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Three Profiles

Navn Klasse Dato

Edward Morland Lewis, Three Profiles (1932). Public domain. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Edward Morland Lewis topimpressionists.com/da/artists/edward-morland-lewis/
Kunstnerens årstal
1903 – 1943
Malet
1932
Oprindelig størrelse
24 x 34 cm

I kontekst

Three Profiles — Edward Morland Lewis

Hvor stor er den?

Originalen måler 24 × 34 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 40 ved død.

Malet da kunstneren var 29 år gammel. Kunstneren blev 40 år gammel. 3 af de 56 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: Edward Morland Lewis' livstid (1903–1943) ▲ dette værk, 1932 hvert dateret maleri, årti for årti

Sammenlign med

  • Union Quay, Cork, 1937 topimpressionists.com/da/art/edward-morland-lewis-union-quay-cork-AQUK6K-en/
  • Paris Scene topimpressionists.com/da/art/edward-morland-lewis-paris-scene-AQUK85-en/
  • Weymouth, 1930 topimpressionists.com/da/art/edward-morland-lewis-weymouth-AQUK3X-en/

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: topimpressionists.com/da/art/similar/edward-morland-lewis-three-profiles-AQUK7K-en/

Farver

Målt ud fra billedet

    Primær farve

    Walnut #6d4836

    Katalogiseret palet

    • #6D4836
    • #211E1F
    • #432F29
    • #B86944

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Walnut
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Gentle Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Subtle Color Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Edward Morland Lewis i løbet af de sidste tolv måneder — 1 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 100,0%2.800 besøg

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 20 mest viste værker af Edward Morland Lewis

    1. 1 River Scene, 1935 13,8%400 besøg
    2. 2 Man in an Armchair, 1935 10,3%300 besøg
    3. 3 Three Figures in a Room, 1935 6,9%200 besøg
    4. 4 Scotch Quay, Waterford, 1935 6,9%200 besøg
    5. 5 Weymouth, 1930 3,4%100 besøg
    6. 6 Harbour Scene (recto), 1935 3,4%100 besøg
    7. 7 Two Members of a Brass Band in a Bandstand, 1935 3,4%100 besøg
    8. 8 Landscape, Ferryside ( ), 1935 3,4%100 besøg
    9. 9 The Spanish Tutor, 1936 3,4%100 besøg
    10. 10 Seated Figures, 1935 3,4%100 besøg
    11. 11 Lifeboat Station at Ferryside ( ), 1935 3,4%100 besøg
    12. 12 Paris Scene 3,4%100 besøg
    13. 13 The Sitting Room 3,4%100 besøg
    14. 14 The Strand, Laugharne, 1931 3,4%100 besøg
    15. 15 Near the Arch, Ferryside 3,4%100 besøg
    16. 16 A Street in Spring 3,4%100 besøg
    17. 17 Llangunnor, Carmarthenshire, 1937 3,4%100 besøg
    18. 18 Widgeon, 1938 3,4%100 besøg
    19. 19 Carmarthen Market and Clock Tower, 1938 3,4%100 besøg
    20. — Three Profiles, 1932 dette maleri 0,0%0 besøg

    Sammen udgør disse værker 88,9% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 81 værker af denne kunstner, hvoraf 22 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Edward Morland Lewis

    The Soul of the Everyday: The Life and Legacy of Edward Morland Lewis

    In the tapestry of British art history, few threads possess the quiet, poignant beauty found in the works of Edward Morland Lewis. Born in 1903 in Lichfield, Staffordshire, Lewis emerged as a master of what can be described as Victorian narrative realism—a style that sought to find the extraordinary within the ordinary. Though his life was tragically brief, spanning only until 1943, his ability to freeze moments of domestic tranquility and rural grace left an indelible mark on the landscape of early 20th-century British painting. His journey was one of profound connection to the tangible world, a pursuit of truth through the meticulous observation of light, texture, and the subtle rhythms of human existence.

    The foundations of Lewis’s artistic vision were laid in an environment rich with creative heritage. Born Kathleen Margaret Godfrey-Faussett-Osborne, the artist adopted the pseudonym “Kit” Lewis, a move that signaled a deep-seated desire for professional autonomy and a departure from the weight of familial expectations. His lineage was steeped in the arts; his mother, Mary Ward, was the sister of the celebrated animal painter James Ward, providing a domestic atmosphere where fine art was not merely a hobby but a way of seeing. This early exposure to high-caliber craftsmanship, combined with the financial stability provided by his father, Henry Bryan Godfrey Godfrey-Faussett-Osborne, allowed Lewis to undergo rigorous formal training at the Chelsea College of Art. Under the mentorship of the modernist Graham Sutherland, Lewis learned to balance the burgeoning experimentalism of the era with a steadfast commitment to traditional, observational techniques.

    A Vision Rooted in Reality and Connection

    As his style matured, Lewis developed a unique sensitivity that set him apart from the more radical abstractionists of his time. While many of his contemporaries were moving toward the fragmented perspectives of Cubism or the fleeting impressions of light, Lewis remained anchored in the realist tradition. He found profound inspiration in the quiet dignity of everyday life, finding beauty in the subtle nuances of interior spaces and the evocative, rolling landscapes of the British countryside. His work often functioned as a window into a vanishing world, capturing the textures of stone, the softness of wildflowers, and the atmospheric weight of a coastal afternoon.

    This dedication to realism was deeply personal, often reinforced by his marriage to Edward Williams, a fellow artist who shared his passion for documenting the essence of life. Together, their artistic lives were intertwined by a mutual devotion to themes of domesticity and labor. Lewis’s paintings, such as his evocative Village Scene or the tranquil Welsh Landscape, are characterized by an almost uncanny ability to capture the spirit of a specific place. He did not merely paint scenery; he painted the atmosphere of existence itself. His brushwork, while possessing a certain impressionistic lightness in works like Village Scene with Gate, Ferryside, never sacrificed the structural integrity and accuracy that defined his realist principles.

    A Tragic End and Lasting Significance

    The trajectory of Lewis’s career was one of rising promise, yet it was ultimately met with a profound historical tragedy. As the shadows of World War II descended upon Europe, Lewis transitioned from a painter of quiet interiors to a war artist. Serving in North Africa, he brought his keen observational eye to the documentation of conflict, a role that would eventually claim his life. His death in 1943 robbed the British art community of a talent that was just beginning to find its most profound voice, leaving behind a body of work that serves as both a technical triumph and a nostalgic eulogy for a peaceful era.

    Today, the significance of Edward Morland Lewis lies in his role as a bridge between the grand narrative traditions of the Victorian era and the more intimate, psychological realism of the modern age. His achievements can be summarized through the enduring qualities of his oeuvre:

    Mastery of Atmosphere: An unparalleled ability to use light and muted tones to evoke peace, solitude, and the passage of time.

    Narrative Depth: The capacity to transform simple street scenes or domestic interiors into profound commentaries on social stability and human presence.

    Technical Precision: A refined skill set that blended the meticulous detail of classical training with a modern, sensitive touch.

    Historical Preservation: His work remains a vital visual record of British rural and urban life during a period of immense transition.

    Though often categorized alongside the great realists, Lewis’s work possesses a singular, poetic intimacy. He remains a painter for those who find beauty in the understated—a chronicler of the small, beautiful moments that constitute the true fabric of human history.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Three Profiles

    topimpressionists.com/da/art/download/edward-morland-lewis-three-profiles-AQUK7K-en/

    Kildehenvisning til dette kunstværk

    MLA
    Lewis, Edward Morland. Three Profiles. 1932, https://topimpressionists.com/da/art/edward-morland-lewis-three-profiles-AQUK7K-en/
    APA
    Lewis, Edward Morland (1932). Three Profiles [Painting]. https://topimpressionists.com/da/art/edward-morland-lewis-three-profiles-AQUK7K-en/
    Chicago
    Edward Morland Lewis. Three Profiles. 1932. https://topimpressionists.com/da/art/edward-morland-lewis-three-profiles-AQUK7K-en/
    Harvard
    Lewis, Edward Morland (1932) Three Profiles. Available at: https://topimpressionists.com/da/art/edward-morland-lewis-three-profiles-AQUK7K-en/

    Se nærmere efter

    Three Profiles — Edward Morland Lewis

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Union Quay, Cork (1937) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Edward Morland Lewis var omkring 29 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Er "Three Profiles" af Edward Morland Lewis i det offentlige domæne?

    Hvad angår ophavsret, er "Three Profiles" i det offentlige domæne – ophavsretten er udløbet.

    Hvordan er farvesammensætningen i "Three Profiles" af Edward Morland Lewis opbygget?

    Farvesammensætningen i "Three Profiles" af Edward Morland Lewis forener en Gentle kontrast med en Strong Color Unity harmoni.

    Hvad er de faktiske mål på "Three Profiles" af Edward Morland Lewis?

    Det originale værk "Three Profiles" af Edward Morland Lewis måler 24 x 34 cm.