Guide til elevkunst
Ophavsret Dette værk er i det offentlige domæne. Frederick Golden Short døde i 1936; ophavsretten varer 70 år efter kunstnerens død, så den udløb i 2006.
I kontekst
A Distant Forest Scene — Frederick Golden Short
Originalen måler 28 × 53 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.
Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 73 ved død.
Malet da kunstneren var 28 år gammel. Kunstneren blev 73 år gammel. 1 af de 12 daterede værker af denne kunstner i vores katalog er skabt tidligere.
Skyggelagt: Frederick Golden Short' livstid (1863–1936) ▲ dette værk, 1891 hvert dateret maleri, årti for årti
Første værker: frem til 1895 Primære arbejdsår: 1895–1900 Senere værker: fra 1900
Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år med kunstnerens liv lagt ind i dem
Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.
Flere værker, der kan placeres ved siden af dette: topimpressionists.com/da/art/similar/frederick-golden-short-a-distant-forest-scene-AQV98P-en/
Målt ud fra billedet
Hovedfarve
Walnut #805924
Gemt palet
Disse farver i kunstnerens samlede palet Find andre malerier efter farve
De ti førende lande
Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.
Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 14 værker af denne kunstner, hvoraf 4 er blevet set mindst én gang. Dette maleri rangerer som nummer 2 af dem, med 25,0% af den opmærksomhed. Det samme gælder måned for måned
Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.
Om dette kunstværk
A Distant Forest Scene — Frederick Golden Short
The painting A Distant Forest Scene by Frederick Golden Short is a beautiful depiction of a pastoral scene, showcasing the artist's skill in capturing the serenity of nature. Created in 1891, this oil on canvas piece measures 28 x 53 cm and is currently housed at the Southampton City Art Gallery in the United Kingdom.
Frederick Golden Short's style is characterized by his use of soft brushstrokes and muted colors, which creates a sense of calmness and tranquility in his paintings. In A Distant Forest Scene, the artist employs these techniques to convey the peaceful atmosphere of the forest, with the sheep grazing in the distance and the clouds drifting lazily across the sky. The painting's composition is well-balanced, with the trees and hills forming a sense of depth and perspective. Key Features of the painting include:
The use of warm colors to create a sense of comfort and relaxation
The depiction of sheep and a dog in the distance, adding a sense of life and movement to the scene
The artist's attention to detail in capturing the textures of the trees and foliage
For more information on Frederick Golden Short's works, visit /art/list/?Filter=AQV98P-Frederick-Golden-Short-A-Distant-Forest-Scene or explore other paintings by the artist, such as New Forest, at /art/list/?Filter=AQV98V-Frederick-Golden-Short-New-Forest.
The Musée du Berry in Bourges, France, also features an impressive collection of artworks, including pieces by various artists. To learn more about the museum and its collections, visit /art/list/?Filter=A@D3APQK-The-Museum-Musee-du-Berry-(Bourges-France).
Kunstner og museum
Frederick Golden Short (1863-1936) wasn't merely a painter; he was an observer, a chronicler of a vanishing world. Born in Lyndhurst, Hampshire, nestled within the heart of the New Forest National Park, his life and art were inextricably linked to this ancient landscape – a place that profoundly shaped his vision and became the enduring subject of his canvases. Short’s work transcends simple depiction; it's an attempt to capture the very essence of the forest, its light, its atmosphere, and the subtle shifts in color that define its moods. He wasn’t interested in grand vistas or dramatic events, but rather in the quiet beauty of everyday moments – a dappled sunbeam through the trees, the texture of moss-covered bark, the distant silhouette of hills against the horizon.
His early life instilled within him a deep appreciation for nature and a keen eye for detail. Growing up so intimately connected to the New Forest fostered an understanding of its rhythms and secrets that would inform his artistic practice throughout his career. This connection is evident in his meticulous observation, his ability to render textures with astonishing accuracy, and his preference for muted, earthy tones that evoke the forest’s atmosphere. Short's formal training included studies at the Royal Academy of Arts and the Royal Institute of Painters in Water Colours, providing him with a solid foundation in traditional techniques but never eclipsing his innate artistic sensibility.
Short’s technique is characterized by a remarkable sensitivity to light and texture. He employed oil paints with a deliberate slowness, building up layers of color to create a sense of depth and luminosity. His brushstrokes are often loose and expressive, yet always controlled, conveying both the physicality of the landscape and its ethereal quality. He frequently worked en plein air, directly observing and painting from nature, which allowed him to capture the fleeting effects of light and shadow with unparalleled immediacy. A key element in his work is his masterful use of color – he rarely relied on bright, saturated hues, instead favoring a palette of browns, greens, greys, and ochres that perfectly mirrored the muted tones of the New Forest.
Consider “Autumn” (1898), a quintessential example of Short’s style. The painting isn't simply a representation of falling leaves; it’s an evocation of the season’s melancholy beauty, rendered through subtle shifts in color and texture. Similarly, "Landscape" (1912) captures the essence of a coastal harbor scene with a remarkable sense of atmosphere – the hazy light, the muted colors, and the suggestion of movement all contribute to its evocative power. His later works, such as “A Distant Forest Scene,” demonstrate an increasing focus on capturing the atmospheric perspective of the landscape, using color and value to create a sense of depth and distance.
Short’s work is firmly rooted in the Pre-Raphaelite tradition, though he developed his own distinctive style. Like the Pre-Raphaelites, he was deeply influenced by Romanticism and sought to capture the beauty and sublimity of nature. However, unlike the more overtly emotional and symbolic works of the Pre-Raphaelites, Short’s paintings are characterized by a quiet restraint and an understated elegance. He shared with them a fascination for detail and a commitment to portraying the natural world with accuracy and sensitivity.
Furthermore, his work reflects the broader artistic trends of the late 19th and early 20th centuries – the rise of Impressionism and Post-Impressionism, which emphasized capturing fleeting moments of light and color. While Short never fully embraced these movements, he undoubtedly drew inspiration from them, incorporating elements of their techniques into his own practice. The influence of photography is also noticeable in his careful observation and attention to detail.
Frederick Golden Short’s paintings are more than just beautiful landscapes; they offer a valuable glimpse into the changing relationship between humans and nature. His work reminds us of the importance of preserving these wild spaces and appreciating their beauty. Short's dedication to capturing the essence of the New Forest has secured his place as one of the most important landscape painters of his time, and his paintings continue to resonate with viewers today.
His art is now held in collections across the United Kingdom, including Astley Hall Museum and Art Gallery, Southampton City Art Gallery, and Russell-Cotes Art Gallery & Museum. Short’s legacy extends beyond his artistic achievements; he was also a keen photographer, documenting the New Forest through a series of evocative images that further enhanced our understanding of this remarkable landscape. His work serves as a testament to the power of art to capture beauty, evoke emotion, and connect us to the natural world.
topimpressionists.com/da/art/download/frederick-golden-short-a-distant-forest-scene-AQV98P-en/
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A Distant Forest Scene — Frederick Golden Short
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Andre navne registreret for Frederick Golden Short, skaberen af "A Distant Forest Scene", inkluderer Frederick Leonard Short.
Farven på "A Distant Forest Scene" har en mætning på Balanced Soft og en intensitet på Vivid.
Der findes en Statistikker-side for "A Distant Forest Scene". Den viser de månedlige besøg for kunstværket og kunstnerens øvrige værker, opdelt efter land og sprog.