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      Adèle Romany, 1769 – 1846

      Adèle Romanys 37 mest berømte malerier

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) er det maleri, som Adèle Romany er bedst kendt for; det befinder sig på National Museum of Women in the Arts, Washington, D.C.. Madame Coury, Duhamel Widow (1811) og Portrait of a Young Woman (1804) fuldender trioen af de mest elskede lærreder. Vores katalog indeholder 39 værker af Adèle Romany. Her er de 37 mest berømte, med årstal, museum og historien bag hvert lærred.

      Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret oktober 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.

      Portræt af Adèle Romany
      Adèle Romany · 1769 – 1846
      Født · død
      1769 – 1846, Paris
      Bevægelse
      Neoclassicism
      Værker i vores katalog
      39
      Mest kendte
      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795)
      Flest værker hos
      Library-museum of the Comédie-Française

      De ti mest elskede malerier af Adèle Romany

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) af Adèle Romany
      1

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou

      1795 · Oil · National Museum of Women in the Arts, Washington, D.C.

      The gaze of the sitter meets us in Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, a work that captures a quiet, creative pause. Painted by Adèle Romany around 1795, the portrait presents a woman poised amidst the tools of her intellect and expression. She exists in a moment of stillness, her presence defined by the delicate textures of her attire and the objects that surround her.

      Håndmalet oliereproduktion fra $178 27 × 36 cm Samme størrelse som originalen $522 97 × 128 cm Bestil i original størrelse →
      Få det malet i hånden Historien om maleriet
      Madame Coury, Duhamel Widow (1811) af Adèle Romany
      2

      Madame Coury, Duhamel Widow

      1811 · Oil On Canvas · Nationalmuseum, Stockholm

      In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence defined by a sense of refined status and the stillness of a life lived with intention. The composition is a three-quarter length arrangement, positioning her slightly off-center to create a balanced, natural poise. A deep forest green gown anchors the figure, its…

      Håndmalet oliereproduktion fra $178 28 × 36 cm Samme størrelse som originalen $467 90 × 117 cm Bestil i original størrelse →
      Få det malet i hånden Historien om maleriet
      Portrait of a Young Woman (1804) af Adèle Romany
      3

      Portrait of a Young Woman

      1804 · Oil On Canvas · Musée Marmottan Monet, Paris

      The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of portraiture. The subject of the painting is a single young woman, depicted in a full-length vertical composition.

      Håndmalet oliereproduktion fra $178 29 × 35 cm Samme størrelse som originalen $242 51 × 61 cm Bestil i original størrelse →
      Bestil dette lærred Læs om dette lærred

      Adèle Romany: lærreder fra 11 til 37 på ranglisten

      Hvad Adèle Romany har malet mest af

      De fire motiver, der optræder hyppigst på disse lærreder, hver med sit mest elskede eksempel.

      Woman 3 værker

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), Adèle Romany #1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou 1795 · National Museum of Women in the Arts Madame Coury, Duhamel Widow (1811), Adèle Romany #2 Madame Coury, Duhamel Widow 1811 · Nationalmuseum Portrait of a Young Woman (1804), Adèle Romany #3 Portrait of a Young Woman 1804 · Musée Marmottan Monet

      Hvor Adèle Romany's lærreder hænger

      De 8 museer, der rummer flest af malerierne på denne side.

      Museum By Værker af Adèle Romany Malerier fra denne liste
      Library-museum of the Comédie-Française Paris 5 Portrait of Emilie Leverd, Mlle Raucourt as Agrippine, Portrait of Fleury
      Château de Versailles, VersaillesChâteau de Versailles Versailles 2 Charles-Antoine d'Artenay, The Marquis de Romance Mesmon's snack
      Museum of Fine Arts, BostonMuseum of Fine Arts Boston 2 Portrait of a Lady at a Pianoforte, Joseph-Dominique Fabry Garat Playing a Lyre Guitar
      National Museum of Women in the Arts, Washington, D.C.National Museum of Women in the Arts Washington, D.C. 1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou
      Nationalmuseum, StockholmNationalmuseum Stockholm 1 Madame Coury, Duhamel Widow
      Musée Marmottan Monet, ParisMusée Marmottan Monet Paris 1 Portrait of a Young Woman
      Palais des Beaux-Arts de Lille, LillePalais des Beaux-Arts de Lille Lille 1 Portrait of a Young Harpist
      Musée Jacquemart-André, ParisMusée Jacquemart-André Paris 1 Portrait of a woman

      Adèle Romanys mest berømte lærred, årti efter årti

      1. 1790s
      2. 1800s
        Portrait of a Young Woman (1804) af Adèle Romany
        3 ud af 37

        Portrait of a Young Woman

        Alder 31 – 40 · Musée Marmottan Monet

        The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of…

      3. 1810s
        Madame Coury, Duhamel Widow (1811) af Adèle Romany
        Lærred 2 af 37

        Madame Coury, Duhamel Widow

        Alder 41 – 50 · Nationalmuseum

        In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence…

      4. 1830s

      Adèle Romanys lærreder, spørgsmål for spørgsmål

      Hvilket lærred er Adèle Romany mest kendt for?Læs svaret

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), National Museum of Women in the Arts, Washington, D.C.. Madame Coury, Duhamel Widow (1811) og Portrait of a Young Woman (1804) følger efter.

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou: hvor gammel var Adèle Romany, da det blev malet?Læs svaret

      Adèle Romany, født i 1769, var 26 år gammel: Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou er fra 1795.

      Hvad er Adèle Romanys ti mest berømte lærreder?Læs svaret

      Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, Madame Coury, Duhamel Widow, Portrait of a Young Woman, Portrait of Julie Candeille, Portrait of a Young Harpist, Portrait of a woman, Portrait of Amélie-Justine Pontois, Charles-Antoine d'Artenay, Portrait of Amélie-Justine and Charles-Édouard Pontois og A young person hesitating to play the piano in front of her family. Hvert lærred i den ovenstående rangliste er angivet med årstal og museum.

      Hvor mange malerier har Adèle Romany skabt?Læs svaret

      39 værker af Adèle Romany er i vores katalog, dateret fra 1791 til 1836.

      Hvor hænger Adèle Romanys mest berømte lærreder i dag?Læs svaret

      Primært i Library-museum of the Comédie-Française (Paris), Château de Versailles (Versailles) og Museum of Fine Arts (Boston); listen ovenfor nævner hvert museum og dets lærreder.

      Hvornår malede Adèle Romany sine mest berømte lærreder?Læs svaret

      I 1800s, som udgør 13 af de 37 værker på denne side, herunder Portrait of a Young Woman.

      Hvilket berømt lærred af Adèle Romany kom først, og hvilket kom sidst?Læs svaret

      Det tidligste lærred her er Portrait of Julie Candeille (1791); det seneste er Portrait of Voltaire (1836).

      Hvilket medie optræder hyppigst i Adèle Romany's malerier?Læs svaret

      Oil On Canvas, anvendt i 2 af de 37 værker på denne side.

      Hvilken stilart er Adèle Romany associeret med?Læs svaret

      Neoclassicism, som lærrederne på denne side viser.

      Hvilke malerier af Adèle Romany er i Library-museum of the Comédie-Françaises samling?Læs svaret

      Library-museum of the Comédie-Française, Paris har 5 af værkerne på denne side, herunder Portrait of Emilie Leverd, Mlle Raucourt as Agrippine og Portrait of Fleury.

      Hvor kan jeg købe en reproduktion af et maleri af Adèle Romany?Læs svaret

      Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.

      Mød maleren: Adèle Romany

      Adèle de Romance (Adèle Romanée): A Life in Miniature and Portraiture

      Adèle de Romance, also known as Adèle Romany or Adèle Romanée (December 7, 1769 – June 6, 1846), was a highly regarded French painter specializing in miniatures and portraits. Her career spanned several decades of significant social and political change in France, and she successfully navigated the art world while adapting her name and artistic presentation to reflect evolving circumstances.

      Early Life and Artistic Training

      • Birth and Legitimation: Born Jeanne Marie Mercier in Paris, Adèle was initially recognized as an illegitimate child. In 1778, at age eight, she was legitimized by her father, Godefroy V, Marquis de Romance, brother of the writer Germain-Hyacinthe de Romance, from this point adopting the name Adèle de Romance.
      • Formal Education: She received formal artistic training under Jean-Baptiste Regnault, a prominent French history painter and academician. This foundational education provided her with a strong understanding of drawing, composition, and color theory – essential skills for both miniature painting and portraiture.
      • Marriage to François Antoine Romany: In 1790, Adèle married fellow miniature painter François Antoine Romany. While their marriage eventually ended in divorce, it significantly influenced her early career as she often exhibited under his surname, "Romany."

      Artistic Style and Notable Works

      • Specialization: Adèle de Romance’s artistic focus centered on miniatures and portraits, particularly those depicting individuals involved in the performing arts. This niche allowed her to cultivate a clientele within Parisian theatrical and musical circles.
      • Exhibitions at the Paris Salon: From 1793 to 1808, she exhibited her works under the name "Romany," and subsequently from 1808 to 1833 as “Romanée.” She presented a substantial body of work over forty years, demonstrating consistent artistic output.
      • Notable Works:
        • Portrait of Auguste Vestris: This piece, housed at the Rhode Island School of Design Museum of Art, exemplifies her skill in capturing likeness and character.
        • Self-portrait with her children (1800): A poignant depiction showcasing both artistic talent and familial life.
        • Portraits of Mlle Raucourt and Mlle Emilie Leverd: These portraits, exhibited at various Salons, further solidified her reputation for capturing the essence of theatrical personalities.
      • Artistic Characteristics: Her miniatures are known for their delicate detail, refined color palettes, and ability to convey a sense of personality within a small format. Her larger portraits demonstrate a similar attention to detail and an understanding of light and shadow.

      Recognition and Historical Significance

      • Gold Medal of the Jury (1808): This prestigious award recognized her artistic merit and contributed to her standing within the French art establishment.
      • Influence on Other Artists: While not a revolutionary figure, Adèle de Romance’s consistent production of high-quality miniatures and portraits helped maintain the popularity of these genres during a period when larger historical paintings were gaining prominence.
      • Representation of Performing Arts: Her focus on portraying actors, actresses, and musicians provides valuable visual documentation of Parisian theatrical life in the late 18th and early 19th centuries. The Comédie-Française holds a significant collection of her works due to this specialization.
      • Financial Acumen: Beyond her artistic pursuits, Adèle demonstrated business savvy through financial speculations during periods of political upheaval, showcasing an entrepreneurial spirit uncommon for women artists of the time.

      Legacy and Rediscovery

      Adèle de Romance’s work received limited critical attention after her death in 1846. However, recent scholarship and a retrospective exhibition at the Jean-Honoré-Fragonard Museum in Grasse (scheduled for 2025) are contributing to a renewed appreciation of her artistic contributions. Her legacy lies not only in her skillful execution but also in her ability to capture the spirit of a vibrant cultural scene and navigate a complex historical landscape as a successful female artist.

      Alle 39 værker af Adèle Romany → Adèle Romany malerireproduktioner med priser →