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Untitled (13)

Navn Klasse Dato

Jackson Pollock, Untitled (13) (1943). Offentlig ejendom.

Fakta om værket

Kunstner
Jackson Pollock topimpressionists.com/da/artists/jackson-pollock_da/
Kunstnerens levetid
1912 – 1956
Malet
1943
Medie
Acrylic On Canvas
Oprindelig størrelse
39 x 34 cm
Bevægelse
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.
Periode
Modern
Artistic style
Action Painting
Influences
Regionalist painters, Surrealism
Notable elements or techniques
Drip painting technique
Subject or theme
Group of people, Clock

I kontekst

Untitled (13) — Jackson Pollock

Dimensioner

Originalen måler 39 × 34 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.

Hvornår er dette malet?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950

Skyggelagt: Jackson Pollock' livstid (1912–1956) ▲ dette værk, 1943

Sammenlignelige værker

Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.

Flere værker, der kan placeres ved siden af dette: topimpressionists.com/da/art/similar/paul-jackson-pollock-untitled-13-8XYAGS-en/

Farver

Målt ud fra billedet

    Hovedfarve

    Espresso #573c2e

    Gemt palet

    • #573C2E
    • #18161A
    • #C9A174
    • #935F40
    Farvepalette
    Earthy Den dominerende farvefamilie i billedet.
    Primær farve
    Espresso
    Intensitet
    Balanced Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Statement Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Balanced Soft Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Om dette kunstværk

    Untitled (13) — Jackson Pollock

    Jackson Pollock: A Pioneer of Abstract Expressionism

    Jackson Pollock (1912-1956) stands as one of the most influential figures in 20th-century art, irrevocably altering the landscape of painting and establishing Abstract Expressionism as a dominant artistic movement. Born Paul Jackson Pollock in Cody, Wyoming, his early life was marked by nomadic tendencies—a characteristic that arguably fueled his restless creative spirit. He honed his skills at Manual Arts High School in Los Angeles and pursued further studies at NYU and the Art Students League, absorbing foundational techniques from traditional painters like Benton and Siqueiros. Yet, it was Pollock’s embrace of Surrealism and exploration of mythological themes that truly propelled him toward a revolutionary vision.

    The Birth of Action Painting

    Pollock's artistic journey began with representational landscapes influenced by regionalist aesthetics—a stylistic detour before he decisively shifted towards abstraction in the 1940s. This pivotal period witnessed an experimentation with diverse subjects, including mythology and Surrealism, aiming to convey profound emotional truths. His groundbreaking technique – drip painting – emerged from a desire to liberate art from conventional constraints and capture spontaneous movement and energy on canvas. Rejecting brushstrokes as instruments of control, Pollock dripped, splashed, flung, and poured pigment onto canvases laid horizontally on the floor, creating mesmerizing patterns that defied linear perspective and traditional compositional rules. This method, dubbed “action painting,” became synonymous with Pollock’s artistic identity and profoundly impacted subsequent generations of artists.

    “Untitled (13)” – Decoding Complexity

    Untitled (13),” created in 1943, exemplifies Pollock's signature style—a pen drawing measuring 39 x 34 cm that initially presents as a gathering of individuals around a central circle. However, closer scrutiny reveals at least nine figures positioned strategically throughout the composition, highlighting the artist’s meticulous attention to detail and spatial arrangement. Dominating the scene is a large clock hanging on the wall above the group—a deliberate element that amplifies its sense of scale and contributes to an atmosphere of contemplation. The drawing's intricate layering of lines and textures invites viewers to delve into its symbolic depths, prompting questions about human interaction and time’s passage.

    Pollock’s Legacy: Influence Beyond Canvas

    Pollock’s influence extended far beyond his own artistic output. He was profoundly impacted by movements like Surrealism and Native American art—influences that informed his exploration of themes related to tragedy and spirituality. Notably, he collaborated with Ernest Briggs, another prominent Abstract Expressionist, demonstrating a shared commitment to pushing the boundaries of artistic expression. His later works embraced rectangular color fields—a stylistic hallmark that solidified his position as a pioneer of Color Field Painting. Artists like Briggs absorbed Pollock’s innovative approach, furthering the dissemination of Abstract Expressionism's principles.

    Notable Museums and Exhibitions

    Untitled (13)” can be admired at Jackson Pollock: Untitled 29, Untitled (13), Jackson Pollock: Untitled 6, and Jackson Pollock: Untitled 26 respectively. The Tate Modern in London houses a significant collection of modern and contemporary art—a testament to Pollock’s enduring influence on artistic discourse. Discover more about this museum at Tate Modern.

    Jackson Pollock was a key figure in the development of Abstract Expressionism.

    Untitled (13)” showcases his early experimentation with abstract forms.

    The painting’s unique composition and oversized clock add to its enigmatic nature.

    Pollock's influence can be seen in the work of other artists like Ernest Briggs.

    Tate Modern is a significant museum housing modern and contemporary art collections.

    Abstract Expressionism—characterized by its emphasis on spontaneous creativity and emotional intensity—continues to captivate audiences worldwide. Through “Untitled (13),” we gain insight into Pollock’s artistic evolution, establishing the groundwork for his subsequent masterpieces that redefined the boundaries of art and cemented his place as a visionary innovator. As we contemplate this remarkable piece, it reminds us of Pollock's profound contribution to the history of painting and inspires appreciation for its enduring aesthetic power.

    Kunstner og museum

    Kunstner

    Jackson Pollock

    Født i Cody, USA

    Early Life and the Seeds of Innovation

    Paul Jackson Pollock, født den 28. januar 1912 i Cody, Wyoming, var fra barnsben en rastløs sjæl. Hans tidlige liv var præget af hyppige flytninger, da hans far jagte arbejde som landmåler på de store amerikanske vidder. Denne vandrende eksistens indgydte hos den unge Pollock en dyb forbindelse til naturen og en eksponering for forskellige kulturer, især gennem møder med indianerkunst under disse målingsrejser – indtryk der subtilt ville gennemsyde hans kunstneriske vision senere i livet. Selvom han aldrig direkte efterlignede indigene stilarter, var den rå energi og det åndelige resonans af disse tidlige oplevelser utvivlsomt mærkbare i hans arbejde.

    Pollocks formelle kunstuddannelse begyndte på Manual Arts High School i Los Angeles, efterfulgt af studier på Art Students League of New York under ledelse af Thomas Hart Benton. Benton, en fremtrædende figur i Regionalistbevægelsen, lagde vægt på rytmisk komposition og narrativt temaer rodfæstet i amerikansk liv. Selvom Pollock oprindeligt absorberede disse lektioner, lå hans iboende tilbøjelighed mere mod abstrakte udforskninger. Han blev også dybt berørt af mexicanske muralister som José Clemente Orozco, hvis kraftfulde fremstillinger af social kamp resonerede dybt med ham. Disse tidlige indflydelser lagde et fundament, men det var Surrealismens blomstrende verden, der virkelig låste Pollocks kunstneriske potentiale op.

    The Birth of Action Painting and a Revolutionary Technique

    1930’erne så Pollock eksperimentere med forskellige teknikker, søgende efter alternativer til traditionel pensling. Han begyndte at hælde maling, udforske dens flydende og upredicible natur. Men omkring 1947 gennemgik hans kunstneriske bane en radikal transformation. Afstillede han alt forhåndskonstrueret, lagde Pollock lærreder direkte på gulvet, hvilket initierede hvad der ville blive kendt som hans “drip-teknik”. Han hældte derefter, sprøjtede og kastede maling på lærredet fra oven, orkestrerende en dynamisk dans mellem kunstneren, mediet og overfladen.

    Dette var ikke blot om at påføre maling; det handlede om at indgyde selve skabelsen. Pollocks lærred blev arenaer for fysisk udtryk, der fangede øjeblikket af hans bevægelser og følelser. De resulterende malerier er karakteriseret ved deres “all-over” komposition – en mangel på central fokus, der inviterer betragteren til at udforske hele overfladen som et forenet energifelt. Intrikate netværk af linjer og farver indvikles med hinanden, hvilket skaber en visuel kompleksitet, der er både fængslende og udfordrende. Han brugte ukonventionelle værktøjer – stænger, knive, endda sprøjter – til at manipulere malingen på upredicible måder, hvilket yderligere fremhævede skabelsens spontanitet.

    Denne innovative tilgang placerede Pollock som en central figur i det spirende Abstract Expressionist-bevægelse, der opstod i post-krigstidens New York City. Abstract Expressionism prioriterede spontan gestus, stor skala og repræsentationsløs billedkunst, afspejlede en bredere kulturel skift væk fra traditionelle kunstneriske konventioner. Hans ægteskab med kunstneren Lee Krasner var også afgørende; hun ydede urokkelig følelsesmæssig støtte og opfordrede aktivt til hans kunstneriske udvikling, anerkendte den banebrydende karakter af hans arbejde.

    Iconic Works and Lasting Legacy

    Pollocks mest berømte værker – såsom Number 1, 1950 (Lavender Mist), One: Number 31, 1950, Blue Poles: Number 11, 1952 og Convergence – er vidnesbyrd om hans revolutionerende teknik. Disse malerier er ikke blot billeder; de er optagelser af en præstation, indgydede med kunstnerens fysiske tilstedeværelse og følelsesmæssige intensitet. Den dynamiske energi, der udgår fra disse lærred, er mærkbar, inviterer betragteren til at fordybe sig i en verden af ren abstraktion.

    Hans stil transcenderer blot æstetik; det er en udforskning af processen over produktet. Pollock søgte at fange øjeblikket af sine handlinger og følelser på et lærred, afvisende traditionelle begreber om komposition og repræsentation. Han dykkede ned i Jungiansk psykologi, udforskede arketyper og det underbevidste i sin kunst, søgende efter at udnytte universelle symboler og primitive energier.

    Pollock’s indflydelse på kunsthistorien er uovertruffen. Han ændrede fundamentalt måden kunstnere tilgangede sig maleri på, brød fri fra easel-baserede metoder og omfavnede en mere performativ tilgang. Hans arbejde sikrede New York City's position som et globalt centrum for moderne kunst, skiftede fokus væk fra europæisk dominans. Hans indflydelse kan ses i arbejdet hos utallige kunstnere, der fulgte ham, herunder dem associeret med Color Field painting og senere former for abstrakt ekspressionisme.

    Influences and Artistic Context

    Pollock’s work was deeply influenced by a confluence of artistic movements and ideas. He drew inspiration from the dynamic energy of Mexican muralism, particularly the works of José Clemente Orozco, whose paintings explored themes of social struggle and political upheaval. The Surrealist movement, with its emphasis on the subconscious and dreamlike imagery, also played a significant role in shaping his aesthetic vision. Furthermore, Pollock’s exposure to the work of Thomas Hart Benton, a leading figure in the Regionalist movement, instilled in him an appreciation for narrative storytelling and the depiction of American landscapes.

    Beyond these specific influences, Pollock's artistic development was shaped by broader cultural shifts occurring in post-war America. The rise of Abstract Expressionism reflected a desire to break free from traditional artistic conventions and embrace new forms of self-expression. Pollock’s willingness to challenge established norms and experiment with unconventional techniques made him a pivotal figure in this movement, paving the way for future generations of artists.

    Conclusion

    Jackson Pollock's legacy extends far beyond his individual paintings. He remains an icon of 20th-century art, a visionary who redefined the possibilities of painting and inspired countless artists to push the boundaries of creative expression. His work continues to resonate with audiences today, reminding us of the power of art to evoke emotion, challenge perceptions, and capture the essence of human experience.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Untitled (13)

    topimpressionists.com/da/art/download/paul-jackson-pollock-untitled-13-8XYAGS-en/

    Kildehenvisning til dette kunstværk

    MLA
    Pollock, Jackson. Untitled (13). 1943, https://topimpressionists.com/da/art/paul-jackson-pollock-untitled-13-8XYAGS-en/
    APA
    Pollock, Jackson (1943). Untitled (13) [Painting]. https://topimpressionists.com/da/art/paul-jackson-pollock-untitled-13-8XYAGS-en/
    Chicago
    Jackson Pollock. Untitled (13). 1943. https://topimpressionists.com/da/art/paul-jackson-pollock-untitled-13-8XYAGS-en/
    Harvard
    Pollock, Jackson (1943) Untitled (13). Available at: https://topimpressionists.com/da/art/paul-jackson-pollock-untitled-13-8XYAGS-en/

    Se nærmere efter

    Untitled (13) — Jackson Pollock

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Vores katalog klassificerer dette værk under: abstract expressionism, jackson pollock, circle motif. Er du enig? Hvad ville du tilføje eller fjerne?
    4. Se tilbage på Nummer 1, 1949 (1950) tidligere i denne guide. Nævn to ting, som det har til fælles med dette værk, og én ting, der er forskellig.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Hvor kan du se det i dette værk?

    Dit svar

    Skriv et kort afsnit om dette kunstværk. Brug fakta fra de tidligere dele af denne guide samt dine svar ovenfor.

    Kunstquiz

    Untitled (13) — Jackson Pollock

    Hvor godt kender du dette kunstværk?

    Afkryds ét svar for hvert af de 5 spørgsmål nedenfor. Hvert spørgsmål har præcis ét korrekt svar.

    1. 1. What artistic movement is Jackson Pollock associated with?

      • A Cubism
      • B Impressionism
      • C Abstract Expressionism
    2. 2. In what year was "Untitled (13)" created?

      • A 1920
      • B 1943
      • C 1965
    3. 3. What medium did Jackson Pollock primarily use in this drawing?

      • A Oil paint
      • B Watercolor
      • C Ink and graphite
    4. 4. The clock hanging on the wall above the group of people is a significant element because it:

      • A Represents time passing in relation to artistic creation.
      • B Is an accurate depiction of the artist's daily life.
      • C Serves as a symbol of social commentary.
    5. 5. Which museum houses a notable collection of modern and contemporary art featuring works by Jackson Pollock?

      • A Louvre Museum
      • B Metropolitan Museum of Art
      • C British Museum

    Min score: ____ ud af 5

    Facitliste — til læreren

    Dette starter en ny trykt side, som blot kan udelades fra kopierne.

    1C · 2B · 3C · 4A · 5B