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Undervisningsvejledning: Cavalier

Den fulde post for Cavalier

Navn Klasse Dato

Dora Maar, Cavalier (1936). Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Dora Maar topimpressionists.com/da/artists/dora-maar/
Kunstnerens årstal
1907 – 1997
Malet
1936
Oprindelig størrelse
29.7 x 23.9cm
Bevægelse
Surrealism Dream logic painted with waking precision: impossible things shown as if they were ordinary.

I kontekst

Cavalier — Dora Maar

Hvor stor er den?

Originalen måler 30 × 24 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970
  9. 1980
  10. 1990

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 90 ved død.

Malet da kunstneren var 29 år gammel. Kunstneren blev 90 år gammel. 5 af de 11 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: Dora Maar' livstid (1907–1997) ▲ dette værk, 1936 hvert dateret maleri, årti for årti

Første værker: frem til 1935 Primære arbejdsår: 1935–1938 Senere værker: fra 1938

Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år, som kunstnerens liv er vævet ind i dem

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: topimpressionists.com/da/art/similar/cavalier-by-dora-maar/

Farver

Målt ud fra billedet

    Primær farve

    Espresso #3d3d37

    Katalogiseret palet

    • #3D3D37
    • #1D1C1A
    • #9DA094
    • #696961

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Navn på hovedfarve
    Espresso
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Bold Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Unified Palette Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Dora Maar i løbet af de sidste tolv måneder — 1 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Canada 100,0%100 besøg

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 3 mest viste værker af Dora Maar

    1. 1 Portrait de Frida Kahlo 88,9%800 besøg
    2. 2 Portrait de Picasso 11,1%100 besøg
    3. — Cavalier, 1936 dette maleri 0,0%0 besøg

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 13 værker af denne kunstner, hvoraf 2 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Dora Maar

    Født i 6th arrondissement of Paris, France

    Dora Maar: A Surrealist Visionary and Political Witness

    Dora Maar (Henriette Theodora Markovitch, 1907-1997) remains a captivating figure in the annals of 20th-century art – a photographer, painter, and intellectual whose life was inextricably intertwined with the turbulent currents of Surrealism, political activism, and the passionate intensity of her relationship with Pablo Picasso. Often overshadowed by the brilliance of her collaborator, Maar’s unique vision, marked by psychological depth, social critique, and a strikingly unconventional approach to both photography and painting, deserves far greater recognition. Her story is not merely one of a muse; it's that of an artist who forged her own path amidst a world grappling with war, revolution, and the shifting landscapes of artistic expression.

    Early Life and Artistic Beginnings: Born in Paris to a Croatian architect father and a French mother, Maar’s early years were spent in Buenos Aires. She began her artistic journey formally at the École de Beaux-Arts and the Académie Julian in Paris, honing her skills in painting before gravitating towards photography. Her initial work focused on commercial assignments for fashion magazines and advertising campaigns, providing a crucial foundation for her later explorations of form and composition.

    Collaboration with Kéfer and Cartier-Bresson: A pivotal moment arrived in 1930 when she joined forces with Pierre Kéfer, establishing a shared studio that became a hub for artistic experimentation. This collaboration extended to the influential photographer Brassaï, with whom she shared the darkroom, absorbing his techniques and developing her own distinctive style.

    The Surrealist Years: Politics, Photography, and Picasso’s Influence

    Maar's involvement in the Surrealist movement was profound, extending beyond mere aesthetic affiliation to encompass a deep engagement with its political ideals. Following her introduction to Pablo Picasso in 1935, she became deeply involved in leftist groups like “masses” and the Union of Intellectuals against Fascism, reflecting a commitment to social justice that permeated much of her work. This period witnessed a significant shift in her artistic practice, influenced by both Picasso’s mentorship and her own evolving sensibilities.

    Political Activism: Her participation in demonstrations, convocations, and the signing of manifestos like ‘When Surrealists Were Right’ demonstrated her unwavering commitment to anti-fascist causes. She documented the social and economic hardships of the Depression era through her photography, offering a starkly realistic portrayal of poverty and displacement.

    The Picasso Connection: Her relationship with Picasso was complex and transformative. He recognized her unique perspective and incorporated her influence into his work, most notably in Guernica, where her photographic documentation played a crucial role. However, Maar herself acknowledged that Picasso’s portraits often obscured her true identity, stating, “All his portraits of me are lies. They're all Picassos. Not one is Dora Maar.”

    Photographic Innovations: During this time, Maar experimented with photographic techniques, pushing the boundaries of the medium through photomontage and exploring themes of psychology, dreams, and inner states. Her work in the darkroom was particularly innovative, utilizing unconventional methods to create hauntingly evocative images.

    A Photographic Legacy: Portraits, Fashion, and Social Commentary

    Maar’s photographic output spanned a diverse range of subjects, from glamorous fashion shoots to poignant depictions of social unrest. Her portraits are particularly striking – characterized by their psychological intensity, fragmented forms, and often unsettling gazes. She possessed an uncanny ability to capture the essence of her subjects, revealing both their beauty and their vulnerability.

    Iconic Portraits: Among her most celebrated photographs are portraits of Jacqueline Lamba (Picasso’s wife), André Breton, and, of course, Pablo Picasso himself. These images are not merely representations of appearance but rather explorations of personality and inner life.

    Fashion and Advertising: Her work in the fashion industry showcased a keen eye for composition and an understanding of visual aesthetics, while her documentary photographs documented the realities of poverty and social inequality during the Depression.

    The ‘Weeping Woman’ Influence: Picasso's iconic Weeping Woman series, inspired by Maar’s own emotional state, stands as a testament to the profound impact she had on his artistic vision.

    Beyond Picasso: A Lasting Artistic Contribution

    While often remembered primarily as Picasso's muse and lover, Dora Maar’s artistic legacy extends far beyond this association. Her pioneering work in photography – particularly her exploration of psychological themes and unconventional techniques – established her as a significant figure within the Surrealist movement. Her commitment to social justice and political activism further enriched her artistic practice, imbuing her work with a powerful sense of empathy and critical awareness. Today, Maar’s photographs continue to resonate with viewers, offering a glimpse into a complex and fascinating life—a testament to an artist who defied expectations and left an indelible mark on the world of art.

    Læs mere her

    Alle fakta vi har om Cavalier by Dora Maar, på dens værkside

    Findes online

    QR-kode med link til downloadside for Cavalier

    topimpressionists.com/da/art/download/cavalier-by-dora-maar/

    Kildehenvisning til dette kunstværk

    MLA
    Maar, Dora. Cavalier. 1936, https://topimpressionists.com/da/art/cavalier-by-dora-maar/
    APA
    Maar, Dora (1936). Cavalier [Painting]. https://topimpressionists.com/da/art/cavalier-by-dora-maar/
    Chicago
    Dora Maar. Cavalier. 1936. https://topimpressionists.com/da/art/cavalier-by-dora-maar/
    Harvard
    Maar, Dora (1936) Cavalier. Available at: https://topimpressionists.com/da/art/cavalier-by-dora-maar/

    Se nærmere efter

    Cavalier — Dora Maar

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Pere Ubu (1936) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Surrealism: Dream logic painted with waking precision: impossible things shown as if they were ordinary. Hvor kan du se det i dette værk?
    5. Dora Maar var omkring 29 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Kan jeg se et røntgenbillede af "Cavalier" af Dora Maar?

    Røntgenoptagelse-siden til "Cavalier" af Dora Maar er en interaktiv viewer, der lader dig glide gennem elleve optiske lag af værkets billede, herunder en visning i røntgenstil.

    I hvilket år og inden for hvilken stilart blev "Cavalier" skabt?

    "Cavalier" af Dora Maar er dateret 1936 og tilhører Surrealism.

    Er Dora Maar, skaberen af "Cavalier", kendt under andre navne?

    Dora Maar optræder under de alternative navne Théodora Markovic, Henrietta Théodora Markovic, Teodora Marković, Theodora Markovitch Maar, Henriette Theodora Markovitch.