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Joséphine Bowes, A Monastic Funeral by Moonlight (1872). Public domain. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Joséphine Bowes topimpressionists.com/da/artists/josephine-bowes/
Kunstnerens årstal
1825 – 1874
Malet
1872
Oprindelig størrelse
59 x 48 cm

I kontekst

A Monastic Funeral by Moonlight — Joséphine Bowes

Hvor stor er den?

Originalen måler 59 × 48 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1820
  2. 1830
  3. 1840
  4. 1850
  5. 1860
  6. 1870

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 49 ved død.

Malet da kunstneren var 47 år gammel. Kunstneren blev 49 år gammel. 8 af de 60 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: Joséphine Bowes' livstid (1825–1874) ▲ dette værk, 1872 hvert dateret maleri, årti for årti

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: topimpressionists.com/da/art/similar/josephine-bowes-a-monastic-funeral-by-moonlight-AQUDYV-en/

Farver

Målt ud fra billedet

    Primær farve

    Phthalo Green #251e18

    Katalogiseret palet

    • #251E18
    • #4E4F49
    • #ADB6B3
    • #6E7777

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Navn på hovedfarve
    Phthalo Green
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Bold Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Discordant Palette Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Deep_shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Joséphine Bowes i løbet af de sidste tolv måneder — 3 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 76,9%1.000 besøg
    2. 2 Rusland 15,4%200 besøg
    3. 3 USA 7,7%100 besøg

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 13 mest viste værker af Joséphine Bowes

    1. 1 Street Scene in a French Town, 1874 15,4%200 besøg
    2. 2 Landscape with Trees, a Mountain in the Distance, 1874 7,7%100 besøg
    3. 3 Fisherman's Cottage near the Sea, 1874 7,7%100 besøg
    4. 4 Landscape with Trees and Cattle, 1867 7,7%100 besøg
    5. 5 Landscape (copy after Jean Honoré Fragonard), 1874 7,7%100 besøg
    6. 6 A Country Lane, 1874 7,7%100 besøg
    7. 7 Squally Weather, A Sketch near Boulogne sur Mer, France, 1870 7,7%100 besøg
    8. 8 The Château du Barry at Louveciennes, France, 1862 7,7%100 besøg
    9. 9 River Seine near the Bois de Boulogne, France, 1874 7,7%100 besøg
    10. 10 River View, Misty Weather, 1874 7,7%100 besøg
    11. 11 Landscape with a Lake and a Ruined Castle, 1874 7,7%100 besøg
    12. 12 Landscape, Souvenir of Switzerland, 1874 7,7%100 besøg
    13. — A Monastic Funeral by Moonlight, 1872 dette maleri 0,0%0 besøg

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 60 værker af denne kunstner, hvoraf 12 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Joséphine Bowes

    Joséphine Bowes: Patron of Impressionism and Pioneer of a Victorian Museum

    Joséphine Bowes (1825-1874) was more than just an actress and socialite; she was a pivotal figure in 19th-century art, a passionate collector, and the driving force behind the creation of The Bowes Museum. Her life story is one of intellectual curiosity, artistic appreciation, and a profound commitment to championing the burgeoning Impressionist movement – a legacy that continues to resonate today through her remarkable collection and the museum she co-founded.

    Born into a family with significant landed interests in County Durham, England, Joséphine’s early life was shaped by a privileged upbringing. However, it wasn't simply wealth that defined her; she possessed an insatiable thirst for knowledge and a keen eye for beauty. Her marriage to John Bowes, a wealthy coal magnate and art collector, marked the beginning of a shared passion that would profoundly impact both their lives and the cultural landscape of Britain. John’s existing collection provided a foundation, but it was Joséphine who truly nurtured and expanded upon it, transforming it into a world-class assemblage.

    Joséphine's salon in Paris became legendary – a vibrant hub for artists, writers, and intellectuals of the era. She actively sought out and fostered relationships with leading Impressionist painters like Monet, Renoir, Pissarro, and Sisley. Her home was a sanctuary where these groundbreaking artists could exhibit their work, receive critical acclaim, and discuss their revolutionary ideas. Crucially, she didn’t just collect their paintings; she actively promoted them, recognizing the radical shift in artistic style and advocating for its acceptance within the established art world. This patronage played a vital role in bringing Impressionism to a wider audience.

    The Creation of The Bowes Museum

    The culmination of Joséphine’s lifelong passion was undoubtedly the establishment of The Bowes Museum in Barnard Castle, County Durham, in 1892. Alongside her husband, John, she envisioned a space dedicated to showcasing their extraordinary collection and making art accessible to the public. The museum's design, conceived by architects Jules Pellechet and John Edward Watson, was deliberately opulent – a grand statement reflecting the wealth and artistic sensibilities of its founders. It wasn’t merely a repository for artworks; it was intended as an immersive experience, designed to delight and inspire visitors.

    The museum's initial holdings were remarkably diverse, encompassing European paintings by masters like El Greco, Goya, and Canaletto, alongside decorative arts – exquisite porcelain, tapestries, clocks, and costumes. However, the Bowes’ commitment to Impressionism remained central to its identity. The collection quickly became renowned for its representation of this revolutionary movement, attracting visitors from across Europe and beyond. The museum's success was a testament to Joséphine’s foresight and her unwavering belief in the power of art to enrich lives.

    A Landscape Painter’s Vision

    While Joséphine’s salon and patronage are perhaps her most celebrated achievements, her own artistic endeavors deserve recognition. She was a skilled landscape painter herself, producing a series of evocative sketches and paintings that capture the beauty of the Northumbrian countryside – particularly the dramatic landscapes surrounding Barnard Castle. These works reveal a keen eye for detail, an appreciation for light and color, and a sensitivity to the natural world.

    Works like “Sketch, Sunset” and “River View, Misty Weather,” showcased in WahooArt’s collection, exemplify her Impressionistic style. The loose brushwork, vibrant hues, and atmospheric effects demonstrate her ability to capture the fleeting beauty of a moment – a hallmark of the movement she so passionately supported. These paintings are not merely reproductions; they offer a glimpse into Joséphine's artistic vision and her deep connection to the landscapes that inspired her.

    Legacy and Historical Significance

    Joséphine Bowes’ legacy extends far beyond the walls of The Bowes Museum. She was a pioneering figure in the art world, a champion of Impressionism, and a visionary patron who played a crucial role in shaping the cultural landscape of Britain. Her commitment to accessibility ensured that her collection would be enjoyed by generations to come.

    The Bowes Museum itself stands as a testament to her enduring influence – a remarkable Victorian treasure housed within a stunning castle setting. It continues to evolve and adapt, showcasing both its original collections and contemporary art exhibitions. Joséphine Bowes’ story is one of artistic passion, social engagement, and the transformative power of collecting; a legacy that secures her place as a significant figure in 19th-century art history.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for A Monastic Funeral by Moonlight

    topimpressionists.com/da/art/download/josephine-bowes-a-monastic-funeral-by-moonlight-AQUDYV-en/

    Kildehenvisning til dette kunstværk

    MLA
    Bowes, Joséphine. A Monastic Funeral by Moonlight. 1872, https://topimpressionists.com/da/art/josephine-bowes-a-monastic-funeral-by-moonlight-AQUDYV-en/
    APA
    Bowes, Joséphine (1872). A Monastic Funeral by Moonlight [Painting]. https://topimpressionists.com/da/art/josephine-bowes-a-monastic-funeral-by-moonlight-AQUDYV-en/
    Chicago
    Joséphine Bowes. A Monastic Funeral by Moonlight. 1872. https://topimpressionists.com/da/art/josephine-bowes-a-monastic-funeral-by-moonlight-AQUDYV-en/
    Harvard
    Bowes, Joséphine (1872) A Monastic Funeral by Moonlight. Available at: https://topimpressionists.com/da/art/josephine-bowes-a-monastic-funeral-by-moonlight-AQUDYV-en/

    Se nærmere efter

    A Monastic Funeral by Moonlight — Joséphine Bowes

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Landscape with Trees and Cattle (1867) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Joséphine Bowes var omkring 47 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Hvor mættede og intense er farverne i "A Monastic Funeral by Moonlight" af Joséphine Bowes?

    Farven på "A Monastic Funeral by Moonlight" har en mætning på Muted og en intensitet på Monochromatic.

    Hvilke proportioner har "A Monastic Funeral by Moonlight" af Joséphine Bowes, og hvor stor er den?

    Formatet på "A Monastic Funeral by Moonlight" er Portrait, og originalen måler 59 x 48 cm. Begge oplysninger er nyttige, når man planlægger en reproduktion.

    Hvad er den dominerende farve i "A Monastic Funeral by Moonlight" af Joséphine Bowes?

    Den dominerende farve i "A Monastic Funeral by Moonlight" af Joséphine Bowes er Phthalo Green (#251e18).