Papir

Guide til elevkunst

Winter Landscape

Navn Klasse Dato

George William Bissill, Winter Landscape (1950). Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
George William Bissill topimpressionists.com/da/artists/george-william-bissill/
Kunstnerens årstal
1896 – 1973
Malet
1950
Oprindelig størrelse
18 x 22 cm

I kontekst

Winter Landscape — George William Bissill

Hvor stor er den?

Originalen måler 18 × 22 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 77 ved død.

Malet da kunstneren var 54 år gammel. Kunstneren blev 77 år gammel. 2 af de 5 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: George William Bissill' livstid (1896–1973) ▲ dette værk, 1950 hvert dateret maleri, årti for årti

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: topimpressionists.com/da/art/similar/george-william-bissill-winter-landscape-AQUPP2-en/

Farver

Målt ud fra billedet

    Primær farve

    Rosy Brown #a5a67a

    Katalogiseret palet

    • #A5A67A
    • #6A6B48
    • #C6C593
    • #8C8F67

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Neutrals Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Rosy Brown
    Intensitet
    Vivid Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Serene Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Unified Palette Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Balanced Soft Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af George William Bissill i løbet af de sidste tolv måneder — 1 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 100,0%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 4 mest viste værker af George William Bissill

    1. 1 Hampshire Landscape, 1950 33,3%
    2. 2 Winter Landscape, Snow in Wiltshire 33,3%
    3. 3 Winter Landscape 33,3%
    4. — Winter Landscape, 1950 dette maleri 0,0%

    Sammen udgør disse værker 99,9% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 12 værker af denne kunstner, hvoraf 3 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    George William Bissill

    George William Bissill: Bridging the Darkness and Light of British Art

    George William Bissill (1896-1973) stands as a singular figure in 20th-century British art, a painter whose career unexpectedly blossomed from the depths of the Derbyshire coal mines to grace the walls of prestigious galleries like the Tate. His journey is one of remarkable transformation – a miner turned artist, a man who found beauty and profound social commentary within the gritty reality of his early life. Born in Fairford, Gloucestershire, Bissill’s childhood was shaped by the rhythms of rural life before he moved with his family to Langley Mill, Derbyshire, where his father worked as a railway brakesman. It was here, at the tender age of thirteen, that he began working in the mines – an experience that would indelibly inform his artistic vision and ultimately become its most potent subject matter.

    The harsh conditions of the mine were far from a deterrent; instead, they ignited within Bissill a desire to capture their essence on canvas. He spent several years underground, initially alongside pit ponies and later at the coal face, an experience that instilled in him a deep respect for the men who risked their lives daily. This early immersion in the world of labor, coupled with his subsequent service as a sapper during World War I – where he suffered a devastating tunnel collapse and was exposed to poisonous gas – created a unique perspective on humanity’s relationship with its environment and the dignity of work. The trauma of war, combined with the claustrophobic realities of the mines, profoundly shaped Bissill's artistic sensibility, leading him to explore themes of resilience, hardship, and the quiet heroism found in ordinary lives.

    Following his wartime service, Bissill sought refuge in Nottingham School of Art, where he honed his skills and began to develop his distinctive style. He quickly transitioned from a life underground to one immersed in London’s vibrant art scene. In 1922, he arrived in the capital and established himself as a pavement artist, earning a modest income while simultaneously building a reputation for his striking depictions of miners at work. This marked a pivotal moment – Bissill was the first artist to portray the lives of British coal miners with such honesty and power, challenging conventional artistic representations and offering a glimpse into a world largely unseen by the wider public. His 1925 exhibition at the Redfern Gallery, a leading contemporary art dealer, catapulted him to fame, securing critical acclaim and establishing him as a significant voice in the burgeoning British modern movement.

    The Redfern Gallery’s support proved crucial, providing Bissill with the platform to explore his artistic interests further. He quickly developed a fascination with Paris, where he studied wood engraving under the guidance of Arnold Haskell, a prominent art collector and critic. This experience broadened his artistic repertoire, leading him to create intricate woodcut prints depicting ballet dancers, harlequins, and scenes from Parisian life – works that showcased both his technical skill and his evolving aesthetic sensibilities. His work during this period reflects a synthesis of influences: the stark realism of his mining subjects, combined with the elegance and dynamism of Art Deco design.

    Bissill’s artistic output extended beyond painting and printmaking; he also designed posters for various organizations, including the London & North Eastern Railway, the Post Office, and Shell. His commissions demonstrated a versatility and an ability to translate complex ideas into visually compelling forms. Notably, his work for Shell involved creating evocative landscapes of Ireland and Gloucestershire, showcasing his talent for capturing the beauty of the British countryside – a stark contrast to the darkness he had initially depicted in the mines. His later years were spent in Ashmansworth, Hampshire, where he continued to paint landscapes, eventually becoming a respected picture restorer and dealer in local art salerooms. George William Bissill’s legacy endures not only through his remarkable body of work but also as a testament to the transformative power of art – a journey from the depths of the earth to the heights of artistic recognition.

    Key Works and Notable Collections

    Bissill's oeuvre is characterized by a powerful blend of realism, social commentary, and technical skill. Several works stand out as particularly significant examples of his artistic vision: “Zell’s Farm, Winter, Hampshire” (19th-century landscape), a serene depiction of rural life rendered in rich oil paints; "Berkshire Landscape" (1950), an impasto oil painting capturing the vastness and romance of the Berkshire hills; and his series of woodcuts depicting miners at work. These pieces, alongside numerous other paintings and prints, are held in prominent public collections including the Tate Gallery, National Museum of Northern Ireland, and Manchester Art Gallery, solidifying Bissill’s place as a significant figure in British art history. His ability to capture both the physical hardship and the inherent dignity of his subjects cemented his reputation as an artist who offered a unique and profoundly moving perspective on the lives of ordinary people.

    Influences and Artistic Style

    Bissill's artistic style was shaped by a confluence of influences, most notably his early experiences in the mines and his exposure to European art movements. The stark realism of Northern Renaissance painters like Pieter Bruegel the Elder informed his depictions of mining life, while the dynamism and decorative elements of Art Deco design influenced his later works. His use of impasto – applying paint thickly to create texture and visual interest – is particularly evident in “Berkshire Landscape,” contributing to the painting’s sense of depth and atmosphere. Furthermore, Bissill's work demonstrates a sensitivity to light and color, skillfully capturing the changing moods of both the industrial landscape and the natural world. His ability to convey emotion through his art—a blend of grit and grace—is what truly sets him apart.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Winter Landscape

    topimpressionists.com/da/art/download/george-william-bissill-winter-landscape-AQUPP2-en/

    Kildehenvisning til dette kunstværk

    MLA
    Bissill, George William. Winter Landscape. 1950, https://topimpressionists.com/da/art/george-william-bissill-winter-landscape-AQUPP2-en/
    APA
    Bissill, George William (1950). Winter Landscape [Painting]. https://topimpressionists.com/da/art/george-william-bissill-winter-landscape-AQUPP2-en/
    Chicago
    George William Bissill. Winter Landscape. 1950. https://topimpressionists.com/da/art/george-william-bissill-winter-landscape-AQUPP2-en/
    Harvard
    Bissill, George William (1950) Winter Landscape. Available at: https://topimpressionists.com/da/art/george-william-bissill-winter-landscape-AQUPP2-en/

    Se nærmere efter

    Winter Landscape — George William Bissill

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Shelbourne, Essex tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. George William Bissill var omkring 54 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Hvordan beskrives farvepaletten i "Winter Landscape" af George William Bissill?

    Farverne i "Winter Landscape" udgør en Neutrals palet. Denne klassificering beskriver de dominerende farvefamilier.

    Kan jeg se et røntgenbillede af "Winter Landscape" af George William Bissill?

    Røntgenvisningen af "Winter Landscape" af George William Bissill findes på værkets Røntgenoptagelse-side: en interaktiv undersøgelse af billedet gennem elleve optiske lag.

    Bruger "Winter Landscape" af George William Bissill stærke kontraster eller bløde harmonier?

    Farveanalysen af "Winter Landscape" af George William Bissill viser en Serene kontrast og en Unified Palette harmoni.