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Narcissus

Navn Klasse Dato

Hans Feibusch, Narcissus (1946), Pallant House Gallery. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren. Se dette lærred under bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Hans Feibusch topimpressionists.com/da/artists/hans-feibusch/
Kunstnerens levetid
1898 – 1998
Malet
1946
Oprindelig størrelse
61 x 92 cm
Afholdt hos
Pallant House Gallery topimpressionists.com/da/museums/pallant-house-gallery-chichester_da/

I kontekst

Narcissus — Hans Feibusch

Dimensioner

Originalen måler 61 × 92 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970
  10. 1980
  11. 1990

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 100 ved død.

Malet da kunstneren var 48 år gammel. Kunstneren blev 100 år gammel. 3 af de 12 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: Hans Feibusch' livstid (1898–1998) ▲ dette værk, 1946 hvert dateret maleri, årti for årti

Første værker: frem til 1942 Primære arbejdsår: 1942–1950 Senere værker: fra 1950

Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år med kunstnerens liv lagt ind i dem

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: topimpressionists.com/da/art/similar/hans-feibusch-narcissus-AQS6AL-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Phthalo Green #1a2734

    Gemt palet

    • #1A2734
    • #468EB9
    • #92B9D7
    • #3C5468

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Primær farve
    Phthalo Green
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Bold Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Unified Palette Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Balanced Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Balanced Soft Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Hans Feibusch i løbet af de sidste tolv måneder — 2 lande i alt. Hvor disse tal stammer fra

    De ti førende lande

    1. 1 Kina 57,1%
    2. 2 Taiwan 42,9%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 7 mest viste værker af Hans Feibusch

    1. 1 Landscape with Large Terracotta Jars 22,2%
    2. 2 At the Feet of Christ on the Cross 22,2%
    3. 3 Narcissus, 1946 dette maleri 11,1%
    4. 4 Wooded Landscape, 1948 11,1%
    5. 5 Study, Men and Satyrs 11,1%
    6. 6 Rotes Tor, Taormina, Sicilien 11,1%
    7. 7 1939, 1939 11,1%

    Sammen udgør disse værker 99,9% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 24 værker af denne kunstner, hvoraf 7 er blevet set mindst én gang. Dette maleri rangerer som nummer 3 af dem, med 11,1% af den opmærksomhed. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Om dette kunstværk

    Narcissus — Hans Feibusch

    The Pallant House Gallery in Chichester, United Kingdom, is home to a stunning collection of modern British art, including the captivating painting Narcissus by Hans Feibusch. Created in 1946, this oil on canvas artwork measures 61 x 92 cm and showcases the artist's unique style and technique.

    Artist Background

    Hans Feibusch was a German-born British artist known for his bold and expressive paintings. His work often explored themes of mythology, literature, and psychology, as seen in Narcissus. This painting is a prime example of Feibusch's ability to convey complex emotions and ideas through his art.

    Painting Analysis

    The painting Narcissus depicts a man sitting on the ground, lost in thought, with a contemplative expression. The use of a blue background and the subject's clasped hands create a sense of introspection and self-reflection. This artwork is not only a beautiful representation of Feibusch's skill but also an exploration of the human psyche.

    For more information on Hans Feibusch and his works, visit Hans Feibusch: Narcissus at AllPaintingsStore.com. The Pallant House Gallery is also featured in an article on Pallant House Gallery: A Hidden Gem in Chichester, United Kingdom.

    Some of Hans Feibusch's other notable works include Two Females and Römische Tempel, which can be found at AllPaintingsStore.com. These paintings demonstrate Feibusch's versatility and range as an artist, from figurative to landscape pieces.

    Conclusion

    The painting Narcissus by Hans Feibusch is a thought-provoking and visually stunning artwork that showcases the artist's unique style and technique. As part of the collection at the Pallant House Gallery, it is a must-see for art enthusiasts and collectors alike. For those interested in purchasing handmade oil painting reproductions, AllPaintingsStore.com offers a range of Feibusch's works, including Narcissus.

    Kunstner og museum

    Kunstner

    Hans Feibusch

    A Life Forged in the Fires of Change

    Born in Frankfurt am Main, Hans Feibusch’s early years were a tapestry of artistic awakening and historical upheaval. The son of a dental surgeon and an amateur painter, his creative spirit was nurtured by the delicate brushstrokes of his mother and the rigorous academic training he received under Karl Hofer at the Berlin University of the Arts. His youth, however, was not merely one of quiet study; the shadows of World War I loomed large as he served on the Russian front, an experience that would forever color his understanding of human resilience and the fragility of existence. In the vibrant, pre-war atmosphere of Germany and later Paris, Feibusch absorbed the rhythmic energy of Expressionism and the daring palettes of Fauvism, honing a style that balanced meticulous realism with a profound, emotive intensity.

    From Exile to the Sacred Walls of England

    The ascent of Nazism in 1933 forced a dramatic and painful redirection of Feibusch’s destiny. Driven by the necessity to protect his family, he fled Germany for England, carrying with him the weight of displacement and the richness of his Jewish heritage. It was within this new, often uncertain landscape that Feibusch found his most enduring calling: the transformation of Anglican sacred spaces. He did not merely decorate; he breathed life into stone and mortar. Through a series of monumental murals spanning nearly thirty churches across England, he wove together themes of faith, suffering, and transcendence. His work in places like Ely Cathedral stands as a testament to an artist who could bridge the gap between his ancestral traditions and the liturgical heart of the Church of England, creating a visual language that was both deeply personal and universally spiritual.

    The Eternal Dance of Color and Spirit

    Feibusch’s oeuvre is characterized by a breathtaking vitality, where color serves as a primary vessel for emotion. Whether capturing the sun-drenched landscapes of Sicily in Taormina, Sicily or the rhythmic ecstasy of human connection in his 1950 masterpiece The Dance, his brushwork remains unapologetically expressive. His mastery lies in the ability to evoke the sublime through several key elements:

    Bold Chromaticism: The use of vibrant, often clashing hues that command attention and stir the soul.

    Dynamic Motion: A sense of rhythmic vitality that makes even a static mural feel alive with movement.

    Symbolic Depth: An intricate layering of Jewish cultural motifs and Christian iconography.

    As we look back upon his century-long journey, Feibusch remains a singular figure—a painter who turned the trauma of exile into a legacy of light, leaving behind a trail of sacred beauty that continues to inspire awe in all who enter his painted sanctuaries.

    Museum

    Pallant House Gallery

    Udstillet på Chichester, United Kingdom

    A Sanctuary for British Modernism

    Nestled in the heart of Chichester, a city steeped in Roman and Anglo-Saxon heritage,

    Pallant House Gallery

    serves as both a custodian of Britain’s vibrant artistic past and a beacon illuminating its contemporary expressions. More than just a destination for art lovers, it offers an immersive experience—a journey through the evolution of British art from the early 20th century to the present day. All these treasures are housed within the elegant embrace of a beautifully restored Queen Anne townhouse, where the very stones whisper stories of centuries past. This historic setting provides a striking and harmonious counterpoint to the often-challenging and innovative artworks contained within its walls, creating a space where walking through the rooms feels akin to stepping into a profound dialogue between history and modernity, tradition and rebellion.

    The soul of the gallery resides in its extraordinary collection, which traces the pulse of British creativity. The story begins with the remarkable vision of Walter Hussey, who in 1977 left a foundational bequest that established the gallery's core identity. This initial gift brought luminaries such as

    Barbara Hepworth

    ,

    Henry Moore

    ,

    John Piper

    ,

    Ceri Richards

    , and

    Graham Sutherland

    into the light of public appreciation. Over the decades, this landscape of expression has been enriched by generous donations from figures like Charles Kearley and Sir Colin St John Wilson, adding layers of complexity that bridge the gap between national identity and international movements. Visitors may find themselves captivated by the rhythmic abstractions of

    Ben Nicholson

    or drawn into the visceral, human depths of works by

    Lucian Freud

    and

    Richard Hamilton

    .

    Architectural Dialogue and Living Culture

    The architectural experience of Pallant House Gallery is a masterclass in the interplay between old and new. While the original Queen Anne townhouse exudes a timeless, stately elegance, the addition of the contemporary wing, designed by Long & Associates, demonstrates a bold embrace of the future. This extension is far more than a mere structural addition; it is a carefully considered architectural dialogue. The way light and shadow dance within the modern wing enhances the viewing experience, drawing the eye to the intricate textures and emotional resonance of each piece on display. For the art lover or interior designer, this juxtaposition of classical grace and avant-garde geometry offers a profound lesson in how space can elevate subject matter.

    Beyond its permanent treasures, Pallant House Gallery distinguishes itself as a living cultural hub through a vibrant program of temporary exhibitions that consistently introduce fresh perspectives. By showcasing both established masters and emerging voices, the gallery ensures that its narrative remains dynamic and ever-evolving. This commitment to engagement extends into the digital realm through

    Perspectives

    , the gallery’s insightful blog, which offers behind-the-scenes glimpses into the creative process. Whether one is a seasoned collector seeking depth or a curious wanderer looking for inspiration, Pallant House Gallery offers a sanctuary where the legacy of British Modernism can be felt, seen, and deeply understood.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Narcissus

    topimpressionists.com/da/art/download/hans-feibusch-narcissus-AQS6AL-en/

    Kildehenvisning til dette kunstværk

    MLA
    Feibusch, Hans. Narcissus. 1946, Pallant House Gallery. https://topimpressionists.com/da/art/hans-feibusch-narcissus-AQS6AL-en/
    APA
    Feibusch, Hans (1946). Narcissus [Painting]. Pallant House Gallery. https://topimpressionists.com/da/art/hans-feibusch-narcissus-AQS6AL-en/
    Chicago
    Hans Feibusch. Narcissus. 1946. Pallant House Gallery. https://topimpressionists.com/da/art/hans-feibusch-narcissus-AQS6AL-en/
    Harvard
    Feibusch, Hans (1946) Narcissus. Pallant House Gallery. Available at: https://topimpressionists.com/da/art/hans-feibusch-narcissus-AQS6AL-en/

    Se nærmere efter

    Narcissus — Hans Feibusch

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Vores katalog klassificerer dette værk under: flowers. Er du enig? Hvad ville du tilføje eller fjerne?
    4. Se tilbage på The Dance (1950) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    5. Hans Feibusch var omkring 48 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål & svar

    Hvilken farvemætning har "Narcissus" af Hans Feibusch?

    "Narcissus" af Hans Feibusch er gengivet med en Balanced Soft mætning.

    Hvilken kunstner tilskrives "Narcissus"?

    "Narcissus" tilskrives Hans Feibusch.

    Fremstår farverne i "Narcissus" kraftige eller bløde?

    Farverne i "Narcissus" af Hans Feibusch har en Balanced intensitet.