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Guide til elevkunst

Cineraria

Navn Klasse Dato

James Bolivar Manson, Cineraria (1922). Public domain. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
James Bolivar Manson topimpressionists.com/da/artists/james-bolivar-manson/
Kunstnerens årstal
1879 – 1945
Malet
1922
Oprindelig størrelse
61 x 51 cm

I kontekst

Cineraria — James Bolivar Manson

Hvor stor er den?

Originalen måler 61 × 51 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 66 ved død.

Malet da kunstneren var 43 år gammel. Kunstneren blev 66 år gammel. 13 af de 29 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: James Bolivar Manson' livstid (1879–1945) ▲ dette værk, 1922 hvert dateret maleri, årti for årti

Første værker: frem til 1912 Primære arbejdsår: 1912–1937 Senere værker: fra 1937

Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år, som kunstnerens liv er vævet ind i dem

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: topimpressionists.com/da/art/similar/james-bolivar-manson-cineraria-AQSECT-en/

Farver

Målt ud fra billedet

    Primær farve

    Espresso #504240

    Katalogiseret palet

    • #504240
    • #2F2425
    • #AFADA4
    • #7D7B76

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Espresso
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Discordant Palette Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af James Bolivar Manson i løbet af de sidste tolv måneder — 3 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 80,0%
    2. 2 Australien 10,0%
    3. 3 Sydkorea 10,0%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 11 mest viste værker af James Bolivar Manson

    1. 1 Still Life, Tulips in a Blue Jug, 1912 15,4%
    2. 2 Margery Williams, 1911 15,4%
    3. 3 Summer Fields, Rye, 1913 15,4%
    4. 4 Tulips in a Blue Bowl, 1939 7,7%
    5. 5 In Pont Street, 1940 7,7%
    6. 6 Old Woman in a White Cap, 1903 7,7%
    7. 7 The Garden 7,7%
    8. 8 Dartmouth, Devon, 1921 7,7%
    9. 9 Vase of Flowers 7,7%
    10. 10 Pinks in a Vase, 1940 7,7%
    11. — Cineraria, 1922 dette maleri 0,0%

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 34 værker af denne kunstner, hvoraf 10 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    James Bolivar Manson

    A Life of Color and Conviction

    The story of James Bolivar Manson is one of profound defiance and the relentless pursuit of aesthetic truth. Born in 1879 amidst the bustling streets of Brixton, London, Manson carried a name that whispered of revolutionary grandeur, being named after the liberator Simón Bolívar. Raised in a household where the written word reigned supreme—his father serving as a prominent literary editor—Manson was surrounded by the intellectual currents of the Victorian era. Yet, beneath the structured expectations of a scholarly lineage, there beat the heart of a painter. Despite his father’s deep-seated reservations regarding the stability of an artistic vocation, Manson refused to let his creative spirit be stifled by the mundane. His early years were marked by a struggle between duty and desire, as he navigated the uninspiring corridors of Newnes Publishing and the rigid atmosphere of a bank clerk, roles that felt like gilded cages to a man destined for the canvas.

    It was through a disciplined commitment to his craft that Manson eventually broke free from his clerical shackles. Studying at the Heatherley School of Fine Art and the Lambeth School of Art, he sought to master the nuances of light and form. A pivotal influence during these formative years was Lilian Beatrice Laugher, a violinist whose connection to the European musical elite provided Manson with a window into broader artistic movements. In a moment of legendary cinematic flair in 1903, Manson symbolically discarded his professional hat upon a pole, signaling his irrevocable commitment to the life of an artist. This transition marked the beginning of a career defined by a delicate balance between administrative responsibility and painterly passion.

    The Impressionist Bloom

    As his technique matured, Manson became celebrated for his ability to breathe life into the ephemeral beauty of the natural world. He found his true calling in the realm of floral still lifes, where he could employ an Impressionist vocabulary to capture the fleeting essence of a blossom. His works are characterized by a vibrant use of color and a rhythmic, expressive brushstroke that suggests movement even within the stillness of a vase. Whether depicting the bold textures of tulips or the soft, layered petals of spring blooms, Manson possessed a rare ability to translate botanical detail into emotional resonance. His approach was not merely about botanical accuracy but about capturing the light that dances upon a petal and the atmosphere that surrounds a bouquet.

    While his mastery of flowers brought him acclaim, his career was also shaped by his significant, albeit complex, tenure at the Tate Gallery. Serving as director from 1930 to 1938, Manson navigated a period of intense transition in the art world. He was a progressive force within the institution, championing Impressionism and pushing for more modern art policies than his predecessors. However, this period was also marked by personal struggle and professional tension. While he embraced the light-filled beauty of Impressionism, he remained somewhat resistant to the more radical shifts of Surrealism and German Expressionism, a stance that occasionally placed him at odds with the burgeoning avant-garde. This duality—the administrator of a great institution and the sensitive painter of flowers—defined the unique tension of his professional life.

    Legacy of the Floral Visionary

    In his later years, Manson returned to the purity of his original passion. Retiring from the administrative rigors of the Tate due to ill health, he retreated into the quiet, meditative world of flower painting. This period allowed him to refine his style, producing works that remained deeply rooted in the Impressionist tradition while achieving a profound sense of intimacy. His legacy is not found merely in the halls of museum administration, but in the enduring vitality of his canvases. To look upon a Manson still life is to witness a celebration of life’s most delicate moments, preserved through a lifetime of dedication.

    The historical significance of James Bolivar Manson lies in his role as a bridge between eras. He stood at the intersection of Victorian tradition and modern sensibility, bringing a sense of grace and light to the British art scene. His life serves as a testament to the power of following one's true calling, even when faced with the weight of expectation. Through his eyes, we see:

    The Beauty of Impermanence: His ability to capture the transient glory of flowers through layered textures and light.

    Artistic Resilience: The courage to abandon a secure clerical life for the uncertain path of a creator.

    Institutional Evolution: His contribution to the Tate Gallery's shift toward embracing Impressionist aesthetics.

    A Harmonious Synthesis: The blending of meticulous detail with the loose, emotive brushwork of the Impressionist movement.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Cineraria

    topimpressionists.com/da/art/download/james-bolivar-manson-cineraria-AQSECT-en/

    Kildehenvisning til dette kunstværk

    MLA
    Manson, James Bolivar. Cineraria. 1922, https://topimpressionists.com/da/art/james-bolivar-manson-cineraria-AQSECT-en/
    APA
    Manson, James Bolivar (1922). Cineraria [Painting]. https://topimpressionists.com/da/art/james-bolivar-manson-cineraria-AQSECT-en/
    Chicago
    James Bolivar Manson. Cineraria. 1922. https://topimpressionists.com/da/art/james-bolivar-manson-cineraria-AQSECT-en/
    Harvard
    Manson, James Bolivar (1922) Cineraria. Available at: https://topimpressionists.com/da/art/james-bolivar-manson-cineraria-AQSECT-en/

    Se nærmere efter

    Cineraria — James Bolivar Manson

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Still Life, Tulips in a Blue Jug (1912) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. James Bolivar Manson var omkring 43 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Hvor kan jeg købe et digitalt billede af "Cineraria" af James Bolivar Manson?

    "Cineraria" er tilgængelig som et højopløseligt digitalt billeddownload og kan købes direkte på dens Digitalt billede-side.

    Findes der værker, der ligner "Cineraria"?

    Se lignende værker til "Cineraria" på siden Lignende værker.

    Hvilken kunstner tilskrives "Cineraria"?

    "Cineraria" tilskrives James Bolivar Manson.