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Guide til elevkunst

New York

Navn Klasse Dato

Jan Matulka, New York (1925). Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Jan Matulka topimpressionists.com/da/artists/jan-matulka/
Kunstnerens årstal
1890 – 1972
Malet
1925
Oprindelig størrelse
31 x 45 cm

I kontekst

New York — Jan Matulka

Hvor stor er den?

Originalen måler 31 × 45 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 82 ved død.

Malet da kunstneren var 35 år gammel. Kunstneren blev 82 år gammel. 3 af de 12 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: Jan Matulka' livstid (1890–1972) ▲ dette værk, 1925 hvert dateret maleri, årti for årti

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: topimpressionists.com/da/art/similar/jan-matulka-new-york-AQTGX7-en/

Farver

Målt ud fra billedet

    Primær farve

    Phthalo Green #282423

    Katalogiseret palet

    • #282423
    • #E2D6C6
    • #5B544E
    • #9B9186

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Phthalo Green
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Jan Matulka i løbet af de sidste tolv måneder — 2 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 85,7%600 visits
    2. 2 USA 14,3%100 visits

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 9 mest viste værker af Jan Matulka

    1. 1 Untitled (View of Hill Town in Czechoslovakia), 1921 15,4%200 visits
    2. 2 Untitled (Spanish Woman Playing Guitar), 1924 15,4%200 visits
    3. 3 Arrangement New York, 1925 15,4%200 visits
    4. 4 Lilies (Lilie) 15,4%200 visits
    5. 5 (Surrealist Landscape), 1935 7,7%100 visits
    6. 6 Paris, 1927 7,7%100 visits
    7. 7 New York, 1925 dette maleri 7,7%100 visits
    8. 8 Cityscape, 1923 7,7%100 visits
    9. 9 Untitled (Cassis Street Scene), 1930 7,7%100 visits

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 15 værker af denne kunstner, hvoraf 9 er blevet set mindst én gang. This painting ranks 7 of them, with 7,7% of that attention (100 visits). Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Om dette kunstværk

    New York — Jan Matulka

    The painting New York by Jan Matulka is a remarkable example of modern art, showcasing the city's vibrant energy and architectural grandeur. Created in 1925, this lithograph on paper measures 31 x 45 cm and is currently housed at the Smithsonian American Art Museum in the United States.

    The Artist's Inspiration

    Jan Matulka was a Czech-American modern artist known for his diverse style, which ranged from abstract expressionism to landscapes. His experiences traveling across the United States and Europe greatly influenced his work, including New York. The city's skyscrapers, bridges, and bustling streets are beautifully captured in this piece, conveying the essence of urban life.

    Key Features of the Painting

    The lithograph features various architectural elements, such as windows, doors, and balconies, which add to the complexity of the scene. The presence of cars on the street below and a few scattered individuals going about their daily activities creates a dynamic and engaging visual experience. The overall atmosphere of the image is dark and moody, giving it an artistic and dramatic quality.

    The painting's use of bold lines and geometric shapes emphasizes the city's modernity and energy.

    The artist's attention to detail is evident in the intricate depiction of architectural features.

    The mood of the piece is enhanced by the contrast between light and dark, creating a sense of depth and dimensionality.

    Discover more about Jan Matulka and his works on https://AllPaintingsStore.com, including New York and Arrangement New York. Learn more about the artist's life and style on Wikipedia.

    The Smithsonian American Art Museum is home to an extensive collection of American art, including works by Jan Matulka. Visit https://AllPaintingsStore.com to explore more artworks and learn about the museum's collections.

    Kunstner og museum

    Kunstner

    Jan Matulka

    The Alchemist of Color: The Life and Legacy of Jan Matulka

    Jan Matulka stands as a luminous bridge between the deep-rooted traditions of European Bohemia and the experimental frontiers of American Modernism. Born in 1890 in Vlachovo Březí, within the then-Austro-Hungarian territory of Bohemia, his early life was defined by a profound sense of cultural heritage that would later infuse his canvases with a unique, symbolic depth. His journey to the United States in 1907 brought him to the Bronx, where he faced the challenges of a young immigrant but found within the bustling energy of New York a new canvas for his burgeoning talent. This duality—the nostalgic echoes of his Czech roots and the rhythmic pulse of American urbanity—became the heartbeat of his artistic evolution.

    Matulka’s formal training was a rigorous pursuit of excellence, beginning at the National Academy of Design in New York between 1911 and 1916. This classical foundation provided him with the technical mastery required to later deconstruct form and color. However, it was his exposure to the avant-garde movements of Europe that truly ignited his creative spirit. During his time in Paris, he moved within circles of profound intellectual influence, becoming acquainted with luminaries such as Gertrude Stein and André Lhote. These encounters allowed him to absorb the lessons of Cubism and Surrealism, which he would eventually weave into a personal style that refused to be confined by a single movement.

    A Tapestry of Styles: From Landscapes to Abstraction

    The brilliance of Matulka’s oeuvre lies in its remarkable fluidity; his artistic temperament was such that he could traverse the spectrum from serene landscapes to jarring abstraction, sometimes within the span of a single day. His early works often captured the melancholic beauty of Bohemian vistas and the picturesque charm of Czechoslovakian hill towns, rendered with an impressionistic sensitivity to light and atmosphere. Yet, as the twentieth century progressed, his brushwork grew bolder and more experimental. He began to embrace the geometric complexities of modern life, creating vibrant cityscapes that pulsed with the kinetic energy of a changing world.

    As his career matured, Matulka’s work delved into the realms of Surrealism and Abstract Expressionism. His compositions became playgrounds for the subconscious, where symbolic elements—such as shells, nude figures, or botanical forms—interacted with abstract shapes in dreamlike arrangements. This period of his work is characterized by:

    Vibrant Chromaticism: A fearless use of saturated hues that evoke intense emotional responses.

    Dynamic Composition: The use of intersecting lines and fragmented planes to create a sense of movement and depth.

    Symbolic Narrative: The integration of folklore and mythic imagery, reflecting his Bohemian intellectual heritage.

    One of his most significant achievements was his ability to translate the industrial and social shifts of America into a visual language that felt both contemporary and timeless. His collaboration with the sculptor David Smith serves as a testament to his role in the broader movement of American modern art, pushing the boundaries of how materials and forms could represent the human experience.

    Historical Significance and Enduring Influence

    Beyond the physical beauty of his paintings, Jan Matulka’s historical significance lies in his role as a cultural conduit. He did not merely adopt new styles; he synthesized them, creating a unique aesthetic that helped define the American modernist landscape. As an instructor at the Art Students League, he passed this rich, multifaceted tradition down to subsequent generations, influencing notable artists such as Dorothy Dehner, Francis Criss, and Burgoyne Diller.

    His legacy is preserved not only in museum collections like the Smithsonian American Art Museum but also in the very fabric of modern art history. Matulka’s ability to maintain a connection to his origins while fearlessly embracing the unknown allowed him to create works that remain as captivating and intellectually stimulating today as they were during his lifetime. He remains a master of the transitional moment, an artist who captured the precise instant when tradition met the future.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for New York

    topimpressionists.com/da/art/download/jan-matulka-new-york-AQTGX7-en/

    Kildehenvisning til dette kunstværk

    MLA
    Matulka, Jan. New York. 1925, https://topimpressionists.com/da/art/jan-matulka-new-york-AQTGX7-en/
    APA
    Matulka, Jan (1925). New York [Painting]. https://topimpressionists.com/da/art/jan-matulka-new-york-AQTGX7-en/
    Chicago
    Jan Matulka. New York. 1925. https://topimpressionists.com/da/art/jan-matulka-new-york-AQTGX7-en/
    Harvard
    Matulka, Jan (1925) New York. Available at: https://topimpressionists.com/da/art/jan-matulka-new-york-AQTGX7-en/

    Se nærmere efter

    New York — Jan Matulka

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Arrangement with Phonograph, Mask, and Shell (1930) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Jan Matulka var omkring 35 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Hvor gammel var Jan Matulka, da "New York" blev skabt?

    Jan Matulka skabte "New York" i en alder af 35. Kunstneren blev født i 1890, og værket er dateret 1925.

    Hvor mange ser "New York"?

    Statistikker for "New York" af Jan Matulka findes på værkets Besøgsstatistik-side: månedlige besøg på værket, besøg på kunstnerens øvrige værker samt en opdeling af de seneste besøgende efter land og sprog.

    Hvad er formatet og størrelsen på "New York"?

    "New York" af Jan Matulka har proportionerne af et Landscape værk på 31 x 45 cm.