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Guide til elevkunst

Reclining Form 1

Navn Klasse Dato

Cliff Holden, Reclining Form 1 (1948). Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren. Se dette lærred under bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Cliff Holden topimpressionists.com/da/artists/cliff-holden/
Kunstnerens levetid
1919 – 2020
Malet
1948
Oprindelig størrelse
62 x 91 cm

I kontekst

Reclining Form 1 — Cliff Holden

Dimensioner

Originalen måler 62 × 91 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990
  10. 2000
  11. 2010
  12. 2020

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 101 ved død.

Malet da kunstneren var 29 år gammel. Kunstneren blev 101 år gammel. 2 af de 6 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: Cliff Holden' livstid (1919–2020) ▲ dette værk, 1948 hvert dateret maleri, årti for årti

Sammenlignelige værker

  • Two Seated Figures, 1948 topimpressionists.com/da/art/cliff-holden-two-seated-figures-AQSMT3-en/
  • Pietà, 1990 topimpressionists.com/da/art/cliff-holden-pieta-AQSMT5-en/
  • Standing Figure topimpressionists.com/da/art/cliff-holden-standing-figure-AQSMTB-en/

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: topimpressionists.com/da/art/similar/cliff-holden-reclining-form-1-AQSMSX-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Phthalo Green #34220c

    Gemt palet

    • #34220C
    • #A95813
    • #73370E
    • #472E17

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Dark Den dominerende farvefamilie i billedet.
    Primær farve
    Phthalo Green
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Serene Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Unified Palette Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Balanced Soft Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Cliff Holden i løbet af de sidste tolv måneder — 1 lande i alt. Hvor disse tal stammer fra

    De ti førende lande

    1. 1 Kina 100,0%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 4 mest viste værker af Cliff Holden

    1. 1 Yellow Seated Figure, 1947 50,0%
    2. 2 Self Portrait, 1947 25,0%
    3. 3 The Bathers 25,0%
    4. — Reclining Form 1, 1948 dette maleri 0,0%

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 12 værker af denne kunstner, hvoraf 3 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Cliff Holden

    The Visionary Spirit of Cliff Holden

    In the grand tapestry of twentieth-century British modernism, few threads are as intricately woven or as resilient as those left by Cliff Holden. Born in Manchester in December 1919, Holden’s early life was far removed from the avant-garde studios of London; instead, his formative years were rooted in the practical and grounded disciplines of agriculture and veterinary science at Reaseheath School. This initial connection to the natural world, characterized by an observant eye for structure and life, would later manifest in a subtle, underlying strength within his artistic compositions. However, it was a transformative encounter in 1944 with the legendary David Bomberg at the City Literary Institute that redirected his destiny, pulling him away from the sciences and into the profound, experimental realm of fine art.

    The bond between Holden and Bomberg became the catalyst for one of the most significant movements in postwar British art. Following Bomberg to Borough Polytechnic, Holden became a foundational figure in the Borough Group, serving as its inaugural president from 1946 to 1948. This was not merely a social circle but an intellectual laboratory where artists sought to push the boundaries of abstraction and challenge the stagnant artistic norms of the era. Alongside peers such as Dennis Creffield, Holden helped cultivate an aesthetic defined by rigorous experimentation and a shared devotion to Bomberg’s visionary principles. Through his leadership, the group became a cornerstone of modernism, fostering a spirit of rebellion against convention that would resonate through the decades.

    A Journey Across Borders and Mediums

    As Holden’s artistic horizons expanded, so too did his geographic and stylistic reach. His connection with the Swedish artist Torsten Renquist opened a gateway to the international art community, leading to exhibitions in Sweden that solidified his reputation far beyond the shores of England. From 1956 onward, his residence in Sweden provided a new landscape for his creative evolution. This period of his life saw him masterfully navigating diverse mediums; he was not only a painter but a skilled designer and silk-screen printer, demonstrating a versatility that allowed him to bridge the gap between fine art and applied design. His membership in the London Group and his status as a Fellow of the Chartered Society of Designers underscore a career that refused to be confined by a single discipline.

    The technical brilliance of Holden’s work often lies in its ability to evoke deep emotion through texture and light. Whether working with the delicate precision of silk-screen printing or the bold, tactile application of acrylics and oils, his pieces possess an enduring vitality. His later works, such as the vibrant Bathers, showcase a mastery of color—utilizing warm yellows and reds to create atmospheres that feel both contemporary and timeless. There is a rhythmic quality to his compositions, where figures and landscapes interact with a sense of movement and energy that draws the viewer into a contemplative state.

    Legacy and Enduring Significance

    The legacy of Cliff Holden is etched into the very fabric of major institutional collections worldwide. His contributions are preserved in the hallowed halls of Tate Britain, the Victoria and Albert Museum, and the Arts Council, ensuring that his role in the development of British abstraction remains a subject of scholarly and aesthetic reverence. Beyond the canvas, his influence as a designer and educator left an indelible mark on the visual culture of the twentieth century.

    Reflecting on a life that spanned an incredible century—from the post-war reconstruction of London to the dawn of the twenty-first century—Holden’s work remains a testament to the power of artistic persistence. His journey from a student of agriculture to a pioneer of the Borough Group serves as an inspiring narrative of intellectual growth and creative courage. Through his eyes, we see a world where abstraction meets structure, and where the boundaries between design and fine art dissolve into a singular, beautiful expression of human experience.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Reclining Form 1

    topimpressionists.com/da/art/download/cliff-holden-reclining-form-1-AQSMSX-en/

    Kildehenvisning til dette kunstværk

    MLA
    Holden, Cliff. Reclining Form 1. 1948, https://topimpressionists.com/da/art/cliff-holden-reclining-form-1-AQSMSX-en/
    APA
    Holden, Cliff (1948). Reclining Form 1 [Painting]. https://topimpressionists.com/da/art/cliff-holden-reclining-form-1-AQSMSX-en/
    Chicago
    Cliff Holden. Reclining Form 1. 1948. https://topimpressionists.com/da/art/cliff-holden-reclining-form-1-AQSMSX-en/
    Harvard
    Holden, Cliff (1948) Reclining Form 1. Available at: https://topimpressionists.com/da/art/cliff-holden-reclining-form-1-AQSMSX-en/

    Se nærmere efter

    Reclining Form 1 — Cliff Holden

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Two Seated Figures (1948) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Cliff Holden var omkring 29 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål & svar

    Hvilken mætning og intensitet udviser "Reclining Form 1" af Cliff Holden?

    "Reclining Form 1" af Cliff Holden er gengivet med en Balanced Soft mætning og en Balanced intensitet.

    Hvad er lysstyrken i "Reclining Form 1" af Cliff Holden?

    Farverne i "Reclining Form 1" udviser en Dark luminans.

    I hvilket år blev "Reclining Form 1" af Cliff Holden skabt?

    "Reclining Form 1" stammer fra 1948. Datoen placerer værket i Cliff Holden's karriere og dets tidsalder.