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Guide til elevkunst

Untitled (AQZC9A)

Navn Klasse Dato

John Webber, Untitled (AQZC9A) (1777). Offentlig ejendom. Se dette lærred under bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
John Webber topimpressionists.com/da/artists/john-webber/
Kunstnerens levetid
1751 – 1793
Malet
1777
Oprindelig størrelse
145 x 96 cm

I kontekst

Untitled (AQZC9A) — John Webber

Dimensioner

Originalen måler 145 × 96 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1750
  2. 1760
  3. 1770
  4. 1780
  5. 1790

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 42 ved død.

Malet da kunstneren var 26 år gammel. Kunstneren blev 42 år gammel. 1 af de 8 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: John Webber' livstid (1751–1793) ▲ dette værk, 1777 hvert dateret maleri, årti for årti

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: topimpressionists.com/da/art/similar/john-webber-untitled-aqzc9a-AQZC9A-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Rosy Brown #dcb46f

    Gemt palet

    • #DCB46F
    • #393519
    • #69582E
    • #A27E45

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Dark Den dominerende farvefamilie i billedet.
    Primær farve
    Rosy Brown
    Intensitet
    Vivid Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Bold Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Unified Palette Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Balanced Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Clear Color Presence Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af John Webber i løbet af de sidste tolv måneder — 3 lande i alt. Hvor disse tal stammer fra

    De ti førende lande

    1. 1 Kina 50,0%
    2. 2 Tyskland 25,0%
    3. 3 USA 25,0%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 4 mest viste værker af John Webber

    1. 1 Portrait of Captain James Cook, 1780 50,0%
    2. 2 Ship Cove, Queen Charlotte Sound, 1788 25,0%
    3. 3 Portrait of Poedua, 1777 25,0%
    4. — Untitled (AQZC9A), 1777 dette maleri 0,0%

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 10 værker af denne kunstner, hvoraf 3 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    John Webber

    Født i London, United Kingdom

    Early Life and Education

    Birth and Family: John Webber was born on October 6, 1751, in London, United Kingdom. His father, Abraham Wäber, was a Swiss sculptor who anglicized his name upon moving to London and marrying Mary Quant in 1744.

    Early Training: Webber received his initial education in Bern, Switzerland, where he lived with his paternal aunt from the age of six. He began his artistic training as an apprentice to Johann Ludwig Aberli, a prominent landscape painter.

    Studies in Paris: From 1770, Webber continued his studies at the Académie Royale in Paris for four years, focusing on drawing and oil painting. This period honed his skills and broadened his artistic horizons.

    Return to London: After completing his education abroad, Webber returned to London and further refined his techniques at the Royal Academy.

    The Pacific Expedition with Captain Cook

    Appointment as Artist: In 1776, Webber was selected as the official artist for Captain James Cook's third voyage of discovery in the Pacific. This opportunity arose through a recommendation from Daniel Solander, a botanist who had accompanied Cook on his first voyage.

    Voyage and Documentation: From 1776 to 1780, Webber meticulously documented the landscapes, people, and cultures encountered during the expedition. He created numerous drawings and watercolors of scenes in New Zealand, Hawaii (then known as the Sandwich Islands), Alaska, and other Pacific locations.

    First European Contact with Hawaii: Webber became the first European artist to make contact with Hawaii, producing significant visual records of the islands and their inhabitants. His watercolor landscapes of Kauai and Hawaii Island, including Kealakekua Bay and Kowroaa village, are particularly notable.

    Portraits of Indigenous Peoples: Webber also created portraits of prominent figures like Tereoboo, King of Owyhee, offering valuable insights into the appearance and customs of Pacific Islanders.

    Illustrations for Admiralty Account: His work was crucial in illustrating the British Admiralty's official account of the expedition, published in 1784. These engravings brought the discoveries of Cook’s voyage to a wider audience.

    Career and Artistic Style

    Exhibitions at the Royal Academy: Following his return to England in 1780, Webber exhibited around 50 works at the Royal Academy between 1784 and 1792. His paintings showcased both landscapes and figures.

    Recognition and Membership: He was elected an associate of the Royal Academy in 1785 and a full member in 1791, demonstrating his growing reputation within the British art world.

    Landscape Focus with Figurative Elements: Webber’s artistic style primarily focused on landscapes, often incorporating figures to add narrative or scale. A notable example is “A Party from H.M.S. Resolution shooting sea horses,” exhibited in 1784.

    Influence of Earlier Masters: While his work reflects the influence of earlier landscape painters like Aberli, Webber developed a unique style characterized by detailed observation and accurate representation of natural environments.

    Legacy and Collections

    Historical Significance: John Webber’s artwork provides invaluable visual documentation of Captain Cook's voyages and the first European encounters with Pacific cultures. His images offer a unique perspective on 18th-century exploration and cultural exchange.

    Museum Holdings: His works are held in numerous prestigious collections worldwide, including the Anchorage Museum of History and Art (Alaska), the Bishop Museum (Honolulu), the British Museum (London), the National Maritime Museum (London) ,the Bern Historical Museum (Switzerland), and the San Antonio Museum of Art.

    Enduring Impact: Webber’s paintings continue to be studied by art historians, anthropologists, and scholars interested in the history of exploration, Pacific cultures, and 18th-century art. His detailed depictions offer a glimpse into a pivotal period of global interaction.

    Death and Remembrance: John Webber died on May 29, 1793, leaving behind a significant artistic legacy that continues to resonate today.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Untitled (AQZC9A)

    topimpressionists.com/da/art/download/john-webber-untitled-aqzc9a-AQZC9A-en/

    Kildehenvisning til dette kunstværk

    MLA
    Webber, John. Untitled (AQZC9A). 1777, https://topimpressionists.com/da/art/john-webber-untitled-aqzc9a-AQZC9A-en/
    APA
    Webber, John (1777). Untitled (AQZC9A) [Painting]. https://topimpressionists.com/da/art/john-webber-untitled-aqzc9a-AQZC9A-en/
    Chicago
    John Webber. Untitled (AQZC9A). 1777. https://topimpressionists.com/da/art/john-webber-untitled-aqzc9a-AQZC9A-en/
    Harvard
    Webber, John (1777) Untitled (AQZC9A). Available at: https://topimpressionists.com/da/art/john-webber-untitled-aqzc9a-AQZC9A-en/

    Se nærmere efter

    Untitled (AQZC9A) — John Webber

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Ship Cove, Queen Charlotte Sound (1788) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. John Webber var omkring 26 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål & svar

    Hvilken lysstyrke har "Untitled (AQZC9A)" af John Webber?

    "Untitled (AQZC9A)" af John Webber har en luminans på Soft Shadow. Luminans beskriver, hvor meget lys farverne ser ud til at reflektere.

    Kan jeg bestille en oliereproduktion af "Untitled (AQZC9A)"?

    "Untitled (AQZC9A)" er tilgængelig som en håndmalet oliereproduktion på lærred af hør. Ordren kan lægges på dens Håndmalet reproduktion-side, med valgmuligheder for forskellige størrelser.

    Er farverne i "Untitled (AQZC9A)" af John Webber mættede eller dæmpede?

    Farverne i "Untitled (AQZC9A)" af John Webber har en Clear Color Presence mætning. Mætning beskriver, hvor livlige eller dæmpede farverne er.