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Amphibole Object

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Yoon Yongbin, Amphibole Object, korea-craft-and-design-foundation. Reproduceret til referenceformål; alle rettigheder er forbeholdt rettighedshaveren. Se dette lærred under bevægeligt lys: tegningen, den sande farve under lakken, det rå pigment

Fakta om værket

Kunstner
Yoon Yongbin topimpressionists.com/da/artists/yoon-yongbin/
Kunstnerens levetid
1995 –
Afholdt hos
korea-craft-and-design-foundation topimpressionists.com/da/museums/korea-craft-and-design-foundation-seoul/

I kontekst

Amphibole Object — Yoon Yongbin

Hvornår er dette maleri sandsynligvis blevet til?

  1. 1990

Øverste række: årene. Nederste række: kunstnerens alder ved begyndelsen og slutningen af hver periode, hvor 0 tælles fra fødslen.

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Farver

Målt ud fra billedet

    Hovedfarve

    Espresso #585650

    Gemt palet

    • #585650
    • #82827A
    • #A8A9A1
    • #1D1E1A

    Disse farver i kunstnerens samlede palet Find andre malerier efter farve

    Primær farve
    Espresso
    Intensitet
    Monochromatic Hvor mættede og varierede farverne er, fra en enkelt dæmpet nuance til mange klare nuancer.
    Kontrast
    Gentle Hvor meget farverne varierer i lysstyrke og mætning på tværs af billedet.
    Harmoni
    Strong Color Unity Hvor godt farverne spiller sammen, fra modstridende til fuldstændig harmoniske.
    Lysstyrke
    Shadow Hvor lyst eller mørkt billedet fremstår samlet set, fra dybe skygger til lyse højlys.
    Mætning
    Muted Hvor rene og stærke farverne er, fra næsten grå til fuldt livlige.

    Om dette kunstværk

    Amphibole Object — Yoon Yongbin

    This stone object was made of amphibole from the Jangsu region in Korea. Such an object has been used since the Joseon Dynasty (1392-1897), when objects made of amphibole from Jangsu were used on the king’s table. Infrared rays and minerals coming from the stone during the transfer of heat protect food nutrients and improve the taste of what we eat. Furthermore, the warmth of amphibole helps a person’s blood circulation. Amphibole is a healthy material that keeps the condition of both hot and cold foods as they are for a longer period of time.

    Kunstner og museum

    Kunstner

    Yoon Yongbin

    Født i Seoul, South Korea

    The Poetic Resonance of Yoon Yongbin

    In the vibrant heart of Seoul, a new creative voice is emerging that seeks to bridge the profound depths of Korean heritage with the sleek sensibilities of modern expression. Yoon Yongbin, known to many by his stage name Lee Sae-on, is an artist whose multidisciplinary journey reflects a rare synthesis of performance and plastic arts. Born in 1995, Yongbin’s early life was steeped in the cultural atmosphere of South Korea, where the echoes of history are never far from the surface. His formative years were deeply influenced by the legacy of the Yoon Dongju Memorial Hall, an encounter that instilled in him a reverence for the melancholic and poetic spirit of Korea's national bard. This early exposure to lyrical tragedy and beauty laid the groundwork for an artistic identity defined by emotional depth and symbolic weight.

    While many recognize his presence through the lens of contemporary media—having debuted in the 2018 drama Inspector 2 of the Devil and gaining widespread visibility through his participation in Produce 101 Season 2—Yongbin’s true sanctuary lies in the tactile world of sculpture and conceptual form. His transition from the spotlight of the entertainment industry to the quiet intensity of the studio marks a profound evolution, moving from the ephemeral nature of performance to the enduring permanence of stone and mineral.

    Sculpting Tradition: The Amphibole Series

    At the core of Yongbin’s artistic practice is a meticulous exploration of texture, history, and the elemental properties of the earth. His work is most notably characterized by his “Amphibole Object” series, a collection that serves as a profound dialogue between the Joseon Dynasty and the contemporary era. By utilizing amphibole—a specific stone from the Jangsu region of Korea—Yongbin invokes a lineage of craftsmanship that once graced the tables of Korean royalty. These objects are not merely sculptural forms; they are vessels of cultural memory, designed to honor the ancient techniques used to preserve nutrients and enhance the essence of life through heat and mineral transfer.

    His technique is a deliberate study in minimalism and symbolic representation. In his hands, the heavy, rugged nature of Korean stone is transformed into something contemplative and ethereal. The artist focuses on:

    Textural Detail: Capturing the raw, geological essence of the amphibole to emphasize the passage of time.

    Symbolic Heritage: Using materials that historically connected the monarchy to the natural world to explore themes of transformation.

    Minimalist Aesthetics: Stripping away the superfluous to allow the intrinsic beauty and "breath" of the stone to command the viewer's attention.

    A Legacy of Transformation

    The significance of Yoon Yongbin’s work lies in its ability to act as a bridge. He does not merely replicate the past; he recontextualizes it for a modern audience that is often disconnected from ancestral traditions. Through his sculptural explorations, he invites viewers to contemplate the enduring beauty of natural materials and the cyclical nature of history. His art suggests that while the world moves toward rapid technological advancement, there remains an essential, grounding need to reconnect with the minerals and memories of our origins.

    As his career continues to unfold, Yongbin stands as a testament to the versatility of the modern creator. Whether through the rhythmic movement of cultural performance or the silent, powerful presence of a stone vessel, his work remains anchored in a singular mission: to find the eternal within the contemporary and to ensure that the poetic soul of Korea continues to resonate in the modern age.

    Museum

    korea-craft-and-design-foundation

    Udstillet på Seoul, South Korea

    A Living Dialogue Between Heritage and Modernity

    In the heart of Seoul, where the pulse of a hyper-modern metropolis meets the quiet echoes of antiquity, lies the Korea Craft & Design Foundation (KCDF). It is far more than a mere repository for artifacts; it is a vibrant, breathing sanctuary where the ancestral soul of Korea finds expression in the contemporary moment. To enter KCDF is to embark on a sensory pilgrimage, stepping into a space where the boundaries between historical preservation and avant-garde innovation dissolve. The foundation serves as a vital bridge, ensuring that the meticulous skills of master artisans are not lost to the passage of time but are instead reimagined for the modern lifestyle, making it an essential destination for those who seek beauty that is both deeply rooted and strikingly current.

    The collection itself unfolds like a beautifully woven tapestry, offering a chronological journey through the very essence of Korean identity. One cannot help but be captivated by the ethereal grace of Goryeo celadon, whose jade-like glazes possess a translucent, otherworldly quality that seems to capture the very mist of a mountain morning. These ceramics stand in poetic contrast to the robust, earthy stoneware of earlier dynasties, which embody a sense of resilience and grounded strength. As one moves through the galleries, the tactile richness of Korean textiles takes center stage. The Hanbok fabrics, with their luminous hues and intricate patterns, do more than decorate; they communicate social hierarchies, Confucian values, and the rhythmic shifts of the seasons. Each embroidered screen and silken thread tells a story of devotion, where painstaking technique meets profound symbolic meaning.

    The Art of Material and Form

    Beyond the delicate allure of silk and porcelain, KCDF celebrates the structural mastery of woodcraft and metalwork. The museum showcases furniture that is a masterclass in functional artistry, where the natural grain of precious woods is honored through sophisticated carving and joinery. This architectural approach to object-making reflects a uniquely Korean aesthetic—one that finds harmony in the balance between utility and elegance. Similarly, the metalwork collection reveals how precious metals can be transformed into wearable art, blending ornamental splendor with cultural narratives. For the interior designer or collector, these pieces represent more than decoration; they are sculptural elements that bring a sense of historical depth and artisanal integrity to any contemporary space.

    The architecture of the foundation itself mirrors this philosophy of harmonious fusion. The building’s sleek, minimalist design acts as a quiet, sophisticated canvas, allowing the intricate details of the crafts to command the viewer's full attention. Large, intentional windows invite natural light to flood the interiors, creating a seamless connection between the curated treasures within and the shifting landscape of Seoul outside. This transparency fosters an atmosphere of contemplation, inviting visitors to lose themselves in the subtle textures of clay, fiber, and metal.

    A Vision for the Future of Craft

    What truly distinguishes KCDF is its proactive role as a cultural incubator. While much of the foundation's mission is dedicated to the preservation of fading traditions, there is an unmistakable energy directed toward the future. The institution does not merely look backward with nostalgia; it actively nurtures a thriving ecosystem for young makers and contemporary designers. Through groundbreaking exhibitions and collaborative projects, KCDF explores how traditional techniques can be reinterpreted through modern materials and digital sensibilities. This commitment to innovation ensures that Korean craft remains a living, evolving language rather than a static relic of the past.

    Whether through workshops that revive forgotten skills or international showcases that bring Korean design to the global stage, the foundation continues to expand its influence. It is this unique ability to marry the ancient with the experimental that makes KCDF a singular cultural landmark. For the art lover, it offers a profound connection to Korea's cultural soul; for the designer, it provides an inexhaustible well of inspiration; and for the world, it presents a compelling vision of how heritage can drive the creative spirit of tomorrow.

    Her kan du læse mere

    Findes online

    QR-kode med link til downloadside for Amphibole Object

    topimpressionists.com/da/art/download/yoon-yongbin-amphibole-object-DD28WC-en/

    Kildehenvisning til dette kunstværk

    MLA
    Yongbin, Yoon. Amphibole Object. n.d., korea-craft-and-design-foundation. https://topimpressionists.com/da/art/yoon-yongbin-amphibole-object-DD28WC-en/
    APA
    Yongbin, Yoon (n.d.). Amphibole Object [Painting]. korea-craft-and-design-foundation. https://topimpressionists.com/da/art/yoon-yongbin-amphibole-object-DD28WC-en/
    Chicago
    Yoon Yongbin. Amphibole Object. n.d. korea-craft-and-design-foundation. https://topimpressionists.com/da/art/yoon-yongbin-amphibole-object-DD28WC-en/
    Harvard
    Yongbin, Yoon (n.d.) Amphibole Object. korea-craft-and-design-foundation. Available at: https://topimpressionists.com/da/art/yoon-yongbin-amphibole-object-DD28WC-en/

    Se nærmere efter

    Amphibole Object — Yoon Yongbin

    Se nærmere efter

    Svar med dine egne ord. Der er ingen forkerte svar her – kun svar, som du kan forklare.

    1. Hvad fanger dit øje først, og hvorfor?
    2. Hvilke farver eller former skaber stemningen — og hvad er den stemning?
    3. Vores katalog klassificerer dette værk under: korean art, stone vessels, minimalist design. Er du enig? Hvad ville du tilføje eller fjerne?
    4. Gennemgående temaer i Yoon Yongbin' værker: exploration of form & texture, cultural narrative focus, quiet contemplation series. Hvilke af dem ser du her?
    5. Hvad har kunstneren måske ønsket, at du skulle føle?

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    Spørgsmål & svar

    I hvilken stilart og hvilken epoke er "Amphibole Object" af Yoon Yongbin placeret?

    "Amphibole Object" af Yoon Yongbin placeres inden for Contemporary Still Life-bevægelsen i sin skabers Contemporary-æra.

    Hvilke pseudonymer eller andre navne bruger Yoon Yongbin?

    Yoon Yongbin optræder under de alternative navne Lee Sae-On.

    Er farverne i "Amphibole Object" af Yoon Yongbin mættede eller dæmpede?

    "Amphibole Object" af Yoon Yongbin er gengivet med en Muted mætning.