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Guide til elevkunst

December - Gloucester

Navn Klasse Dato

Paul Cornoyer, December - Gloucester (1916). Offentlig ejendom. Se dette lærred under bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Paul Cornoyer topimpressionists.com/da/artists/paul-cornoyer/
Kunstnerens levetid
1864 – 1923
Malet
1916

I kontekst

December - Gloucester — Paul Cornoyer

Hvornår er dette malet?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 59 ved død.

Malet da kunstneren var 52 år gammel. Kunstneren blev 59 år gammel. 7 af de 8 daterede værker af denne kunstner i vores katalog er skabt tidligere.

Skyggelagt: Paul Cornoyer' livstid (1864–1923) ▲ dette værk, 1916 hvert dateret maleri, årti for årti

Første værker: frem til 1900 Primære arbejdsår: 1900–1910 Senere værker: fra 1910

Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år med kunstnerens liv lagt ind i dem

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: topimpressionists.com/da/art/similar/paul-cornoyer-december-gloucester-8XX8Y5-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Gray #5d6472

    Gemt palet

    • #5D6472
    • #B1CBCF
    • #8E97A1
    • #454149

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Primær farve
    Gray
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Bold Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Discordant Palette Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Bright Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Hvor i verden bliver dette maleri set?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% og derover
    Dette maleri alene har for få registrerede besøgende til at kunne kortlægges, så pladen viser alle værker af Paul Cornoyer i løbet af de sidste tolv måneder — 1 lande i alt. Hvor disse tal stammer fra

    De ti førende lande

    1. 1 Kina 100,0%

    Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.

    De 2 mest viste værker af Paul Cornoyer

    1. 1 December - Gloucester, 1916 dette maleri 50,0%
    2. 2 Rainy Day, New York City 50,0%

    Sammen udgør disse værker 100,0% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 22 værker af denne kunstner, hvoraf 2 er blevet set mindst én gang. Dette maleri rangerer som nummer 1 af dem, med 50,0% af den opmærksomhed. Det samme gælder måned for måned

    Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.

    Kunstner og museum

    Kunstner

    Paul Cornoyer

    Født i St. Louis, United States of America

    The Atmospheric Legacy of Paul Cornoyer

    Born in the heart of St. Louis, Missouri, on August 15, 1864, Paul Cornoyer emerged as a painter whose brush possessed a rare ability to capture the ephemeral soul of the American landscape. His journey began within the disciplined halls of the St. Louis School of Fine Arts, where a young, ambitious artist first learned to translate the world onto canvas. In those formative years, Cornoyer’s hand was guided by the somber, evocative traditions of the Barbizon school, a style that favored muted tones and a deep, reverent connection to nature. This early period of his life was marked by a meticulous attention to detail and an interest in the quiet, atmospheric moods of the rural world, setting the stage for a career defined by the interplay of light and shadow.

    The trajectory of Cornoyer’s artistry underwent a profound transformation when he crossed the Atlantic to Paris in 1889. Immersed in the vibrant, revolutionary energy of the French capital, he entered the prestigious Académie Julian, studying under masters such as Jules Lefebvre, Jean-Joseph Benjamin-Constant, and Louis Blanc. It was within this whirlwind of European innovation that the rigid boundaries of his early training began to dissolve. The burgeoning Impressionist movement, with its obsession with fleeting light and sensory immediacy, acted as a catalyst for his evolution. He moved away from the heavy, tonalist shadows of his youth toward a more luminous, spirited approach, learning to observe how sunlight dances upon wet pavement or how fog softens the edges of a distant skyline.

    A Master of Light and Urban Atmosphere

    Upon returning to the United States, Cornoyer brought with him a sophisticated European sensibility that would soon redefine his place in American art. While he maintained a deep connection to his Missouri roots—notably through his grand mural Birth of St. Louis—it was his fascination with the bustling energy of New York City that truly defined his mature period. Encouraged by the legendary William Merritt Chase, Cornoyer relocated to New York, where he found himself captivated by the "street scene." He became a poet of the urban environment, specializing in the way weather transforms the city's architecture and movement.

    His technique became a masterful blend of Impressionist light and Tonalist mood. Collectors often marvel at his ability to render the specific sheen of rain-slicked streets or the heavy, damp air of a snowy afternoon. In works such as The Plaza After Rain, one can almost feel the cool humidity and see the colorful reflections shimmering in the puddles of Manhattan. His brushwork, sometimes leaning toward the rhythmic textures of Pointillism, allowed him to build layers of atmosphere that felt both tangible and dreamlike. He did not merely paint a location; he painted the feeling of being present in a specific, unrepeatable moment of time.

    Recognition and Artistic Endurance

    Cornoyer’s career was punctuated by significant accolades that cemented his status within the American art establishment. His election as an Associate Academician of the National Academy of Design in 1909 served as a formal recognition of his technical prowess and stylistic importance. Throughout his life, he remained a dedicated educator, sharing his insights at the Mechanics Institute of New York and later in Massachusetts, ensuring that his passion for light and atmosphere would influence subsequent generations of painters.

    Though he passed away in 1923 in East Gloucester, Massachusetts, the impact of his vision remains undiminished. His works continue to reside in prestigious institutions such as the Saint Louis Art Museum and the Albright–Knox Art Gallery, serving as windows into a bygone era of American life. To look upon a Cornoyer painting is to experience a nostalgic journey through the streets of the late nineteenth and early twentieth centuries, where every raindrop and sunbeam tells a story of beauty, movement, and the enduring magic of the natural world interacting with human civilization.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for December - Gloucester

    topimpressionists.com/da/art/download/paul-cornoyer-december-gloucester-8XX8Y5-en/

    Kildehenvisning til dette kunstværk

    MLA
    Cornoyer, Paul. December - Gloucester. 1916, https://topimpressionists.com/da/art/paul-cornoyer-december-gloucester-8XX8Y5-en/
    APA
    Cornoyer, Paul (1916). December - Gloucester [Painting]. https://topimpressionists.com/da/art/paul-cornoyer-december-gloucester-8XX8Y5-en/
    Chicago
    Paul Cornoyer. December - Gloucester. 1916. https://topimpressionists.com/da/art/paul-cornoyer-december-gloucester-8XX8Y5-en/
    Harvard
    Cornoyer, Paul (1916) December - Gloucester. Available at: https://topimpressionists.com/da/art/paul-cornoyer-december-gloucester-8XX8Y5-en/

    Se nærmere efter

    December - Gloucester — Paul Cornoyer

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Se tilbage på Rainy Day, Columbus Circle tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    4. Paul Cornoyer var omkring 52 år gammel, da dette blev skabt. Hvad i værket bærer præg af at være skabt af en kunstner på det stadie?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Spørgsmål & svar

    Er en højtopløselig download af "December - Gloucester" tilgængelig?

    For at få en digital fil af "December - Gloucester" af Paul Cornoyer, skal du bestille et højtopløseligt digitalt billeddownload på dens Digitalt billede-side.

    Hvilken gennemgående nuance præger "December - Gloucester" af Paul Cornoyer?

    "December - Gloucester" hælder mod en Green to Violet Spectrum nuance.

    Hvordan spiller farverne i "December - Gloucester" sammen med hinanden?

    Farveharmonien i "December - Gloucester" er beskrevet som Discordant Palette.