Guide til elevkunst
Ophavsret Dette værk er i det offentlige domæne. Samuel Lane døde i 1859; ophavsretten varer 70 år efter kunstnerens død, så den udløb i 1929.
I kontekst
Henry Self — Samuel Lane
Originalen måler 22 × 17 cm (højde × bredde), vist her ved siden af en voksen person af gennemsnitlig højde.
Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode — 0 ved fødsel, 79 ved død.
Skyggelagt: Samuel Lane' livstid (1780–1859) hvert dateret maleri, årti for årti
Første værker: frem til 1820 Primære arbejdsår: 1820–1834 Senere værker: fra 1834
Disse tre intervaller opdeler de værker i denne katalog, der er dateret, i et første kvartal, en midterste halvdel og et sidste kvartal. De udgør ikke kunstnerens samlede produktion: en tynd periode kan være et hul i dokumentationen snarere end en stille periode. De samme år med kunstnerens liv lagt ind i dem
Der findes ikke et præcist årstal for denne indspilning i arkivet — baseret på kunstnerens levetid og værkets stil, hvilket årti ville du så gætte på?
Vælg et af de ovenstående værker: nævn to ting, det har til fælles med dette, og én ting, der er forskellig.
Flere værker, der kan placeres ved siden af dette: topimpressionists.com/da/art/similar/samuel-lane-henry-self-AQTS6Y-en/
Målt ud fra billedet
Hovedfarve
Coral #dc9c67
Gemt palet
Disse farver i kunstnerens samlede palet Find andre malerier efter farve
De ti førende lande
Find de tre mørkeste lande på kortet. Findes det museum, der opbevarer dette maleri, i et af dem? Skriv én grund på, hvorfor folk langt væk måske ville se på det.
Sammen udgør disse værker 99,5% af den samlede opmærksomhed, som denne kunstners malerier har modtaget i løbet af de sidste tolv måneder. Kataloget indeholder 40 værker af denne kunstner, hvoraf 12 er blevet set mindst én gang. Dette maleri rangerer som nummer 10 af dem, med 7,1% af den opmærksomhed. Det samme gælder måned for måned
Søjlerne måler opmærksomhed, ikke kvalitet. Vælg værket øverst og dette her: nævn én ting, der kan gøre et maleri berømt udover selve det tekniske håndværk.
Kunstner og museum
In the annals of Victorian portraiture, few stories are as poignant or as profoundly shaped by personal adversity as that of Samuel Lane. Born in King’s Lynn on July 26, 1780, Lane’s journey into the world of fine art was marked by a transformative childhood tragedy. A sudden accident during his early years left him profoundly deaf, a condition that would fundamentally alter his sensory experience of the world. Yet, rather than retreating from society, this silence became the crucible in which his artistic vision was forged. Deprived of the nuances of spoken language, Lane developed an acute sensitivity to the visual realm, turning his gaze toward the subtle shifts in light, the intricate textures of fabric, and the unspoken emotions etched upon the human face.
His path to mastery was paved through rigorous discipline and the guidance of some of the most illustrious figures of the era. After honing his foundational skills, Lane sought formal training at the Royal Academy Schools, where he eventually came under the mentorship of the legendary Sir Thomas Lawrence. This relationship was much more than a mere apprenticeship; it was a profound intellectual and professional symbiosis. Working as an assistant in Lawrence’s studio, Lane absorbed the techniques of one of Britain's greatest portraitists, yet he emerged with a stylistic identity that was uniquely his own. While Lawrence often leaned toward the grand and the idealized, Lane developed a reputation for truthful likenesses—a commitment to capturing the unvarnished reality of his subjects.
The essence of Lane’s artistry lay in his ability to bridge the gap between the physical presence of a sitter and their internal psychological landscape. His work was characterized by an unflinching honesty that eschewed the superficiality of mere decoration. Whether he was documenting the dignified features of the aristocracy or the quiet intensity of civic leaders, Lane sought the soul beneath the surface. This dedication to realism allowed him to create portraits that felt remarkably alive, as if the subject might speak if only the viewer could bridge the silence he knew so well.
His technical prowess was evident in the meticulous way he handled various media and subjects:
Texture and Light: In works such as William Swatman (1820), Lane demonstrated an extraordinary ability to render the weight of heavy fabrics, the sheen of silk, and the subtle interplay of light on skin.
Psychological Depth: His portraits were noted for capturing a sense of melancholy or quiet contemplation, often using soft shadows to evoke the inner worlds of his subjects.
Neoclassical Elegance: Many of his pieces, such as his portrait of Elizabeth Hobbes, showcase a mastery of Neoclassical elements, utilizing rich velvets and intricate gold details to convey status and grace.
Over a career spanning more than five decades, Samuel Lane was a constant and vital contributor to the Royal Academy, exhibiting an astonishing 217 works throughout his lifetime. His prolific output ensured that his influence permeated the social fabric of the era, as he became the preferred chronicler for many of the most influential individuals in England. From the bustling artistic hubs of London’s Soho to his eventual retirement in Ipswich, Lane’s presence was felt across the landscape of British art.
The historical significance of Samuel Lane extends beyond the mere accumulation of portraits. He represents a pivotal moment in the evolution of portraiture, where the transition from the romanticized ideals of the late 18th century toward the more grounded, observational realism of the Victorian age was most clearly articulated. By prioritizing the truthful likeness over the idealized myth, Lane helped set a standard for authenticity that would inspire generations of painters to follow. Today, his works remain cherished treasures in prestigious collections, including the National Portrait Gallery, serving as enduring testaments to a man who found his greatest voice in the profound silence of his own life.
topimpressionists.com/da/art/download/samuel-lane-henry-self-AQTS6Y-en/
Se nærmere efter
Henry Self — Samuel Lane
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En download er tilgængelig for "Henry Self": kunstværkets Download side tilbyder et højtopløseligt digitalt billeddownload.
Formatet på "Henry Self" er Portrait, og originalen måler 22 x 17 cm. Begge dele er nyttige, når man planlægger en reproduktion.
Røntgenvisningen af "Henry Self" af Samuel Lane findes på værkets Røntgenundersøgelse-side: en interaktiv undersøgelse af billedet gennem elleve optiske lag.