopierne.

    1B · 2B · 3B · 4B · 5B

    Kontrollér alle svar mod katalogposten for dette maleri

    Spørgsmål & svar

    Hvilken placering passer til formatet på "At the Garden Table" af August Macke?

    Format (Portrait) og anbefalet rum (Living Room) er de to placeringsoplysninger, der er registreret for "At the Garden Table" af August Macke.

    Hvilken printstørrelse og orientering anbefales til "At the Garden Table"?

    Til "At the Garden Table" er den anbefalede printopsætning en størrelse på Medium og en Portrait orientering.

    Hvilken følelse skaber farverne i "At the Garden Table" af August Macke?

    "At the Garden Table" af August Macke kombinerer en Dark farvepalet med en Tranquil tone.