Adam Pendleton, født 1984
Adam Pendleton: De 1 mest kendte malerier
Af alle Adam Pendleton's malerier er History (Lab 1964 Grey) (2005) det mest berømte; det hænger på Carnegie Museum of Art i Pittsburgh. Blandt de 1 værker af Adam Pendleton i vores katalog er disse 1 de mest fejrede, hver vist med sin dato, sit museum og sin historie.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026.
- Født · død
- født 1984, Richmond
- Værker i vores katalog
- 1
- Mest kendte
- History (Lab 1964 Grey) (2005)
- Flest værker hos
- Carnegie Museum of Art
Adam Pendletons 10 mest fejrede malerier
Hvor Adam Pendleton's lærreder hænger
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Adam Pendleton | Malerier fra denne liste |
|---|---|---|---|
 Carnegie Museum of Art |
Pittsburgh | 1 | History (Lab 1964 Grey) |
År for år: Adam Pendletons mest fejrede lærreder
Et år, 2005, indeholder alle daterede lærreder af Adam Pendleton på denne side: her er de, de mest berømte først.
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2005
Rangeret som nr. 1 ud af 1
History (Lab 1964 Grey)
Dine spørgsmål om Adam Pendletons malerier, besvaret
Hvilket er det mest berømte maleri af Adam Pendleton?Læs svaret
History (Lab 1964 Grey) (2005)
Hvor gammel var Adam Pendleton på tidspunktet for History (Lab 1964 Grey)?Læs svaret
Adam Pendleton, født i 1984, var 21 år gammel: History (Lab 1964 Grey) er fra 2005.
Hvor mange malerier af Adam Pendleton er kendt?Læs svaret
1 værker af Adam Pendleton er i vores katalog.
Hvilke museer udstiller Adam Pendletons mest kendte lærreder?Læs svaret
Primært i Carnegie Museum of Art (Pittsburgh); listen ovenfor nævner hvert museum og dets lærreder.
Adam Pendleton: malerens historie
The Multidisciplinary Practice of Adam Pendleton
Adam Pendleton is an American conceptual artist whose diverse practice encompasses painting, silkscreen, collage, video, performance, and word art. Born in Richmond, United States, he began writing poetry at an early age and later transitioned into painting. His academic journey included studying at the Artspace Independent Study Program in Peitrasanta, Italy, before moving to New York in 2002. Currently, he divides his time between New York City and Germantown, New York.
His work often involves the investigation of language and the recontextualization of history through appropriated imagery. Pendleton's artistic output has been featured in various international exhibitions, including shows at the Museum of Modern Art, the Whitney, the New Museum, and La Triennale at the Palais de Tokyo in Paris. In 2024, he was honored with the Rosenthal Family Foundation Award for Painting from the American Academy of Arts and Letters.
Themes and Conceptual Frameworks
A central concept in Pendleton's work is "Black Dada," a term he uses to discuss the present moment by addressing both the future and the past. This concept is exemplified in his Black Dada series of paintings, which feature partial views of Sol LeWitt's cube sculptures alongside letters derived from the phrase "Black Dada." This phrase itself originates from the 1964 poem "Black Dada Nihilismus" by Amiri Baraka.
His various series and installations explore different visual and linguistic systems: