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Jean Baptiste Lallemand, Rinaldo abandoning Armida. Public domain. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Jean Baptiste Lallemand topimpressionists.com/da/artists/jean-baptiste-lallemand/
Kunstnerens årstal
1716 – 1803
Bevægelse
Baroque Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action.

I kontekst

Rinaldo abandoning Armida — Jean Baptiste Lallemand

Hvornår er dette maleri sandsynligvis blevet malet?

  1. 1710
  2. 1720
  3. 1730
  4. 1740
  5. 1750
  6. 1760
  7. 1770
  8. 1780
  9. 1790
  10. 1800

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 87 ved død.

Skyggelagt: Jean Baptiste Lallemand' livstid (1716–1803) hvert dateret maleri, årti for årti

Der findes ikke et præcist årstal for denne indspilning i arkivet — baseret på kunstnerens levetid og værkets stil, hvilket årti ville du så gætte på?

Sammenlign med

  • The Camera Obscura topimpressionists.com/da/art/jean-baptiste-lallemand-the-camera-obscura-9CWH4M-en/
  • Soap Bubbles topimpressionists.com/da/art/jean-baptiste-lallemand-soap-bubbles-9CWH4K-en/
  • Une Bacchante Jouant Du Triangle topimpressionists.com/da/art/jean-baptiste-lallemand-une-bacchante-jouant-du-triangle-9CWH4R-en/

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: topimpressionists.com/da/art/similar/jean-baptiste-lallemand-rinaldo-abandoning-armida-9HTQEX-en/

Farver

Målt ud fra billedet

    Primær farve

    Espresso #3c2916

    Katalogiseret palet

    • #3C2916
    • #85825E
    • #140F09
    • #63583D

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Espresso
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Balanced Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Softly Mixed Palette Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Subtle Color Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Jean Baptiste Lallemand i løbet af de sidste tolv måneder — 1 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 100,0%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 6 mest viste værker af Jean Baptiste Lallemand

    1. 1 Portrait Of Marquis De Sade 20,0%
    2. 2 Une Bacchante Jouant Du Triangle 20,0%
    3. 3 Hotel Thellusson Avec Son Entree Triomphale 20,0%
    4. 4 Port Du Gros-caillou 20,0%
    5. 5 Bastille 20,0%
    6. — Rinaldo abandoning Armida dette maleri 0,0%

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 30 værker af denne kunstner, hvoraf 5 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Jean Baptiste Lallemand

    Født i Dijon, France

    The Luminous Legacy of Jean-Baptiste Lallemand

    In the soft, amber glow of the eighteenth century, few artists captured the ephemeral beauty of the natural world with as much grace as Jean-Baptiste Lallemand. Born in 1716 in the historic city of Dijon, France, Lallemand’s origins were rooted in the humble craft of a tailor, a trade passed down by his father that perhaps instilled in him a lifelong respect for precision and fine detail. While his early years were shaped by the traditions of his home province, his artistic spirit was destined for much larger stages. Moving to Paris in 1739, he sought to master the complexities of painting, potentially under the tutelage of the great Giovanni Niccolò Servandoni. This transition from the provincial to the metropolitan marked the beginning of a journey that would see him traverse the most influential artistic hubs of Europe, from the bustling streets of Paris to the sun-drenched grandeur of Rome.

    Lallemand’s development was profoundly shaped by his deep immersion in the Italian landscape. During a significant fourteen-year residency in Rome, interrupted only briefly by travels to Naples, he breathed in the classical atmosphere that defined the era. This period allowed him to engage with the masters of his time, absorbing the light and architectural majesty of the Roman school. He found himself in the company of notable figures such as Claude-Joseph Vernet, whose Italianate approach to landscape likely left an indelible mark on Lallemand’s own brushwork. His time in Italy was not merely one of observation but of active contribution; he worked on frescoes within the Palazzo Corsini and executed large-scale paintings of antique architecture for the Anitchkov Palace in St. Petersburg. These endeavors demonstrate a versatile talent capable of moving between the intimate scale of a landscape drawing and the monumental demands of imperial commissions.

    A Mastery of Light, Landscape, and Genre

    The true essence of Lallemand’s oeuvre lies in his ability to weave together the delicate aesthetics of the Rococo movement with a burgeoning sense of Romanticism. His landscapes are far more than mere topographical records; they are emotive experiences. Whether depicting a serene riverside, a picturesque villa nestled among verdant hills, or the haunting beauty of a ruined temple at dusk, Lallemand employed a masterful command of light and color. He possessed an exquisite sensitivity to atmospheric effects, using subtle gradations of tone to evoke a profound sense of tranquility. In works such as "An Evening Landscape With An Estuary And A Ruined Temple," one can feel the weight of history and the quietude of nature through his soft, muted palettes and classical compositions.

    Beyond the sweeping vistas of the natural world, Lallemand also excelled in genre painting and intricate engravings, capturing the nuances of human life and domesticity. His ability to find beauty in the mundane is perhaps best exemplified by his depictions of everyday scenes, such as the charmingly detailed "Soap Bubbles," which celebrates the fleeting joy of childhood through luminous tones and masterful technique. Furthermore, his skill as a draughtsman allowed him to collaborate with architects like Charles de Wailly, creating views of the Château of Montmusard that blended architectural precision with artistic flair. This duality—the ability to be both a precise chronicler of structure and a poet of the atmosphere—is what defines his unique contribution to French art.

    Historical Significance and Enduring Influence

    As the eighteenth century transitioned into the nineteenth, Lallemand’s work remained a bridge between the decorative elegance of the Rococo and the more dramatic, emotive qualities of later movements. His membership in the Académie de Saint-Luc in Paris solidified his status within the professional elite, ensuring that his influence would be felt throughout the academic circles of Europe. Even as styles shifted toward Neoclassicism, Lallemand’s dedication to capturing the "soul" of a landscape provided a foundation for future generations of landscape painters.

    Today, the legacy of Jean-Baptiste Lallemand lives on through the prestigious collections that house his treasures, from the Musée des Beaux-Arts of Dijon to the Pinacoteca Vaticana. His works serve as a window into an era of profound cultural flourishing, reminding modern viewers of a time when art sought to harmonize the grandeur of human achievement with the eternal, quiet beauty of the earth. To look upon a Lallemand landscape is to experience a moment of stillness, a carefully composed breath of history captured in pigment and light.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Rinaldo abandoning Armida

    topimpressionists.com/da/art/download/jean-baptiste-lallemand-rinaldo-abandoning-armida-9HTQEX-en/

    Kildehenvisning til dette kunstværk

    MLA
    Lallemand, Jean Baptiste. Rinaldo abandoning Armida. n.d., https://topimpressionists.com/da/art/jean-baptiste-lallemand-rinaldo-abandoning-armida-9HTQEX-en/
    APA
    Lallemand, Jean Baptiste (n.d.). Rinaldo abandoning Armida [Painting]. https://topimpressionists.com/da/art/jean-baptiste-lallemand-rinaldo-abandoning-armida-9HTQEX-en/
    Chicago
    Jean Baptiste Lallemand. Rinaldo abandoning Armida. n.d. https://topimpressionists.com/da/art/jean-baptiste-lallemand-rinaldo-abandoning-armida-9HTQEX-en/
    Harvard
    Lallemand, Jean Baptiste (n.d.) Rinaldo abandoning Armida. Available at: https://topimpressionists.com/da/art/jean-baptiste-lallemand-rinaldo-abandoning-armida-9HTQEX-en/

    Se nærmere efter

    Rinaldo abandoning Armida — Jean Baptiste Lallemand

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Hvor mange ansigter kan du finde? ____ (vores katalog tæller 3 — er du enig?)
    4. Vores katalog klassificerer dette værk under: mythological scene, classical figures, armor & warfare. Er du enig? Hvad ville du tilføje eller fjerne?
    5. Se tilbage på The Camera Obscura tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Hvor stor er kontrasten i "Rinaldo abandoning Armida" af Jean Baptiste Lallemand?

    Kontrastniveauet i "Rinaldo abandoning Armida" af Jean Baptiste Lallemand er Balanced.

    Fra hvilket land stammer Baroque-værket "Rinaldo abandoning Armida"?

    "Rinaldo abandoning Armida" forbinder Baroque-bevægelsen med France gennem skaberens fødested.

    Hvor mættede og intense er farverne i "Rinaldo abandoning Armida" af Jean Baptiste Lallemand?

    "Rinaldo abandoning Armida" af Jean Baptiste Lallemand er gengivet med en Subtle Color mætning og en Monochromatic intensitet.