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Guide til elevkunst

Roses

Navn Klasse Dato

George Cochran Lambdin, Roses (1878). Public domain. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
George Cochran Lambdin topimpressionists.com/da/artists/george-cochran-lambdin/
Kunstnerens årstal
1830 – 1896
Malet
1878

I kontekst

Roses — George Cochran Lambdin

Hvornår er dette malet?

  1. 1830
  2. 1840
  3. 1850
  4. 1860
  5. 1870
  6. 1880
  7. 1890

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 66 ved død.

Malet da kunstneren var 48 år gammel. Kunstneren blev 66 år gammel. 17 af de 26 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: George Cochran Lambdin' livstid (1830–1896) ▲ dette værk, 1878 hvert dateret maleri, årti for årti

Første værker: frem til 1870 Primære arbejdsår: 1870–1878 Senere værker: fra 1878

Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år, som kunstnerens liv er vævet ind i dem

Sammenlign med

  • Roses, 1878 topimpressionists.com/da/art/george-cochran-lambdin-roses-D2ZVKQ-en/
  • Roses and Azaleas, 1880 topimpressionists.com/da/art/george-cochran-lambdin-roses-and-azaleas-8YDS92-en/
  • Vase of Flowers, 1875 topimpressionists.com/da/art/george-cochran-lambdin-vase-of-flowers-D38MWF-en/

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: topimpressionists.com/da/art/similar/george-cochran-lambdin-roses-8YDS8Z-en/

Farver

Målt ud fra billedet

    Primær farve

    Espresso #5a5041

    Katalogiseret palet

    • #5A5041
    • #DED29E
    • #AB925E
    • #111D24

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Navn på hovedfarve
    Espresso
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Bold Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Discordant Palette Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af George Cochran Lambdin i løbet af de sidste tolv måneder — 1 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 100,0%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 12 mest viste værker af George Cochran Lambdin

    1. 1 Side of a Greenhouse, 1870 9,1%
    2. 2 Drawing the Elephant, 1859 9,1%
    3. 3 Roses on a Wall, 1877 9,1%
    4. 4 Winter Quarters in Virginia - Army of the Potomac, 1866 9,1%
    5. 5 The Last Sleep, 1858 9,1%
    6. 6 The Little White Heifer, 1876 9,1%
    7. 7 The Courtship, 1864 9,1%
    8. 8 Roses in a Vase, 1872 9,1%
    9. 9 Climbing Roses, 1882 9,1%
    10. 10 Floral Still Life, 1878 9,1%
    11. 11 Still LIfe with Roses and Fuchsia, 1873 9,1%
    12. — Roses, 1878 dette maleri 0,0%

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 28 værker af denne kunstner, hvoraf 11 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    George Cochran Lambdin

    Født i Pittsburgh, United States of America

    A Florist's Vision of Victorian America

    George Cochran Lambdin (1830-1896) stands as a singular figure in American art history—a painter who dedicated his artistic life to capturing the exquisite beauty of flowers, specifically roses, during the Victorian era. Born in Pittsburgh, Pennsylvania, Lambdin’s artistic journey began under the tutelage of his father, James Reid Lambdin, a celebrated portraitist whose influence undoubtedly shaped George's early sensibilities towards meticulous observation and skillful representation. Studying at the Pennsylvania Academy of Fine Arts in Philadelphia solidified his technical foundation, allowing him to hone his craft amidst a burgeoning artistic community. His early years were marked by a transition from the shadows of his father's prestigious legacy into a distinct voice that would eventually find its most profound expression in the delicate petals of botanical subjects.

    Lambdin’s career unfolded against the backdrop of the American Civil War, a period that introduced a more somber and humanistic dimension to his repertoire. Recognizing the need for morale-boosting imagery amongst Union soldiers, he volunteered with the United Sentary Commission and skillfully documented camp life—scenes rendered with remarkable detail and sensitivity—often featuring depictions of soldiers interacting with their surroundings. These works weren't merely aesthetically pleasing; they served as tangible reminders of home and offered solace to those serving on the front lines. His artistic output during this era reflected a profound empathy for the human condition, mirroring the broader Victorian preoccupation with moral responsibility and social reform, as he moved between capturing grander genre scenes of women and children and the gritty realities of wartime domesticity.

    The Mastery of Botanical Elegance

    Despite facing health challenges in his later years, Lambdin persevered in his passion for floral painting, establishing himself in Germantown, Philadelphia. This period witnessed an astonishing transformation—Lambdin transitioned from capturing grand portraits and genre scenes to immersing himself in the subtle nuances of botanical art. He meticulously studied flower specimens, employing techniques honed by generations of artists before him, yet injecting them with a distinctly Victorian aesthetic. The resulting paintings are characterized by luminous color palettes and textured surfaces that breathe life into every bloom.

    His later works, particularly his celebrated studies of roses, represent the pinnacle of his technical achievement. In these compositions, Lambdin achieved a sense of trompe l'oeil realism, where the velvety texture of a petal or the dewdrop clinging to a stem feels almost tactile. This dedication to the botanical world was likely inspired by Philadelphia itself, which at the time was affectionately known as the "City of Flowers." Through his brush, the ephemeral beauty of nature was granted a sense of permanence, turning simple floral arrangements into profound meditations on life, fragility, and the enduring grace of the natural world.

    Legacy and Artistic Significance

    The historical significance of George Cochran Lambdin lies in his ability to bridge the gap between the formal traditions of 19th-century portraiture and the intimate, decorative beauty of botanical still life. His work was not only celebrated in prestigious institutions like the National Academy of Design but also reached a much wider audience through reproduction. His paintings were widely reproduced as chromolithographs, allowing his vibrant floral visions to enter the homes of many, becoming part of the very fabric of Victorian domestic decor.

    Today, Lambdin is remembered not just as a skilled technician, but as an artist who captured the soul of an era. His contributions can be summarized through several key artistic milestones:

    Technical Foundation: Mastery of light and texture developed through early training under his father and studies in Europe, including Munich.

    Versatility of Subject: A unique progression from Civil War genre scenes and portraiture to highly specialized botanical excellence.

    Cultural Impact: The widespread dissemination of his floral imagery via chromolithography, influencing American aesthetic tastes.

    Historical Documentation: His sensitive portrayal of camp life and domesticity during the American Civil War.

    In the annals of American art, Lambdin remains a master of the delicate and the profound, leaving behind a legacy of luminous color and a timeless appreciation for the quiet splendor of the natural world.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Roses

    topimpressionists.com/da/art/download/george-cochran-lambdin-roses-8YDS8Z-en/

    Kildehenvisning til dette kunstværk

    MLA
    Lambdin, George Cochran. Roses. 1878, https://topimpressionists.com/da/art/george-cochran-lambdin-roses-8YDS8Z-en/
    APA
    Lambdin, George Cochran (1878). Roses [Painting]. https://topimpressionists.com/da/art/george-cochran-lambdin-roses-8YDS8Z-en/
    Chicago
    George Cochran Lambdin. Roses. 1878. https://topimpressionists.com/da/art/george-cochran-lambdin-roses-8YDS8Z-en/
    Harvard
    Lambdin, George Cochran (1878) Roses. Available at: https://topimpressionists.com/da/art/george-cochran-lambdin-roses-8YDS8Z-en/

    Se nærmere efter

    Roses — George Cochran Lambdin

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Vores katalog klassificerer dette værk under: flowers. Er du enig? Hvad ville du tilføje eller fjerne?
    4. Se tilbage på Roses (1878) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    5. George Cochran Lambdin var omkring 48 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Hvor harmoniske er farverne i "Roses" af George Cochran Lambdin?

    "Roses" af George Cochran Lambdin fremviser en Discordant Palette farveharmoni.

    Hvor kan jeg downloade "Roses" af George Cochran Lambdin?

    En download er tilgængelig for "Roses": find det digitale billede på kunstværkets Download side, hvor du kan et højopløseligt digitalt billeddownload.

    Hvilke andre navne er George Cochran Lambdin kendt under?

    Andre navne registreret for George Cochran Lambdin, skaberen af "Roses", inkluderer George Lambdin.