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John Elliot Maguire, Mill behind Trees, Giffnock Library And Heritage Centre. Public domain. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
John Elliot Maguire topimpressionists.com/da/artists/john-elliot-maguire/
Kunstnerens årstal
1866 – 1920
Oprindelig størrelse
45 x 61 cm
Afholdt hos
Giffnock Library And Heritage Centre topimpressionists.com/da/museums/giffnock-library-and-heritage-centre-giffnock/

I kontekst

Mill behind Trees — John Elliot Maguire

Hvor stor er den?

Originalen måler 45 × 61 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette maleri sandsynligvis blevet malet?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 54 ved død.

Skyggelagt: John Elliot Maguire' livstid (1866–1920) hvert dateret maleri, årti for årti

Første værker: frem til 1899 Primære arbejdsår: 1899–1910 Senere værker: fra 1910

Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år, som kunstnerens liv er vævet ind i dem

Der findes ikke et præcist årstal for denne indspilning i arkivet — baseret på kunstnerens levetid og værkets stil, hvilket årti ville du så gætte på?

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: topimpressionists.com/da/art/similar/john-elliot-maguire-mill-behind-trees-AQV5PF-en/

Farver

Målt ud fra billedet

    Primær farve

    Espresso #44382b

    Katalogiseret palet

    • #44382B
    • #332A21
    • #5C4835
    • #826045

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Espresso
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Serene Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Subtle Color Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af John Elliot Maguire i løbet af de sidste tolv måneder — 1 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 100,0%300 visits

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 6 mest viste værker af John Elliot Maguire

    1. 1 Three Female Nudes, 1904 42,9%300 visits
    2. 2 Montgomery Street in Winter, 1900 14,3%100 visits
    3. 3 A Farm with Cows 14,3%100 visits
    4. 4 Self Portrait 14,3%100 visits
    5. 5 Waterfoot Mill and Bridge 14,3%100 visits
    6. — Mill behind Trees dette maleri 0,0%0 visits

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 30 værker af denne kunstner, hvoraf 5 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    John Elliot Maguire

    A Vision of Rural England: The Life and Legacy of John Elliot Maguire

    John Elliot Maguire (1866–1920) stands as a profound voice within the realm of American Impressionism, an artist whose brush captured the quiet, soulful essence of the English countryside. Though born in Rochester, New York, his artistic soul became inextricably linked to the landscapes of Great Britain. His work serves as a window into a bygone era, offering a nostalgic and deeply textured glimpse into Victorian rural life. Through a masterful command of light and atmosphere, Maguire did not merely replicate the scenery he encountered; he imbued it with a palpable sense of spirituality and a gentle, lingering melancholy that continues to resonate with viewers today.

    The foundations of his technical prowess were laid during his formative years in New York. After receiving a classical education, Maguire sought formal artistic refinement at the prestigious Pratt Institute in Brooklyn. It was here that he mastered the rigorous principles of realism and tonal harmony. These early lessons in precision provided him with the essential tools to later experiment with more fluid, expressive techniques. His training instilled in him a lifelong commitment to capturing the true character of his subjects, ensuring that even his most impressionistic strokes remained anchored in an authentic observation of nature.

    The Impressionist Spirit and the Mastery of Light

    As the Impressionist movement began to reshape the global art landscape, Maguire found himself deeply moved by the works of masters such as Claude Monet and Pierre-Auguste Renoir. He embraced the revolutionary concept of plein air painting, stepping out from the controlled environment of the studio to confront the elements directly. This dedication to working outdoors allowed him to witness and record the fleeting transitions of light—the way a winter sun might silver the surface of a loch or how shadows lengthen across a cobblestone street. His palette often leaned toward muted earth tones, which, when applied with a thick, textured impasto, created a sense of physical presence and depth.

    This stylistic evolution allowed him to move beyond mere representation toward a more subjective experience of the world. In his hands, a landscape became an emotional state. His technique was characterized by:

    Textured Impasto: The heavy application of paint that gave his landscapes a sculptural, tactile quality.

    Atmospheric Accuracy: A remarkable ability to render the damp, misty, or biting cold of the English winter.

    Tonal Harmony: A sophisticated use of subtle color shifts to create a sense of peace and quietude.

    Enduring Masterpieces and Historical Significance

    Maguire’s most celebrated achievements are found in his evocative depictions of specific locales, which have become iconic representations of the British landscape. His paintings of Loch Lomond and Montgomery Street are particularly noteworthy for their ability to blend the grandeur of nature with the intimacy of human presence. In works such as Country Loch in Winter, one can almost feel the stillness of the frozen air, while Horse and Cart by the Seaside captures a rhythmic, pastoral simplicity that feels both timeless and fleeting.

    The historical significance of John Elliot Maguire lies in his unique position as an American artist who became a definitive chronicler of the English rural experience. His work bridges the gap between the meticulous realism of his training and the emotive freedom of Impressionism. Today, his legacy is preserved not only in private collections but also through institutions such as the Giffnock Library and Heritage Centre, where his masterpieces continue to inspire awe. He remains a vital figure for anyone seeking to understand the intersection of light, landscape, and the human spirit at the turn of the twentieth century.

    Museum

    Giffnock Library And Heritage Centre

    Udstillet i Giffnock, United Kingdom

    A Tapestry of Giffnock: Unveiling Local History at the Library & Heritage Centre

    Nestled within the charming suburb of Giffnock, East Renfrewshire, lies a remarkable institution – the Giffnock Library and Heritage Centre. More than just a repository for books, it’s a vibrant portal to the past, meticulously curated to reveal the story of this often-overlooked corner of Scotland. The centre seamlessly blends the functionality of a modern library with the evocative power of a heritage museum, creating an experience that is both intellectually stimulating and deeply rooted in community identity.

    The building itself speaks volumes about its dual purpose. Designed to be welcoming and accessible, it’s a testament to thoughtful architecture – a harmonious blend of contemporary design elements and nods to the area's historical character. Spacious reading areas invite quiet contemplation alongside exhibition galleries that pulsate with the narratives of Giffnock’s evolution. Community spaces, thoughtfully arranged for workshops and events, further solidify its role as a vital social hub. This architectural marriage isn’t merely functional; it’s a deliberate statement about the centre's commitment to preserving both knowledge and connection.

    A Window into Time: Collection Highlights

    The heart of the Giffnock Library & Heritage Centre lies in its diverse collection, a carefully assembled mosaic of artifacts, photographs, and documents that breathe life into local history. From everyday objects – worn tools, faded clothing, children’s toys – to significant historical items like early maps and official records, these tangible remnants offer an intimate connection to the lives lived within Giffnock's boundaries. The photographic archives are particularly compelling; a vast collection of images captures fleeting moments in time—street scenes frozen mid-stride, portraits of long-gone residents, and glimpses into local events that shaped the community’s identity.

    Notably, the centre houses the Maguire Collection, a significant assemblage of oil paintings by John Elliot Maguire (1866–1920), a celebrated Scottish painter. These works, donated by the artist's grandson, are not merely decorative additions but integral to understanding the artistic and cultural landscape of East Renfrewshire during the late 19th and early 20th centuries. The collection’s presence elevates the centre beyond a purely historical institution, offering visitors an appreciation for local artistic talent alongside its broader historical narrative. The painting “Horse and Cart by the Seaside” is a particularly evocative example of Maguire's style, capturing the idyllic beauty of the region.

    Echoes of the Past: Community Archives & Educational Programs

    Beyond the physical exhibits, the Giffnock Library & Heritage Centre boasts an invaluable collection of community archives. These materials—historical records, personal letters, family photographs, and oral histories—provide a rich tapestry of voices from the past. They reveal intimate details about the lives of ordinary residents, offering a nuanced understanding of Giffnock’s social fabric and cultural traditions. The centre actively encourages engagement with these archives through ongoing research projects and digital accessibility initiatives, ensuring that this wealth of information remains available to future generations.

    Furthermore, the library component plays a crucial role in fostering lifelong learning. A wide range of books, digital resources, and research tools cater to diverse interests and educational needs—from students conducting local history projects to genealogists tracing their family roots. The centre’s commitment to education is evident through its regular workshops, guided tours, and community events, which provide opportunities for people of all ages to connect with the past and engage with local heritage.

    A Cornerstone of Community: Unique Features & Future Directions

    The Giffnock Library & Heritage Centre stands as a testament to the power of combining public services with cultural preservation. It’s more than just a library or a museum; it's a dynamic space that fosters community engagement, celebrates local identity, and promotes lifelong learning. The centre’s dedication to digital accessibility ensures that its collection—and its stories—are available to a wider audience, bridging geographical boundaries and fostering connections across generations.

    Looking ahead, the centre remains committed to expanding its resources and programs, solidifying its role as a vital cultural asset for East Renfrewshire. Ongoing research projects, collaborative exhibitions with local artists, and continued investment in digital archives promise to keep the story of Giffnock alive and relevant for years to come. A visit here is not simply an exploration of artifacts; it’s an immersion into the heart and soul of a community.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Mill behind Trees

    topimpressionists.com/da/art/download/john-elliot-maguire-mill-behind-trees-AQV5PF-en/

    Kildehenvisning til dette kunstværk

    MLA
    Maguire, John Elliot. Mill behind Trees. n.d., Giffnock Library And Heritage Centre. https://topimpressionists.com/da/art/john-elliot-maguire-mill-behind-trees-AQV5PF-en/
    APA
    Maguire, John Elliot (n.d.). Mill behind Trees [Painting]. Giffnock Library And Heritage Centre. https://topimpressionists.com/da/art/john-elliot-maguire-mill-behind-trees-AQV5PF-en/
    Chicago
    John Elliot Maguire. Mill behind Trees. n.d. Giffnock Library And Heritage Centre. https://topimpressionists.com/da/art/john-elliot-maguire-mill-behind-trees-AQV5PF-en/
    Harvard
    Maguire, John Elliot (n.d.) Mill behind Trees. Giffnock Library And Heritage Centre. Available at: https://topimpressionists.com/da/art/john-elliot-maguire-mill-behind-trees-AQV5PF-en/

    Se nærmere efter

    Mill behind Trees — John Elliot Maguire

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Russell Maguire (1897–1945), the Artist's Youngest Son tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Hvad har kunstneren måske ønsket, at du skulle føle?
    5. Hvis du kunne stille kunstneren ét spørgsmål om dette værk, hvad ville det så være?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Hvor mættede og intense er farverne i "Mill behind Trees" af John Elliot Maguire?

    Farven på "Mill behind Trees" har en mætning på Subtle Color og en intensitet på Monochromatic.

    Hvad er den dominerende farve i "Mill behind Trees" af John Elliot Maguire?

    Espresso (#44382b) er den dominerende farve i "Mill behind Trees" af John Elliot Maguire.

    Hvor kan jeg finde statistik om "Mill behind Trees" af John Elliot Maguire?

    Statistikker for "Mill behind Trees" af John Elliot Maguire findes på værkets Besøgsstatistik-side: månedlige besøg på værket, besøg på kunstnerens øvrige værker samt en opdeling af de seneste besøgende efter land og sprog.