Guide til elevkunst
Ophavsret Dette værk er i det offentlige domæne. Elliott Daingerfield døde i 1932; ophavsretten varer 70 år efter kunstnerens død, så den udløb i 2002.
I kontekst
Flowers — Elliott Daingerfield
Originalen måler 61 × 41 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.
Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 73 ved død.
Malet da kunstneren var 29 år gammel. Kunstneren blev 73 år gammel. 1 af de 28 daterede værker af denne kunstner i vores katalog er skabt tidligere.
Skyggelagt: Elliott Daingerfield' livstid (1859–1932) ▲ dette værk, 1888 hvert dateret maleri, årti for årti
Første værker: frem til 1895 Primære arbejdsår: 1895–1914 Senere værker: fra 1914
Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år med kunstnerens liv lagt ind i dem
Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.
Flere værker, der kan placeres ved siden af dette: topimpressionists.com/da/art/similar/elliott-daingerfield-flowers-AQRM3X-en/
Målt ud fra billedet
Hovedfarve
Espresso #584225
Gemt palet
Disse farver i kunstnerens samlede palet Find andre malerier efter farve
De ti førende lande
Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.
Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 43 værker af denne kunstner, hvoraf 12 er blevet set mindst én gang. Dette maleri rangerer som nummer 4 af dem, med 11,1% af den opmærksomhed. Det samme gælder måned for måned
Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.
Kunstner og museum
Elliott Daingerfield stands as one of North Carolina’s most celebrated and evocative artists, a painter whose work bridged the gap between the tangible beauty of the American landscape and the profound depths of spiritual symbolism. Born in 1859 in Harpers Ferry, West Virginia, to a Confederate officer, Daingerfield’s early life was shaped by the rugged landscapes of his youth in Fayetteville, North Carolina. This deep-seated connection to the natural world would later become the foundation of his artistic language, providing him with an endless reservoir of inspiration for his sweeping vistas and luminous compositions.
His journey into the heart of the American art establishment began at the age of twenty-one when he moved to New York City. It was here that Daingerfield’s formal training took root under the guidance of Walter Satterlee, an apprenticeship that not only introduced him to the delicate nuances of still life painting but also placed him within a vibrant circle of influential masters. The shadows and light of his early studies were profoundly transformed by his encounters with titans such as George Inness and Albert Pinkham Ryder. These luminaries, along with the burgeoning influence of European Symbolism which he encountered during his travels abroad around 1897, guided him toward a visionary style. His work began to transcend mere representation, moving toward an expressive mode where color palettes became more luminous and brushwork more meticulous, designed to convey unseen spiritual truths.
As his career matured, Daingerfield achieved significant recognition within the prestigious National Academy of Design, ascending from an associate member in 1902 to full membership by 1906. This era marked his emergence as a master of religious and monumental art. His ability to weave narrative and emotion into large-scale works was perhaps most brilliantly demonstrated in his impactful commissions for sacred spaces, most notably the monumental mural adorning Saint Mary the Virgin Church in New York City. In these works, Daingerfield utilized a dramatic interplay of light and shadow to tell stories of faith, much like his more intimate pieces such as Monk Smelling a Bottle of Wine, which explores the delicate tension between indulgence and devotion.
Beyond the confines of religious iconography, Daingerfield’s fascination with the grandeur of the American wilderness led him to remarkable heights. His travels to the American West in 1911 and 1913 resulted in a series of breathtaking paintings of the Grand Canyon, where he captured the geological majesty of the landscape through a Romantic lens. Whether depicting a moonlit forest in A Fantasy or the melancholic beauty of a young girl in Shepherdess, his oeuvre is characterized by an impasto texture and an evocative mood that invites the viewer into a dreamlike state.
Daingerfield’s contribution to American art extends beyond the canvas; he was also a dedicated scholar and biographer, documenting the lives of his contemporaries like George Inness and Ralph Albert Blakelock. His life, marked by both personal tragedy and immense professional triumph, concluded in Manhattan in 1932. Today, his legacy remains etched in the landscapes of North Carolina and the halls of museums worldwide, reminding us of a time when art served as a profound window into the soul of nature.
topimpressionists.com/da/art/download/elliott-daingerfield-flowers-AQRM3X-en/
Se nærmere efter
Flowers — Elliott Daingerfield
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Farverne i "Flowers" af Elliott Daingerfield fremviser en Subtle Color mætning med en Balanced intensitet.
"Flowers" af Elliott Daingerfield blev skabt i 1888.
Siden Statistikker for "Flowers" af Elliott Daingerfield præsenterer statistikker over offentlige besøg: månedlige besøg af dette kunstværk, en sammenligning med kunstnerens mest sete værker og hvor de besøgende kommer fra.