Det mest elskede maleri af Anna Petersen er Breton Girl Looking After Plants in the Hothouse (1884), som hænger på Statens Museum for Kunst i København. Vores katalog indeholder 3 værker af Anna Petersen: her er de 2 mest berømte, hver med årstal, museum og hvad der gør dem mindeværdige.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.
De 2 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Anna Petersen | Malerier fra denne liste |
|---|---|---|---|
| København | 1 | Breton Girl Looking After Plants in the Hothouse | |
| København | 1 | An evening with a friend. By lamplight |
Ti års maleri, fra 1884 til 1891, findes på de daterede lærreder af Anna Petersen på denne side: gå på opdagelse år for år.
Breton Girl Looking After Plants in the Hothouse (1884)
Anna Petersen, født i 1845, var 39 år gammel: Breton Girl Looking After Plants in the Hothouse er fra 1884.
3 værker af Anna Petersen er i vores katalog, dateret fra 1884 til 1891.
Primært i Statens Museum for Kunst (København) og Den Hirschsprungske Samling (København); listen ovenfor nævner hvert museum og dets lærreder.
Det tidligste lærred her er Breton Girl Looking After Plants in the Hothouse (1884); det seneste er An evening with a friend. By lamplight (1891).
Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.
Born in Copenhagen, Denmark, Anna Petersen was a painter who navigated the complexities of the late 19th and early 20th-century art world. She received her training at the Tegneskolen for Kvinder in Copenhagen and later moved to France, where she apprenticed under Jean-Jacques Henner in Paris. Her artistic journey included studying at the Kunstskole for Kvinder and exhibiting her work at the Charlottenborg Spring Exhibition. Petersen also showcased her talent on an international stage, exhibiting at the 1889 Exposition Universelle in Paris and the 1893 World's Columbian Exposition in Chicago. Throughout her career, she traveled to Spain, Skagen, and Italy.
Petersen was recognized for her strong sense of realism, particularly in her genre paintings that depicted common people in domestic or religious settings. Her work often focused on figure painting and portraiture. Some of her notable works include:
In her painting En Aften Hos Veninde. Ved Lampelys, she depicted contemporary artists Marie Krøyer, Bertha Wegmann, and Jeanna Bauck listening to the violinist Frida Schytte. While she primarily worked in painting, she also produced a single known sculpture, a monument for her parents' grave in Assistens Cemetery.