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Cityscape

Navn Klasse Dato

Jan Matulka, Cityscape (1923). Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren. Se dette lærred under bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Jan Matulka topimpressionists.com/da/artists/jan-matulka/
Kunstnerens levetid
1890 – 1972
Malet
1923
Oprindelig størrelse
26 x 20 cm

I kontekst

Cityscape — Jan Matulka

Dimensioner

Originalen måler 26 × 20 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 82 ved død.

Malet da kunstneren var 33 år gammel. Kunstneren blev 82 år gammel. 1 af de 12 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: Jan Matulka' livstid (1890–1972) ▲ dette værk, 1923 hvert dateret maleri, årti for årti

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: topimpressionists.com/da/art/similar/jan-matulka-cityscape-AQTGXD-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Putty #e0c4b6

    Gemt palet

    • #E0C4B6
    • #302728
    • #90756A
    • #5C4A44

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Primær farve
    Putty
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Bold Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Jan Matulka i løbet af de sidste tolv måneder — 2 lande i alt. Hvor disse tal stammer fra

    De ti førende lande

    1. 1 Kina 85,7%
    2. 2 USA 14,3%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 9 mest viste værker af Jan Matulka

    1. 1 Untitled (View of Hill Town in Czechoslovakia), 1921 16,7%
    2. 2 Untitled (Spanish Woman Playing Guitar), 1924 16,7%
    3. 3 Lilies (Lilie) 16,7%
    4. 4 (Surrealist Landscape), 1935 8,3%
    5. 5 Paris, 1927 8,3%
    6. 6 New York, 1925 8,3%
    7. 7 Cityscape, 1923 dette maleri 8,3%
    8. 8 Arrangement New York, 1925 8,3%
    9. 9 Untitled (Cassis Street Scene), 1930 8,3%

    Sammen udgør disse værker 99,9% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 15 værker af denne kunstner, hvoraf 9 er blevet set mindst én gang. Dette maleri rangerer som nummer 7 af dem, med 8,3% af den opmærksomhed. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Jan Matulka

    The Alchemist of Color: The Life and Legacy of Jan Matulka

    Jan Matulka stands as a luminous bridge between the deep-rooted traditions of European Bohemia and the experimental frontiers of American Modernism. Born in 1890 in Vlachovo Březí, within the then-Austro-Hungarian territory of Bohemia, his early life was defined by a profound sense of cultural heritage that would later infuse his canvases with a unique, symbolic depth. His journey to the United States in 1907 brought him to the Bronx, where he faced the challenges of a young immigrant but found within the bustling energy of New York a new canvas for his burgeoning talent. This duality—the nostalgic echoes of his Czech roots and the rhythmic pulse of American urbanity—became the heartbeat of his artistic evolution.

    Matulka’s formal training was a rigorous pursuit of excellence, beginning at the National Academy of Design in New York between 1911 and 1916. This classical foundation provided him with the technical mastery required to later deconstruct form and color. However, it was his exposure to the avant-garde movements of Europe that truly ignited his creative spirit. During his time in Paris, he moved within circles of profound intellectual influence, becoming acquainted with luminaries such as Gertrude Stein and André Lhote. These encounters allowed him to absorb the lessons of Cubism and Surrealism, which he would eventually weave into a personal style that refused to be confined by a single movement.

    A Tapestry of Styles: From Landscapes to Abstraction

    The brilliance of Matulka’s oeuvre lies in its remarkable fluidity; his artistic temperament was such that he could traverse the spectrum from serene landscapes to jarring abstraction, sometimes within the span of a single day. His early works often captured the melancholic beauty of Bohemian vistas and the picturesque charm of Czechoslovakian hill towns, rendered with an impressionistic sensitivity to light and atmosphere. Yet, as the twentieth century progressed, his brushwork grew bolder and more experimental. He began to embrace the geometric complexities of modern life, creating vibrant cityscapes that pulsed with the kinetic energy of a changing world.

    As his career matured, Matulka’s work delved into the realms of Surrealism and Abstract Expressionism. His compositions became playgrounds for the subconscious, where symbolic elements—such as shells, nude figures, or botanical forms—interacted with abstract shapes in dreamlike arrangements. This period of his work is characterized by:

    Vibrant Chromaticism: A fearless use of saturated hues that evoke intense emotional responses.

    Dynamic Composition: The use of intersecting lines and fragmented planes to create a sense of movement and depth.

    Symbolic Narrative: The integration of folklore and mythic imagery, reflecting his Bohemian intellectual heritage.

    One of his most significant achievements was his ability to translate the industrial and social shifts of America into a visual language that felt both contemporary and timeless. His collaboration with the sculptor David Smith serves as a testament to his role in the broader movement of American modern art, pushing the boundaries of how materials and forms could represent the human experience.

    Historical Significance and Enduring Influence

    Beyond the physical beauty of his paintings, Jan Matulka’s historical significance lies in his role as a cultural conduit. He did not merely adopt new styles; he synthesized them, creating a unique aesthetic that helped define the American modernist landscape. As an instructor at the Art Students League, he passed this rich, multifaceted tradition down to subsequent generations, influencing notable artists such as Dorothy Dehner, Francis Criss, and Burgoyne Diller.

    His legacy is preserved not only in museum collections like the Smithsonian American Art Museum but also in the very fabric of modern art history. Matulka’s ability to maintain a connection to his origins while fearlessly embracing the unknown allowed him to create works that remain as captivating and intellectually stimulating today as they were during his lifetime. He remains a master of the transitional moment, an artist who captured the precise instant when tradition met the future.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Cityscape

    topimpressionists.com/da/art/download/jan-matulka-cityscape-AQTGXD-en/

    Kildehenvisning til dette kunstværk

    MLA
    Matulka, Jan. Cityscape. 1923, https://topimpressionists.com/da/art/jan-matulka-cityscape-AQTGXD-en/
    APA
    Matulka, Jan (1923). Cityscape [Painting]. https://topimpressionists.com/da/art/jan-matulka-cityscape-AQTGXD-en/
    Chicago
    Jan Matulka. Cityscape. 1923. https://topimpressionists.com/da/art/jan-matulka-cityscape-AQTGXD-en/
    Harvard
    Matulka, Jan (1923) Cityscape. Available at: https://topimpressionists.com/da/art/jan-matulka-cityscape-AQTGXD-en/

    Se nærmere efter

    Cityscape — Jan Matulka

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på New York (1925) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Jan Matulka var omkring 33 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål & svar

    Kan billedet af "Cityscape" af Jan Matulka frit reproduceres?

    Ophavsretsstatus for "Cityscape" af Jan Matulka: værket er stadig beskyttet af ophavsret. Dette afgør, om der frit må foretages reproduktioner af billedet.

    Hvad er målene på det originale værk "Cityscape" af Jan Matulka?

    Det originale værk "Cityscape" af Jan Matulka måler 26 x 20 cm.

    Er "Cityscape" af Jan Matulka i det offentlige domæne, og hvorfor?

    Ophavsretsstatus for "Cityscape" - stadig beskyttet af ophavsret - følger af kunstnerens død i 1972.