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Bell Yard, Uxbridge

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Maud Ireland Button, Bell Yard, Uxbridge (1921), Hillingdon Local Studies. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Maud Ireland Button topimpressionists.com/da/artists/maud-ireland-button/
Kunstnerens årstal
1877 – 1965
Malet
1921
Oprindelig størrelse
51 x 26 cm
Afholdt hos
Hillingdon Local Studies topimpressionists.com/da/museums/hillingdon-local-studies-london/

I kontekst

Bell Yard, Uxbridge — Maud Ireland Button

Hvor stor er den?

Originalen måler 51 × 26 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940
  9. 1950
  10. 1960

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 88 ved død.

Malet da kunstneren var 44 år gammel. Kunstneren blev 88 år gammel. 2 af de 24 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: Maud Ireland Button' livstid (1877–1965) ▲ dette værk, 1921 hvert dateret maleri, årti for årti

Sammenlign med

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: topimpressionists.com/da/art/similar/maud-ireland-button-bell-yard-uxbridge-AQV8DH-en/

Farver

Målt ud fra billedet

    Primær farve

    Walnut #714b2b

    Katalogiseret palet

    • #714B2B
    • #95754D
    • #DBCBA2
    • #412F20

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Navn på hovedfarve
    Walnut
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Balanced Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Balanced Soft Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Maud Ireland Button i løbet af de sidste tolv måneder — 2 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 83,3%1.000 visits
    2. 2 Malaysia 16,7%200 visits

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 11 mest viste værker af Maud Ireland Button

    1. 1 An Uxbridge Yard, 1921 16,7%200 visits
    2. 2 Townscape, 1921 16,7%200 visits
    3. 3 A Distant View of Harrow on the Hill, 1921 8,3%100 visits
    4. 4 Cottages by the River, 1914 8,3%100 visits
    5. 5 Townscape Dominated by a Church Tower, 1921 8,3%100 visits
    6. 6 Rustic Country Home, 1921 8,3%100 visits
    7. 7 Landscape, 1921 8,3%100 visits
    8. 8 Queen's Court, Windsor, 1921 8,3%100 visits
    9. 9 A Local Church, 1921 8,3%100 visits
    10. 10 Uxbridge High Street 8,3%100 visits
    11. — Bell Yard, Uxbridge, 1921 dette maleri 0,0%0 visits

    Sammen udgør disse værker 99,8% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 27 værker af denne kunstner, hvoraf 10 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Om dette kunstværk

    Bell Yard, Uxbridge — Maud Ireland Button

    The painting Bell Yard, Uxbridge by Maud Ireland Button is a remarkable piece of art that showcases the artist's skill in capturing the essence of a scene. Created in 1921, this oil on canvas painting measures 51 x 26 cm and is currently housed at the Hillingdon Local Studies in London, United Kingdom.

    Artistic Style and Technique

    Maud Ireland Button's artistic style is characterized by her attention to detail and ability to convey a sense of tranquility in her paintings. In Bell Yard, Uxbridge, she uses a combination of warm and cool colors to create a sense of depth and dimension. The painting features a red brick building with a clock tower, which adds to its architectural charm. The two people visible in the scene are painted in a subtle manner, adding to the overall sense of serenity. Key Features of the painting include:

    The use of oil on canvas, which gives the painting a rich and textured feel

    The attention to detail in the architecture and the people in the scene

    The subtle color palette, which creates a sense of calmness and tranquility

    Artist's Background and Other Works

    Maud Ireland Button was a talented artist who created several notable paintings, including Boat on River and A Local Yard. Her works can be found at the Hillingdon Local Studies in London, United Kingdom. For more information on her paintings, visit Maud Ireland Button's page on AllPaintingsStore.

    The Bell Yard, Uxbridge painting is a testament to Maud Ireland Button's skill as an artist and her ability to capture the essence of a scene. For art enthusiasts and collectors, this painting is a must-see. Visit AllPaintingsStore's page for more information on how to purchase a handmade oil painting reproduction of Bell Yard, Uxbridge.

    Kunstner og museum

    Kunstner

    Maud Ireland Button

    Maud Ireland Button: A Quiet Observer of Rural Irish Life

    Maud Ireland Button (1877-1965) remains a quietly compelling figure in the history of British watercolor painting, largely due to her deeply personal and evocative depictions of rural Irish life. Born in Uxbridge, England, into a family with strong ties to the West Country, Button’s artistic journey was shaped by a profound connection to the land and its people – a connection that resonated powerfully through her delicate brushstrokes and serene color palettes.

    Her early life offered little indication of an artistic career. She was the daughter of Alfred Button, a solicitor, and Mary Jane Stransom, and possessed a twin sister, Anne Louisa. However, it’s believed she received informal training from her artist sister, Anne, who later became known as Maud Ireland Button. This familial influence undoubtedly provided a foundation for her own artistic explorations, though Button largely developed her distinctive style independently.

    The Development of a Distinctive Style

    Button's work is immediately recognizable by its intimate scale – often small, almost sketch-like paintings that capture fleeting moments and subtle details. She eschewed grand landscapes or dramatic scenes in favor of quiet domestic interiors, glimpses of farm life, and portraits of local villagers. Her subjects were not celebrated heroes but ordinary people engaged in everyday activities: a woman mending nets, children playing in the fields, a farmer tending his livestock – all rendered with remarkable sensitivity and empathy.

    Her technique is characterized by loose, expressive brushwork, often applied in thin washes of color. She employed a muted palette dominated by soft blues, greens, and browns, creating an atmosphere of tranquility and nostalgia. Influenced by the Impressionists and particularly by artists like Camille Pissarro, Button sought to capture not just the appearance of her subjects but also their essence – their mood, their character, and their connection to the surrounding environment.

    Key Works and Themes

    Several paintings stand out as exemplifying Button’s unique vision. “Boat on River” (1921), a delicate depiction of a small boat gliding along a tranquil waterway, is perhaps her most iconic work. It embodies her signature style – the subtle interplay of light and shadow, the intimate scale, and the sense of quiet contemplation. Similarly, "Bell Yard, Uxbridge" (1921) offers a charming snapshot of village life, capturing the warmth and simplicity of everyday routines.

    Throughout her career, Button consistently explored themes of rural identity, community, and the passage of time. Her paintings are not merely representations of landscapes or people; they are imbued with a deep sense of place and a profound understanding of human experience. She was particularly interested in capturing the changing seasons and the rhythms of agricultural life.

    A Life Dedicated to Art

    Button’s artistic career spanned several decades, during which she steadily developed her distinctive style and built a loyal following among collectors and art enthusiasts. Despite facing financial challenges and limited recognition during much of her career, she remained committed to her craft, producing a substantial body of work that continues to resonate with viewers today.

    She was largely self-taught, relying on observation and personal experience rather than formal training. Her artistic practice was deeply intertwined with her life in Uxbridge and the surrounding countryside, providing her with an endless source of inspiration. Her dedication to capturing the beauty and dignity of ordinary people cemented her place as a significant, if often overlooked, figure in British watercolor painting.

    Legacy and Significance

    Maud Ireland Button’s legacy lies not in grand exhibitions or critical acclaim but in the quiet power of her paintings. Her work offers a poignant glimpse into a disappearing world – a world of rural simplicity, close-knit communities, and enduring traditions. Her sensitive portrayals of Irish life have earned her a place among the most beloved watercolorists of the 20th century, and her paintings continue to evoke a sense of nostalgia and appreciation for the beauty of the natural world.

    Museum

    Hillingdon Local Studies

    Udstillet i London, United Kingdom

    A Window into London’s Soul: The Living Heritage of Hillingdon

    Nestled within the quiet, scholarly atmosphere of Uxbridge's Central Library, the Hillingdon Local Studies Museum serves as much more than a mere repository for the past; it is a vibrant portal through which one might glimpse the enduring spirit of London and its surrounding landscapes. To step inside is to embark on a journey that transcends time, moving seamlessly from the echoes of Roman Britain to the bustling, transformative energy of modern life. The museum functions as a custodian of local identity, where every artifact and canvas acts as a heartbeat of the community, preserving the delicate threads of history that weave together the tapestry of the London Borough of Hillingdon.

    The true soul of the institution resides in its profound dedication to personal narratives—the faces and stories that often remain hidden behind the grander movements of history. Through an exquisite collection of photographs, rare documents, and intimate recollections, visitors are invited to trace the evolution of a region shaped by industrial expansion and shifting artistic tides. For the discerning art lover or collector, the museum offers a unique intimacy, presenting a world where the monumental meets the mundane, and where the historical significance of a place is rendered palpable through the preserved memories of its people.

    The Art of the Everyday: Impressionism and Local Identity

    What distinguishes Hillingdon Local Studies as a destination for aesthetic contemplation is its remarkable Hillingdon Art Collection. This assembly of approximately one hundred oil paintings serves as a visual chronicle of Uxbridge and its environs, spanning from the mid-nineteenth century to the present day. The collection is particularly renowned for its early twentieth-century works, which capture the fleeting beauty of local scenes with an almost poetic sensitivity. One cannot help but be moved by the Impressionistic brushstrokes of Maud Ireland Button; her works, such as

    “Bell Yard, Uxbridge” (1921)

    , offer a captivating glimpse into the Edwardian era, rendering rural life and local mills with meticulous detail and tranquil, evocative hues.

    These landscapes do not merely depict geography; they capture an atmosphere. Whether it is the soft, light-drenched compositions of Button’s Irish waterways in

    “Boat on River”

    or the serene, pastoral stillness of her various river scenes, the art invites a sense of quiet contemplation. For interior designers seeking to infuse a space with a sense of heritage and tranquility, these works provide an unparalleled inspiration, demonstrating how light and color can evoke the essence of a bygone age. Alongside these landscapes, the collection features striking portraits that breathe life into local legends, such as Brying’s

    “George ('Nobby') Casey of Rockingham Street,”

    where the texture of a Victorian gentleman's clay pipe and the weight of his gaze transport the viewer directly into the social fabric of the nineteenth century.

    A Legacy of Community and Architectural Grace

    The museum’s physical presence is as much a part of its charm as the treasures it holds. The building itself reflects a traditional architectural style that integrates seamlessly with the historic character of Uxbridge, embodying a deep-seated respect for its surroundings. This sense of continuity extends to the museum's mission of community engagement. By collaborating closely with schools and local groups, the institution fosters a continuous dialogue between historical interpretation and modern understanding, ensuring that the heritage of Hillingdon remains a living, breathing entity rather than a static relic.

    Recent exhibitions have further enriched this cultural landscape, exploring themes as diverse as Victorian social structures and the profound impact of industrialization on local communities. These curated journeys allow visitors to connect with London's past in ways that are both intellectually stimulating and emotionally resonant. For those who find beauty in the quiet details of everyday life, Hillington Local Studies Museum offers a sanctuary of discovery—a place where art and history converge to illuminate our understanding of time, place, and the human experience.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Bell Yard, Uxbridge

    topimpressionists.com/da/art/download/maud-ireland-button-bell-yard-uxbridge-AQV8DH-en/

    Kildehenvisning til dette kunstværk

    MLA
    Button, Maud Ireland. Bell Yard, Uxbridge. 1921, Hillingdon Local Studies. https://topimpressionists.com/da/art/maud-ireland-button-bell-yard-uxbridge-AQV8DH-en/
    APA
    Button, Maud Ireland (1921). Bell Yard, Uxbridge [Painting]. Hillingdon Local Studies. https://topimpressionists.com/da/art/maud-ireland-button-bell-yard-uxbridge-AQV8DH-en/
    Chicago
    Maud Ireland Button. Bell Yard, Uxbridge. 1921. Hillingdon Local Studies. https://topimpressionists.com/da/art/maud-ireland-button-bell-yard-uxbridge-AQV8DH-en/
    Harvard
    Button, Maud Ireland (1921) Bell Yard, Uxbridge. Hillingdon Local Studies. Available at: https://topimpressionists.com/da/art/maud-ireland-button-bell-yard-uxbridge-AQV8DH-en/

    Se nærmere efter

    Bell Yard, Uxbridge — Maud Ireland Button

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Vores katalog klassificerer dette værk under: rural ireland, cottage scene, alleyway. Er du enig? Hvad ville du tilføje eller fjerne?
    4. Se tilbage på A Distant View of Harrow on the Hill (1921) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    5. Maud Ireland Button var omkring 44 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Kan jeg se "Bell Yard, Uxbridge" som et diasshow i fuld skærm?

    "Bell Yard, Uxbridge" af Maud Ireland Button kan opleves som et diasshow på værkets Billedserie-side.

    Hvor intense er farverne i "Bell Yard, Uxbridge" af Maud Ireland Button?

    "Bell Yard, Uxbridge" af Maud Ireland Button har en Balanced farveintensitet.

    Hvilken fase af Maud Ireland Buttons karriere tilhører "Bell Yard, Uxbridge" (1921)?

    Med sin datering fra 1921 tilhører "Bell Yard, Uxbridge" Maud Ireland Buttons Early 20th Century.