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Neil Murison, Low Tide, Old Grimsby, Tresco, Cornwall, Musgrove Park Hospital. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren. Se dette lærred i bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Neil Murison topimpressionists.com/da/artists/neil-murison/
Kunstnerens årstal
1930 – 2018
Oprindelig størrelse
57 x 76 cm
Bevægelse
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Afholdt hos
Musgrove Park Hospital topimpressionists.com/da/museums/musgrove-park-hospital-taunton/

I kontekst

Low Tide, Old Grimsby, Tresco, Cornwall — Neil Murison

Hvor stor er den?

Originalen måler 57 × 76 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette maleri sandsynligvis blevet malet?

  1. 1930
  2. 1940
  3. 1950
  4. 1960
  5. 1970
  6. 1980
  7. 1990
  8. 2000
  9. 2010

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 88 ved død.

Skyggelagt: Neil Murison' livstid (1930–2018) hvert dateret maleri, årti for årti

Der findes ikke et præcist årstal for denne indspilning i arkivet — baseret på kunstnerens levetid og værkets stil, hvilket årti ville du så gætte på?

Sammenlign med

  • Headland topimpressionists.com/da/art/neil-murison-headland-AR2FAS-en/
  • Sand Bumpers topimpressionists.com/da/art/neil-murison-sand-bumpers-AR2FAN-en/
  • North Somerset Coast topimpressionists.com/da/art/neil-murison-north-somerset-coast-AR2FAQ-en/

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Se flere lignende værker her: topimpressionists.com/da/art/similar/neil-murison-low-tide-old-grimsby-tresco-cornwall-AR2FB2-en/

Farver

Målt ud fra billedet

    Primær farve

    Celadon #b6b7ad

    Katalogiseret palet

    • #B6B7AD
    • #454F52
    • #1D2027
    • #86999D

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Navn på hovedfarve
    Celadon
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Discordant Palette Hvor godt farverne spiller sammen, fra kontrasterende til fuldstændig harmoniske.
    Lysstyrke
    Bright Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • mindst 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Neil Murison i løbet af de sidste tolv måneder — 1 lande i alt. Kildehenvisning til disse tal

    De ti førende lande

    1. 1 Kina 100,0%500 visits

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 4 mest viste værker af Neil Murison

    1. 1 Southern Dorset 60,0%300 visits
    2. 2 Small Beach 20,0%100 visits
    3. 3 North Somerset Coast 20,0%100 visits
    4. — Low Tide, Old Grimsby, Tresco, Cornwall dette maleri 0,0%0 visits

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 10 værker af denne kunstner, hvoraf 3 er blevet set mindst én gang. Dette maleri er endnu ikke blevet vist i denne periode — det afslutter listen uden en rangering. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Neil Murison

    Neil Murison: A Life Painted in Light and Landscape

    Neil Murison (1930-2018) wasn’t merely a painter; he was an explorer of light, color, and the profound beauty embedded within the natural world. Born in Bath, Somerset, into a family with strong Scottish roots, his artistic journey began at the West of England College of Art in Bristol, a formative experience that shaped not only his technical skills but also his deep appreciation for the landscapes surrounding him. He quickly transitioned from student to educator, dedicating over two decades to teaching at Queen Elizabeth’s Hospital and later as Head of Foundation Studies at Bower Ashton, part of Bristol Polytechnic – roles that undoubtedly informed his artistic perspective through constant engagement with emerging talent.

    Murison's career wasn't defined by a single style but rather by an evolving dialogue with the environments he encountered. Initially drawn to abstract forms in the 1960s, capturing the dynamism of color and texture, he gradually shifted his focus towards representational landscapes, particularly those imbued with the warmth and vibrancy of the tropics. His travels – beginning with a captivated visit to Grenada in 1984 – ignited a lifelong passion for coastal scenes, rainforests, and the interplay of light on water and foliage. This wanderlust became inextricably linked to his art; each journey fueled new compositions, reflecting not just visual impressions but also the emotional resonance of these exotic locales.

    The Palette of Paradise: Influences and Technique

    Murison’s artistic vocabulary was remarkably diverse, a testament to his willingness to experiment with materials and techniques. While he initially favored acrylics, often utilizing them in ways reminiscent of watercolor – layering washes and building up texture – he increasingly embraced oil paints, allowing for richer color saturation and deeper tonal values. His work wasn't confined to a single approach; he’d sometimes blend the two mediums, creating surfaces that possessed both the immediacy of acrylic and the luminosity of oil. This versatility is evident in his diverse body of work, ranging from delicate watercolor depictions of Cornish coastlines to bold, vibrant canvases capturing the energy of Caribbean beaches.

    Influences on Murison’s style are subtle yet discernible. The Impressionists, with their emphasis on light and atmosphere, undoubtedly played a role, as did the color palettes of artists like Turner and Monet. However, his work possesses a distinct character – a sense of immediacy and directness that sets it apart from purely academic approaches. He wasn't simply replicating what he saw; he was translating his experience into a visual language, imbuing each painting with his own emotional response to the subject matter.

    A Royal Recognition: Exhibitions and Collections

    Murison’s artistic reputation steadily grew throughout his career, culminating in numerous solo exhibitions across the United Kingdom, France, and Germany. His work gained recognition through prestigious venues such as Piccadilly Gallery in London, where “Blue Channel 1” (1966) was initially showcased, and subsequently found a home within the collections of institutions like the Bank of America, Oxford University, and the Contemporary Art Society of Wales. The National Museums, Liverpool hold one of his most celebrated works, "Low Tide, Old Grimsby, Tresco, Cornwall," a testament to his ability to capture the essence of a specific place and time.

    Beyond gallery exhibitions, Murison’s work was frequently featured in open-air shows organized by local art clubs, notably Clevedon Art Club, where he served as president for over three decades. This commitment to fostering artistic communities underscored his belief in the power of art to connect people and enrich lives. His honorary membership within the Royal West of England Academy (RWA) further solidified his standing as a respected figure within the British art world.

    Legacy: A Painter of Light and Memory

    Neil Murison’s legacy extends beyond the individual paintings that grace museum collections and private homes. He left behind a body of work characterized by an unwavering dedication to capturing the beauty of the natural world, infused with a deep sense of personal experience. His vibrant landscapes, evocative beachscapes, and tropical scenes serve as reminders of the transformative power of travel and the enduring allure of light and color. Murison’s paintings are not merely representations; they are windows into his soul, inviting viewers to share in his wonder and appreciation for the world around him – a testament to a life spent painting in light and memory.

    Museum

    Musgrove Park Hospital

    Udstillet i Taunton, United Kingdom

    A Tapestry of Time Within Taunton’s Stone Walls

    Within the venerable, stone-hewn walls of Taunton Castle, a profound narrative of Somerset unfolds, inviting the discerning visitor to step beyond the threshold of the modern world and into a realm where history breathes. This is not merely a repository of artifacts but a living chronicle, where the architectural grandeur of a Norman motte-and-bailey castle serves as the silent witness to centuries of human drama. As one wanders through these historic corridors, the transition from royal residence to prison and courthouse creates an atmosphere of heavy, evocative significance, perfect for those who find beauty in the layers of the past. The museum offers a sensory journey, where the very stones seem to whisper tales of ancient governance and medieval devotion.

    From Prehistoric Echoes to Roman Splendor

    The collection offers a breathtaking journey through the epochs, beginning with the primal whispers of prehistoric settlements that once dotted the Somerset landscape. For the collector of antiquity, the museum presents a remarkable treasury of archaeological finds, most notably a stunning array of

    Roman coins

    that shimmer with the economic vitality of a bygone empire. These small, metallic fragments serve as windows into the trade and daily rhythms of Roman occupation, seamlessly blending into the broader medieval narrative. Here, the intricate details of local governance and religious practices are laid bare, allowing the observer to grasp the complex social structures that defined the medieval Somerset landscape with a clarity that is both educational and deeply moving.

    The Drama of Conflict and the Art of Life

    Beyond the quiet contemplation of ancient coins lies a more visceral chapter of English history: the shadows of the

    Bloody Assizes

    . The museum captures the poignant tension of 1685, following the Monmouth Rebellion, where the weight of justice was felt through the chilling presence of Judge Jeffreys. This sense of historical gravity is complemented by the Somerset Military Museum collection, a curated assembly of uniforms and weaponry that speaks to the courage and conflict of local regiments. Yet, amidst this martial legacy, the museum offers a serene counterpoint through its

    Art for Life

    collection. This diverse range of artistic works provides a moment of aesthetic grace, offering inspiration to interior designers and art enthusiasts alike, proving that even within a fortress of history, beauty remains an eternal constant.

    Læs mere her

    Findes online

    QR-kode med link til downloadside for Low Tide, Old Grimsby, Tresco, Cornwall

    topimpressionists.com/da/art/download/neil-murison-low-tide-old-grimsby-tresco-cornwall-AR2FB2-en/

    Kildehenvisning til dette kunstværk

    MLA
    Murison, Neil. Low Tide, Old Grimsby, Tresco, Cornwall. n.d., Musgrove Park Hospital. https://topimpressionists.com/da/art/neil-murison-low-tide-old-grimsby-tresco-cornwall-AR2FB2-en/
    APA
    Murison, Neil (n.d.). Low Tide, Old Grimsby, Tresco, Cornwall [Painting]. Musgrove Park Hospital. https://topimpressionists.com/da/art/neil-murison-low-tide-old-grimsby-tresco-cornwall-AR2FB2-en/
    Chicago
    Neil Murison. Low Tide, Old Grimsby, Tresco, Cornwall. n.d. Musgrove Park Hospital. https://topimpressionists.com/da/art/neil-murison-low-tide-old-grimsby-tresco-cornwall-AR2FB2-en/
    Harvard
    Murison, Neil (n.d.) Low Tide, Old Grimsby, Tresco, Cornwall. Musgrove Park Hospital. Available at: https://topimpressionists.com/da/art/neil-murison-low-tide-old-grimsby-tresco-cornwall-AR2FB2-en/

    Se nærmere efter

    Low Tide, Old Grimsby, Tresco, Cornwall — Neil Murison

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Hvor mange ansigter kan du finde? ____ (vores katalog tæller 1 — er du enig?)
    4. Vores katalog klassificerer dette værk under: coastal landscape, maritime scene, watercolor painting. Er du enig? Hvad ville du tilføje eller fjerne?
    5. Se tilbage på Headland tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål og svar

    Hvor kan jeg finde kunstværker, der ligner "Low Tide, Old Grimsby, Tresco, Cornwall" af Neil Murison?

    Siden Lignende værker for "Low Tide, Old Grimsby, Tresco, Cornwall" af Neil Murison præsenterer relaterede kunstværker.

    Hvilken kunstner og hvilken stil står bag "Low Tide, Old Grimsby, Tresco, Cornwall"?

    Bag "Low Tide, Old Grimsby, Tresco, Cornwall" står Neil Murison og Impressionism-bevægelsen.

    Hvorfor er ophavsretsstatus for "Low Tide, Old Grimsby, Tresco, Cornwall" som den er?

    Ophavsretsstatus for "Low Tide, Old Grimsby, Tresco, Cornwall" – stadig beskyttet af ophavsret – følger af kunstnerens død i 2018.