Guide til elevkunst
Ophavsret Dette værk er i det offentlige domæne. Guy Rose døde i 1925; ophavsretten varer 70 år efter kunstnerens død, så den udløb i 1995.
I kontekst
The model, (1919) — Guy Rose
Row above: the year. Row below: the artist's age in that year.
Skyggelagt: Guy Rose' livstid (1867–1925)
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Hovedfarve
Driftwood #c27c61
Gemt palet
The ten leading countries
Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.
Together these works take 99,3% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 125 works by this artist, of which 19 were looked at at least once. This painting ranks 1 of them, with 11,5% of that attention.
Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.
Kunstner og museum
Birth & Family: Guy Orlando Rose was born on March 3, 1867, in San Gabriel, California, the seventh child of Leonard John Rose, a prominent California senator, and Amanda Jones Rose. The family resided on an expansive ranch and vineyard in the San Gabriel Valley – the town of Rosemead bears their name.
Early Trauma & Artistic Beginnings: At age nine, Guy was accidentally shot in the face during a hunting trip. During his convalescence, he began to sketch with watercolors and oils, discovering an early passion for art.
Formal Training: He graduated from Los Angeles High School in 1884 before moving to San Francisco to study at the California School of Design (San Francisco Art Association) from 1885-1888. His instructors included Virgil Williams, Warren E. Rollins, and Emil Carlsen. He received accolades for his work during this period, including the Avery Gold Medal in oil painting.
Parisian Studies: In September 1888, Rose enrolled at the Académie Julian in Paris, studying under Benjamin-Constant, Jules Lefebvre, Lucien Doucet, and Jean-Paul Laurens. He also attended the Académie Delacluse on scholarship, exhibiting work at the Paris Salons in 1890, 1891, 1894, 1900, and 1909.
Early Style: Rose’s early work demonstrated a strong foundation in academic painting techniques honed during his training.
Impressionist Turn: His move to Giverny, France, in 1899 marked a turning point. Living near Claude Monet, he became deeply influenced by Impressionism, adopting its emphasis on light, color, and plein air painting.
Monet’s Mentorship: Rose developed a close friendship with Monet, who served as a mentor, further solidifying his commitment to the Impressionist style. His works from this period clearly reflect Monet's influence in their luminous quality and focus on atmospheric effects.
Other Influences: He also maintained lifelong friendships with fellow artists Frank Vincent DuMond and Frederick Melville, exchanging ideas and artistic approaches.
Early Career (1890s): Rose worked as an illustrator for publications like Harper's, Scribner’s, and Century in New York City.
Giverny Period (1904-1912): This was a highly productive period, with Rose creating many of his most celebrated Impressionist landscapes.
California Return & Teaching: Due to health issues (lead poisoning), Rose and his wife returned to Los Angeles in 1914. He became Director of the Stickney Memorial School of Art in Pasadena, sharing his knowledge with aspiring artists.
Carmel-by-the-Sea (1918-1920): Rose was an active member of the Carmel art colony, exhibiting his work and contributing to the local artistic community.
Notable Works: Some of his most recognized paintings include “Point Lobos,” “The Saine Valley, Giverny”, "Oak Grove, Carmel", and numerous landscapes capturing the beauty of California and France.
American Impressionism: Guy Rose is considered a significant figure in American Impressionism, bridging European techniques with Californian landscapes.
California Art Scene: He played an important role in developing the California art scene, both as an artist and educator.
Lasting Influence: His paintings continue to be admired for their delicate handling of light, vibrant colors, and evocative depictions of nature.
Posthumous Recognition: A memorial exhibition was held at the Stendahl Gallery in 1926 following his death on November 17, 1925, in Pasadena, California.
topimpressionists.com/da/art/download/guy-rose-the-model-1919-A269NA-en/
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The model, (1919) — Guy Rose
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Et print af "The model, (1919)" af Guy Rose kan bestilles direkte på denne side: et fine art-print på bomuldscanvas eller arkivbestandigt lærredspapir.
Du kan bestille en håndmalet reproduktion af "The model, (1919)" af Guy Rose direkte på denne side: en håndmalet oliereproduktion på lærred af hør, lavet efter bestilling.
"The model, (1919)" af Guy Rose er gengivet med en Clear Color Presence mætning og en Vivid intensitet.
Farverne i "The model, (1919)" af Guy Rose har en Clear Color Presence mætning. Mætning beskriver, hvor livlige eller dæmpede farverne er.
"The model, (1919)" af Guy Rose kan ses på din egen væg via kunstværkets AR-forhåndsvisning-side ved hjælp af augmented reality på en kompatibel enhed.
Værker, der ligner "The model, (1919)", er listet på kunstværkets Lignende værker-side.
Kunstneren bag "The model, (1919)" er Guy Rose. Værket er katalogiseret under Guy Roses navn.