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Radiance II

Navn Klasse Dato

John Copnall, Radiance II (1994), Chelsea And Westminster Hospital. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren. Se dette lærred under bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
John Copnall topimpressionists.com/da/artists/john-copnall/
Kunstnerens levetid
1928 – 2007
Malet
1994
Oprindelig størrelse
173 x 259 cm
Afholdt hos
Chelsea And Westminster Hospital topimpressionists.com/da/museums/chelsea-and-westminster-hospital-london/

I kontekst

Radiance II — John Copnall

Dimensioner

Originalen måler 173 × 259 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde. Det er for stort til at kunne gengives i målestoksforhold på denne side.

Hvornår er dette malet?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 79 ved død.

Malet da kunstneren var 66 år gammel. Kunstneren blev 79 år gammel. 0 af de 1 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: John Copnall' livstid (1928–2007) ▲ dette værk, 1994 hvert dateret maleri, årti for årti

Sammenlignelige værker

  • Spiral on Red topimpressionists.com/da/art/john-copnall-spiral-on-red-AQZRRM-en/
  • Spanish Village topimpressionists.com/da/art/john-copnall-spanish-village-AQZRRT-en/
  • Pale Blue Abstract 1 topimpressionists.com/da/art/john-copnall-pale-blue-abstract-1-AQZRRR-en/

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: topimpressionists.com/da/art/similar/john-copnall-radiance-ii-AQZRRK-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Sea Green #346e54

    Gemt palet

    • #346E54
    • #547EB3
    • #D2D4CC
    • #AA6B21

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Primær farve
    Sea Green
    Intensitet
    Vivid Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Bold Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Discordant Palette Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Brilliant Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Clear Color Presence Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af John Copnall i løbet af de sidste tolv måneder — 1 lande i alt. Hvor disse tal stammer fra

    De ti førende lande

    1. 1 Kina 100,0%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 2 mest viste værker af John Copnall

    1. 1 Spanish Village 100,0%
    2. — Radiance II, 1994 dette maleri 0,0%

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 5 værker af denne kunstner, hvoraf 1 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    John Copnall

    Født i Slindon, United Kingdom

    The Vibrant Legacy of John Copnall

    Born into a lineage deeply rooted in the creative arts, John Bainbridge Copnall was destined to navigate the profound intersections of form and color. Raised in the picturesque village of Slindon, near Horsham, his upbringing was steeped in an atmosphere of artistic excellence; his father, the eminent sculptor Edward Bainbridge Copnall, and a wide circle of talented relatives provided a rich tapestry of aesthetic influence. While his early academic pursuits at the Architectural Association in London suggested a path toward structural precision, it was his innate talent for draughtsmanship and a burgeoning passion for the canvas that ultimately redirected his destiny. After honing his skills under the guidance of his father at the Sir John Cass School of Art and later under Sir Henry Rushbury at the Royal Academy School, Copnall emerged as a formidable talent, earning the prestigious Turner Gold Medal for landscape painting in 1954.

    The trajectory of Copnall’s career underwent a transformative metamorphosis following a pivotal journey to Spain. What was intended to be a brief excursion became a lifelong romance with the Iberian light and the rugged, sun-drenched landscapes of the Mediterranean. For fourteen years, the intense clarity of the Spanish atmosphere served as his primary muse, fundamentally altering his approach to subject matter. This period of residency, which included time on the island of Ibiza, allowed him to move away from purely figurative traditions toward a more profound exploration of Abstract Expressionism. His work began to pulse with a stylized realism, where the essence of a landscape was captured not through mere topographical accuracy, but through a masterful application of richly coloured, emotive strokes that celebrated the very soul of the terrain.

    Technique and Artistic Evolution

    Copnall’s mature style is characterized by a breathtaking synthesis of structural integrity and expressive freedom. His early training as a draughtsman remained the silent backbone of his compositions, ensuring that even his most abstract endeavors possessed an underlying sense of balance and weight. He became renowned for his ability to work on a grand scale, utilizing large canvases to create immersive environments of color field painting and textured abstraction. His palette was often bold and unapologetic, using vibrant hues to evoke the heat of the Spanish sun or the deep shadows of mountain haciendas. This approach allowed him to bridge the gap between the tangible world and the emotional resonance of pure color.

    Beyond his personal studio practice, Copnall played a vital role in the academic development of future generations. For twenty years, he served as an influential teacher at the Central School of Art and Design in London, where his deep understanding of both classical technique and modern abstraction helped shape the pedagogical landscape of British art education. His ability to communicate the complexities of light, form, and movement made him a cornerstone of the mid-20th-century London art scene.

    Historical Significance and Artistic Impact

    The significance of John Copnall lies in his unique ability to translate the physical experience of landscape into a language of abstract emotion. He did not merely paint what he saw; he painted how the light felt upon the skin and how the earth appeared under the weight of the midday sun. His work stands as a testament to the power of stylized realism, a movement that sought to find the extraordinary within the recognizable.

    Today, his legacy is preserved through:

    The fusion of disciplines: Bringing the precision of architectural drawing into the fluid realm of abstract expressionism.

    Cultural synthesis: Merging British academic traditions with the vibrant, light-filled sensibilities of Spanish landscape art.

    Educational influence: Leaving an indelible mark on the London art community through his long tenure as a mentor and educator.

    Through his sweeping canvases and his command over color, Copnall remains a vital figure in the history of modern British painting, reminding us that the most profound truths are often found in the interplay between light and shadow.

    Museum

    Chelsea And Westminster Hospital

    Udstillet på London, United Kingdom

    A Sanctuary of Healing: The Artistry of Chelsea and Westminster Hospital

    In the bustling heart of London, where the clinical precision of modern medicine meets the profound necessity of human connection, lies an extraordinary intersection of science and soul. The

    Chelsea and Westminster Hospital

    is far more than a landmark of healthcare excellence; it is a living gallery, a testament to the belief that beauty possesses a restorative power as vital as any pharmaceutical intervention. Through its

    CW+ initiative

    , the hospital has curated an environment where the sterile edges of a medical facility are softened by the evocative presence of contemporary art, creating a sanctuary designed to stimulate the senses and foster mental clarity for patients, staff, and visitors alike.

    The collection itself is a masterfully considered tapestry of human expression, eschewing mere decoration in favor of deep emotional resonance. It features a diverse array of sculptures, paintings, and immersive installations that prioritize themes of resilience, compassion, and intellectual curiosity. One cannot wander through these halls without feeling the presence of artists like

    Henry Tonks

    , whose legacy bridges the gap between the surgical and the sublime. A British surgeon who pursued fine art with equal passion, Tonks’ evocative figure studies and intimate interiors mirror the hospital’s own mission: to find the essence of human experience within the most vulnerable of settings. This dialogue between the clinical and the creative is further enriched by rotating exhibitions that bring both established masters and emerging talents into the light of the hospital's atrium.

    Architectural Harmony and Environmental Serenity

    The architectural canvas provided by

    Sheppard Robson

    plays an indispensable role in this artistic narrative. The hospital’s design is a triumph of light and landscape, characterized by expansive atriums that are flooded with natural radiance and tranquil, landscaped courtyards that offer a breath of serenity amidst the intensity of medical care. These spaces are not merely functional corridors but are deliberate architectural elements designed to promote healing through environmental harmony. The way light dances across contemporary sculptures or illuminates a vibrant canvas creates a visual rhythm that complements the hospital’s core mission, ensuring that every corner of the facility serves as an opportunity for quiet contemplation and peace.

    Rooted in a rich heritage that dates back to its origins as

    St George’s Union Infirmary in 1878

    , the institution has evolved into a global powerhouse of medical research and education through its affiliation with

    Imperial College London

    . This deep historical foundation provides a sense of continuity and strength, grounding its cutting-edge innovations in a legacy of service. For art lovers, collectors, and interior designers, Chelsea and Westminster Hospital offers a unique case study in how curated aesthetics can transform a functional space into an emotional landscape. It stands as a profound reminder that when we surround ourselves with art, we do not just decorate our surroundings; we nourish our very capacity to heal.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Radiance II

    topimpressionists.com/da/art/download/john-copnall-radiance-ii-AQZRRK-en/

    Kildehenvisning til dette kunstværk

    MLA
    Copnall, John. Radiance II. 1994, Chelsea And Westminster Hospital. https://topimpressionists.com/da/art/john-copnall-radiance-ii-AQZRRK-en/
    APA
    Copnall, John (1994). Radiance II [Painting]. Chelsea And Westminster Hospital. https://topimpressionists.com/da/art/john-copnall-radiance-ii-AQZRRK-en/
    Chicago
    John Copnall. Radiance II. 1994. Chelsea And Westminster Hospital. https://topimpressionists.com/da/art/john-copnall-radiance-ii-AQZRRK-en/
    Harvard
    Copnall, John (1994) Radiance II. Chelsea And Westminster Hospital. Available at: https://topimpressionists.com/da/art/john-copnall-radiance-ii-AQZRRK-en/

    Se nærmere efter

    Radiance II — John Copnall

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Spiral on Red tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. John Copnall var omkring 66 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål & svar

    Hvornår blev "Radiance II" skabt?

    "Radiance II" af John Copnall blev skabt i 1994.

    Hvilken farvepalette og hvilken dominerende farve definerer "Radiance II"?

    "Radiance II" er defineret af en Earthy farvepalette med Sea Green (#346e54) som den dominerende farve.

    Hvad forklarer ophavsretsstatus for "Radiance II" af John Copnall?

    "Radiance II" af John Copnall er stadig beskyttet af ophavsret. Ophavsrettens varighed løber fra kunstnerens død, som fandt sted i 2007.