Papir

Guide til elevkunst

Piazza San Marco

Navn Klasse Dato

Henry Bacon, Piazza San Marco (1912). Public domain. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Henry Bacon topimpressionists.com/da/artists/henry-bacon_da/
Kunstnerens årstal
1866 – 1924
Malet
1912
Oprindelig størrelse
25 x 18 cm

I kontekst

Piazza San Marco — Henry Bacon

Hvor stor er den?

Originalen måler 25 × 18 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 58 ved død.

Malet da kunstneren var 46 år gammel. Kunstneren blev 58 år gammel. 4 af de 7 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: Henry Bacon' livstid (1866–1924) ▲ dette værk, 1912 hvert dateret maleri, årti for årti

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: topimpressionists.com/da/art/similar/henry-bacon-piazza-san-marco-AQZTXG-en/

Farver

Målt ud fra billedet

    Primær farve

    Clay #bf6544

    Katalogiseret palet

    • #BF6544
    • #9D8F70
    • #707054
    • #B8A686

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Neutrals Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Clay
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Serene Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Balanced Soft Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Henry Bacon i løbet af de sidste tolv måneder — 4 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 69,2%
    2. 2 Singapore 15,4%
    3. 3 Portugal 7,7%
    4. 4 USA 7,7%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 10 mest viste værker af Henry Bacon

    1. 1 The Erechtheum 15,4%
    2. 2 General View of the Acropolis at Sunset 15,4%
    3. 3 The Parthenon, East Facade 15,4%
    4. 4 Gate to the Sea 15,4%
    5. 5 Land, 1877 7,7%
    6. 6 A Leisurely Afternoon, 1885 7,7%
    7. 7 Égalité, 1889 7,7%
    8. 8 The Parthenon, West Facade 7,7%
    9. 9 Spirit of the Sphinx 7,7%
    10. — Piazza San Marco, 1912 dette maleri 0,0%

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 21 værker af denne kunstner, hvoraf 9 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Henry Bacon

    Født i Waukegan, United States of America

    A Life Shaped by Conflict and Canvas

    The life of Henry Bacon was a profound tapestry woven from the threads of war, travel, and an unwavering devotion to the visual arts. Before he became a celebrated figure in the international art scene, his path was marked by the harrowing realities of the American Civil War. Enlisting in the Union Army, he served as both a soldier and a field artist for Frank Leslie's Weekly, documenting the visceral struggles of combat. This early exposure to the raw, unvarnented truths of life left a lasting imprint on his soul, particularly after being badly wounded at the Second Battle of Bull Run. Such profound experiences of loss and survival would later infuse his paintings with a unique depth, allowing him to capture the human condition with both sensitivity and strength.

    Following his military service, Bacon sought solace and formal refinement in the great art capitals of Europe. Moving to Paris, he entered the prestigious École des Beaux-Arts, where he studied under the influential French history painter Alexandre Cabanel. This period of rigorous academic training provided him with a foundation in figure painting and classical technique that would define his professional output for decades. His journey was not merely one of academic pursuit but also of cultural immersion; his time in France led him to become a member of the Pont-Aven School, where he painted charming genre subjects of French country life—scenes that resonated deeply with American collectors.

    The Art of the Everyday and the Exotic

    Bacon’s artistic evolution was characterized by a remarkable ability to pivot between the intimate domesticity of the West and the sweeping, mysterious allure of the East. In his earlier works, he mastered the art of genre painting, capturing the quiet, sentimental moments of French peasant life and colonial-era America. These paintings often featured smoothly finished surfaces and carefully modeled figures, adhering to the academic tastes of the era while imbuing his subjects with a sense of nostalgic warmth. His ability to render the textures of daily existence—the soft light in a room or the simple joy of a family gathering—made him a favorite among those seeking beauty in the mundane.

    As his travels expanded, so too did his thematic horizons. A pivotal shift occurred when he traveled to Egypt in 1897, an excursion that ignited a lifelong fascination with Orientalist painting. Spending his winters in the Middle East, Bacon began to explore the vibrant colors and exotic landscapes of the region. This transition allowed him to blend his classical training with a new, evocative palette, capturing the light and atmosphere of distant lands. Whether he was depicting a maritime scene filled with longing or a lively carriage scene, his work remained anchored by a pervasive nostalgia for a more primitive, pre-industrial past, making his art a bridge between the familiar and the unknown.

    Legacy and Artistic Contributions

    Throughout his illustrious career, Henry Bacon functioned as much more than a painter; he was an author, illustrator, and translator, contributing to the cultural dialogue of his time. His work as an art correspondent for American journals ensured that his unique perspective reached audiences far beyond the galleries of Paris or Cairo. His paintings, ranging from historical genre scenes to maritime studies, served as visual chronicles of a changing world.

    The enduring significance of Bacon's work lies in its emotional resonance and technical mastery. His contributions can be summarized through several key artistic pillars:

    Genre Mastery: His ability to elevate ordinary, everyday scenes into poignant works of art.

    Orientalist Exploration: The successful integration of Middle Eastern themes and light into his established style.

    Academic Excellence: A commitment to the rigorous standards of the École des Beaux-Arts and the Pont-Aven School.

    Narrative Depth: The use of painting to reflect on themes of history, memory, and the human experience.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Piazza San Marco

    topimpressionists.com/da/art/download/henry-bacon-piazza-san-marco-AQZTXG-en/

    Kildehenvisning til dette kunstværk

    MLA
    Bacon, Henry. Piazza San Marco. 1912, https://topimpressionists.com/da/art/henry-bacon-piazza-san-marco-AQZTXG-en/
    APA
    Bacon, Henry (1912). Piazza San Marco [Painting]. https://topimpressionists.com/da/art/henry-bacon-piazza-san-marco-AQZTXG-en/
    Chicago
    Henry Bacon. Piazza San Marco. 1912. https://topimpressionists.com/da/art/henry-bacon-piazza-san-marco-AQZTXG-en/
    Harvard
    Bacon, Henry (1912) Piazza San Marco. Available at: https://topimpressionists.com/da/art/henry-bacon-piazza-san-marco-AQZTXG-en/

    Se nærmere efter

    Piazza San Marco — Henry Bacon

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Her First Earrings (1886) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Henry Bacon var omkring 46 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Hvor gammel var Henry Bacon, da "Piazza San Marco" blev skabt?

    Da "Piazza San Marco" blev skabt i 1912, var Henry Bacon – født i 1866 – 46 år gammel.

    Hvor høj er kontrasten i "Piazza San Marco" af Henry Bacon?

    "Piazza San Marco" af Henry Bacon fremviser en Serene kontrast mellem sine lyse og mørke områder.

    Kan jeg se en forhåndsvisning af "Piazza San Marco" af Henry Bacon, før jeg bestiller?

    Se en forhåndsvisning af "Piazza San Marco" af Henry Bacon på værkets Forhåndsvisning-side.