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Long-tailed Manakin

Navn Klasse Dato

Jane Kim, Long-tailed Manakin (2015), Cornell Lab of Ornithology. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren.

Fakta om værket

Kunstner
Jane Kim topimpressionists.com/da/artists/jane-kim_da/
Kunstnerens levetid
1981 – ?
Malet
2015
Medie
Acrylic On Canvas
Bevægelse
Contemporary Illustration
Afholdt hos
Cornell Lab of Ornithology topimpressionists.com/da/museums/cornell-lab-of-ornithology-ithaca_da/
Artistic style
Realistic/Stylized
Influences
Basquiat
Notable elements
Flowing tails, map bg
Subject or theme
Birds in flight

I kontekst

Long-tailed Manakin — Jane Kim

Hvornår er dette malet?

  1. 1980
  2. 1990
  3. 2000
  4. 2010

Skyggelagt: Jane Kim' livstid (1981–?) ▲ dette værk, 2015

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: topimpressionists.com/da/art/similar/jane-kim-long-tailed-manakin-DD2KC4-en/

Farver

Målt ud fra billedet

    Hovedfarve

    White #eeede8

    Gemt palet

    • #EEEDE8
    • #43302D
    • #BDBBB4
    • #55807E
    Farvepalette
    Neutrals Den dominerende farvefamilie i billedet.
    Primær farve
    White
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Bold Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Discordant Palette Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Om dette kunstværk

    Long-tailed Manakin — Jane Kim

    A Moment Frozen in Flight: Jane Kim’s “Long-tailed Manakin”

    Jane Kim's "Long-tailed Manakin" isn’t merely a painting; it’s an invitation into the vibrant heart of Central America. This arresting artwork, a portion of the larger mural “From So Simple a Beginning,” captures a fleeting moment of extraordinary grace – a flock of these diminutive birds in mid-flight against a subtly suggestive backdrop reminiscent of a stylized continental map. The piece immediately commands attention with its audacious color palette and dynamic composition, hinting at both the natural beauty and inherent drama of the manakin’s world.

    Kim's skill lies not just in replicating visual detail but in conveying an almost palpable sense of movement. The elongated tails of the birds aren’t simply decorative; they are the very essence of their flight, flowing lines that dominate the canvas and draw the eye across the scene. The artist masterfully utilizes a muted grey background – a deliberate choice that allows the brilliant hues of the manakins to truly pop, creating a striking contrast that amplifies the feeling of energy and vitality.

    Watercolor’s Delicate Embrace: Technique and Style

    Upon closer inspection, it becomes clear that Kim has employed watercolor or gouache paints. The smooth blending of colors, the subtle gradations in tone, and the delicate rendering of feathers all point to this medium. There's a remarkable softness to the painting’s texture, an almost ethereal quality that belies the intricate detail present throughout. The style leans towards contemporary illustrative realism – a deliberate departure from strict photographic representation, favoring instead a heightened sense of color and form.

    The artist’s approach is particularly noteworthy in her treatment of light. It's soft and diffused, creating gentle highlights on the birds’ plumage without resorting to harsh shadows. This contributes significantly to the painting’s overall mood – one of serene beauty and effortless movement. The slightly blurred edges of some elements further enhance this impression of fleeting motion, as if we are witnessing a moment captured in time.

    Echoes of the Rainforest: Symbolism and Context

    Beyond its aesthetic appeal, “Long-tailed Manakin” resonates with deeper symbolic meaning. The manakins themselves – endemic to Central America – represent resilience, adaptability, and the intricate beauty of a fragile ecosystem. Their elaborate courtship rituals, meticulously documented by researchers, speak to the power of instinct and the drive for connection. The inclusion of a map-like background subtly connects the artwork to its geographical origins, reminding us of the importance of conservation efforts in these biodiverse regions.

    Furthermore, Kim’s choice to depict these birds within a stylized continental landscape suggests a broader commentary on human interaction with nature. The muted grey backdrop could be interpreted as representing the impact of urbanization and environmental degradation – a poignant reminder of the delicate balance between humanity and the natural world. The artwork invites us to contemplate our role in preserving these vital habitats.

    A Legacy of Observation: Jane Kim’s Vision

    Jane Kim's work, as evidenced by her broader career with Ink Dwell Studio and her involvement with organizations like the California Working Families Party, is deeply rooted in community engagement and social awareness. Her artistic practice extends beyond mere representation; it serves as a platform for observation, reflection, and advocacy. “Long-tailed Manakin” stands as a testament to this commitment – a vibrant celebration of nature’s beauty coupled with a subtle yet powerful message about the importance of conservation.

    Kunstner og museum

    Kunstner

    Jane Kim

    Født i New York City, USA

    The Art of Advocacy: The Visionary World of Jane Kim

    Jane Kim stands at the intersection of fine art and scientific precision, a painter and science illustrator whose work serves as a vibrant bridge between humanity and the natural world. Born in 1981 and raised in Mount Prospect, Illinois, Kim’s artistic journey is deeply rooted in an intimate observation of life. Her practice, often executed through her Ink Dwell studio, transcends mere decoration; it is a form of visual advocacy designed to promote the protection and celebration of our planet's diverse ecosystems. By blending the meticulous detail of scientific illustration with the grand scale of public murals, she transforms urban landscapes into immersive educational experiences.

    Kim’s formal training provided the technical foundation for her unique aesthetic. She earned her B.F.A. in printmaking from the Rhode Island School of Design in 2003, a period that likely honed her appreciation for texture and layered composition. Seeking to deepen the connection between art and ecology, she later attended California State University, Monterey Bay, where she studied scientific illustration, graduating in 2010. This dual expertise allows her to capture the iridescent qualities of plumage and the delicate anatomy of flora with an accuracy that honors the biological reality of her subjects while maintaining a profound emotional resonance.

    A Symphony of Scale and Species

    The true impact of Kim’s work is perhaps most felt in her large-scale murals, which turn city walls into windows onto vanishing habitats. Her projects are often much more than aesthetic endeavors; they are ecological narratives. One of her most ambitious undertakings was the Migrating Mural, a series of six works spanning 120 miles along California’s Highway 395, featuring the Sierra Nevada bighorn sheep. Such works demonstrate her ability to use public space to foster a sense of shared stewardship for local wildlife.

    Her mastery of detail is equally evident in her more concentrated works, such as the monumental Wall of Birds at Cornell University's Lab of Ornithology. Completed in 2015, this massive piece depicts 243 modern bird families, rendered at life size and superimposed upon a map of the earth. In pieces like South Island Wren or Jocotoco Antpitta, Kim invites viewers into a meditative state, using a layered painting technique that builds richness through visible brushstrokes and a vibrant palette. Through these works, she captures the fragility of endangered species, turning every stroke of paint into a plea for conservation.

    Legacy and Ecological Connection

    Beyond the technical execution, Kim’s significance lies in her ability to weave social and historical narratives into the natural landscape. Her Flora From Fauna series in Redwood City, California, serves as a poignant example, commemorating the lost chrysanthemum industry of the 1920s and the history of Japanese immigrants in the region. This ability to intertwate human history with ecological study defines her contribution to contemporary art.

    Whether through her residency at the de Young Museum or her presence on corporate campuses, Kim continues to push the boundaries of where art can live and what it can achieve. Her work remains a testament to the power of observation, reminding us that by truly seeing the intricate beauty of a single bird or a hidden flower, we might find the inspiration necessary to protect the entire tapestry of life.

    Museum

    Cornell Lab of Ornithology

    Udstillet på Ithaca, USA

    Et fristed for vinger og vidundere: En udforskning af Cornell Lab of Ornithology

    Gemt i Ithacas bølgende bakker i New York overskrider Cornell Lab of Ornithology den typiske definition af en forskningsinstitution; det er et levende vidnesbyrd om vores vedvarende forbindelse med fuglelivet. Laboratoriet blev grundlagt i 1915 af Arthur A. Allen – en visionær, der kæmpede for den formelle studie af fugle – og er siden blomstret op til at blive et globalt knudepunkt for ornitologisk videnskab, bevarelse og borgerinddragelse. Fra dets ydmyge begyndelser i entomologiafdelingen ved Cornell University til de nuværende topmoderne faciliteter i Sapsucker Woods Sanctuary, er historien om Cornell Lab en fortælling om passioneret dedikation og banebrydende opdagelser. Det er et sted, hvor videnskabelig stringens danser med offentlig entusiasme og skaber et unikt miljø, der inviterer alle til at kigge op og lytte. Selve essensen af laboratoriet ligger i dets evne til at forvandle tilfældige fuglekiggere til uvurderlige videnskabelige bidragsydere og pionere en ånd af kollektiv observation, der har revolutioneret vores forståelse af fuglelivet.

    Kraften i den kollektive observation: eBird og fremad

    I hjertet af denne institution banker en forpligtelse til at udnytte kraften i delt viden. I modsætning til traditionelle forskningsmiljøer inviterer Cornell Lab aktivt fugleentusiaster på alle niveauer til deltagelse. Denne pionerånd er mest levende personificeret i

    eBird

    , en online database, der fundamentalt har ændret vores forståelse af fugles udbredelse og migrationsmønstre. Forestil dig et kort i realtid, som konstant opdateres af tusindvis af observatører, og som afslører de indviklede bevægelser hos de fjerklædte rejsende på tværs af kontinenter! Det er en bjergtagende visualisering af sammenhængskraft, der demonstrerer, hvordan individuelle observationer smelter sammen til et omfattende billede af fuglelivet på Jorden. Som et supplement til dette digitale vidunder findes

    All About Birds

    , en prisvindende hjemmeside, der tilbyder udtømmende profiler af nordamerikanske arter – en skattekiste af identifikationshjælp, detaljer om livshistorie og fængslende lydoptagelser. Disse ressourcer er ikke blot informative; de fremmer en dybere værdsættelse af fuglenes skønhed og kompleksitet, hvilket tænder nysgerrigheden og inspirerer til bevarelsesindsats.

    Arkitektonisk harmoni med naturen

    Den fysiske manifestation af denne dedikation er Imogene Powers Johnson Center for Birds and Biodiversity, som åbnede i 2003 og for nylig blev forbedret gennem en omfattende redesign-proces, der blev færdiggjort i juni 202lag. Besøgscentret er ikke blot et sted at se udstillinger; det er en fordybende oplevelse, designet til at forbinde de besøgende med den naturlige verden. Selve arkitekturen afspejler denne filosofi ved sømløst at smelte sammen med det omkringliggende Sapsucker Woods Sanctuary – et 300 acre stort reservat med over otte kilometers bugtende stier og hjemsted for mere end 230 fuglearter. Når man vandrer ad disse stier, kan man virkelig forstå, hvorfor Arthur Allen valgte netop denne placering, oprindeligt fascineret af et ynglepar af gulbrystede spætter, som gav reservatet dets navn. Det redesignede besøgscenter tilbyder interaktive udstillinger, der bringer fugleøkologien til live og gør den tilgængelig og engagerende for alle aldre. Det er et rum, hvor de besøgende ikke blot lærer

    om

    fugle; de føler sig forbundet

    med

    dem.

    En arv bygget på borgervidenskab

    Det, der virkelig adskiller Cornell Lab, er dets urokkelige tro på kraften i borgervidenskab. Dette handler ikke blot om at indsamle data; det handler om at pleje et fællesskab af passionerede observatører, som aktivt deltager i at forme vores forståelse af den naturlige verden. Udover

    eBird

    giver projekter som

    NestWatch

    og

    Celebrate Urban Birds

    individer mulighed for at bidrage meningsfuldt til bevarelsesindsatsen. Laboratoriet tilbyder også de fængslende ”Bird Cams”, der giver intime glimt af det skjulte liv hos fugle, der bygger rede – et vindue ind i de delikate dramaer, der udspiller sig i fuglefamilierne. Denne forpligtelse rækker ud over selve observationen; Cornell Lab integrerer aktivt forskning, uddannelse og bevarelse for at adressere de mangefacetterede udfordringer, som fuglebestande står overfor i en verden i hurtig forandring. Det er en holistisk tilgang, der anerkender sammenhængen mellem alle levende væsener og vigtigheden af kollektiv handling.

    Mere end et museum: Et fyrtårn af håb

    Cornell Lab of Ornithology er mere end blot et museum eller en forskningsfacilitet; det er et fyrtårn af håb for fuglenes biodiversitet. Det er et sted, hvor videnskabelig stringens møder offentligt engagement, hvor nysgerrighed næres, og hvor den simple handling at observere en fugl kan bidrage til en større forståelse – og i sidste ende beskyttelse – af vores planets dyrebare naturarv. Det står som en kraftfuld påmindelse om, at vi alle har en rolle at spille i at sikre fremtiden for disse storslåede skabninger og de økosystemer, de bebor. Laboratoriets vedvarende arv ligger ikke kun i dets videnskabelige opdagelser, men i dets evne til at inspirere en følelse af vidunder og ansvar hos kommende generationer.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Long-tailed Manakin

    topimpressionists.com/da/art/download/jane-kim-long-tailed-manakin-DD2KC4-en/

    Kildehenvisning til dette kunstværk

    MLA
    Kim, Jane. Long-tailed Manakin. 2015, Cornell Lab of Ornithology. https://topimpressionists.com/da/art/jane-kim-long-tailed-manakin-DD2KC4-en/
    APA
    Kim, Jane (2015). Long-tailed Manakin [Painting]. Cornell Lab of Ornithology. https://topimpressionists.com/da/art/jane-kim-long-tailed-manakin-DD2KC4-en/
    Chicago
    Jane Kim. Long-tailed Manakin. 2015. Cornell Lab of Ornithology. https://topimpressionists.com/da/art/jane-kim-long-tailed-manakin-DD2KC4-en/
    Harvard
    Kim, Jane (2015) Long-tailed Manakin. Cornell Lab of Ornithology. Available at: https://topimpressionists.com/da/art/jane-kim-long-tailed-manakin-DD2KC4-en/

    Se nærmere efter

    Long-tailed Manakin — Jane Kim

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Vores katalog klassificerer dette værk under: manakins, birds, migration. Er du enig? Hvad ville du tilføje eller fjerne?
    4. Se tilbage på Stor hornbill (2015) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    5. Jane Kim var omkring 34 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Kunstquiz

    Long-tailed Manakin — Jane Kim

    Hvor godt kender du dette kunstværk?

    Afkryds ét svar for hvert af de 5 spørgsmål nedenfor. Hvert spørgsmål har præcis ét korrekt svar.

    1. 1. What is the primary subject of the painting "Long-tailed Manakin"?

      • A A solitary bird perched on a branch.
      • B A flock of Long-tailed Manakins in flight against a stylized map background.
      • C A close-up portrait of a male Long-tailed Manakin.
    2. 2. The painting utilizes which style?

      • A Impressionism
      • B Realism with stylized elements
      • C Abstract Expressionism
    3. 3. According to the description, what is a prominent feature of the Long-tailed Manakin's appearance?

      • A A muted brown plumage.
      • B Extremely long and flowing tail feathers.
      • C Bright yellow coloration.
    4. 4. What is the likely medium used in creating this artwork?

      • A Oil paint
      • B Watercolor or gouache paints
      • C Acrylics
    5. 5. The background of the painting resembles a stylized representation of:

      • A A European city skyline.
      • B The continental United States.
      • C An African savanna.

    Min score: ____ ud af 5

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