Atelier — Gratis fragt til hele verden — Leveringstid: 2–6 uger
      Anton Faistauer, 1887 – 1930

      Anton Faistauers 34 mest berømte malerier

      The Painter Georg Christian Andersen (1911) er det maleri, som Anton Faistauer er bedst kendt for. Reclining female nude (1910) og Young Woman on Red Sofa (1913) fuldender trioen af de mest elskede lærreder. Vores katalog indeholder 41 værker af Anton Faistauer. Her er de 34 mest berømte, med årstal, museum og historien bag hvert lærred.

      Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.

      Portræt af Anton Faistauer
      Anton Faistauer · 1887 – 1930
      Født · død
      1887 – 1930, Sankt Martin bei Lofer
      Værker i vores katalog
      41
      Mest kendte
      The Painter Georg Christian Andersen (1911)
      Flest værker hos
      Leopold Museum

      De ti mest elskede malerier af Anton Faistauer

      The Painter Georg Christian Andersen (1911) af Anton Faistauer
      1

      The Painter Georg Christian Andersen

      1911 · Oil On Canvas

      In this intimate portrait, titled The Painter Georg Christian Andersen, we encounter a work from approximately 1911. The subject is rendered with a profound sense of presence, capturing a specific moment in the life of the sitter. Anton Faistauer, the artist behind this piece, was a significant figure in the movement of Austrian Expressionism, a style that sought to move beyond mere representation to reach a more visceral, emotional truth.

      Håndmalet oliereproduktion fra $178 28 × 35 cm Samme størrelse som originalen $286 60 × 76 cm Bestil i original størrelse →
      Reclining female nude (1910) af Anton Faistauer
      2

      Reclining female nude

      1910 · Oil

      In this 1910 oil painting, we find a reclining female nude captured in a moment of profound stillness. The composition is defined by a strong diagonal movement, as the subject's body stretches from the upper left toward the lower right of the frame. There is a certain dreamlike quality to the scene, where the boundaries between the figure and her surroundings begin to blur. The light does not seem to…

      Håndmalet oliereproduktion fra $178 39 × 26 cm
      Young Woman on Red Sofa (1913) af Anton Faistauer
      3

      Young Woman on Red Sofa

      1913 · Oil On Canvas

      In "Young Woman on Red Sofa" by Anton Faistauer, a quiet moment of repose unfolds before us. The composition centers entirely on a young woman who reclines with a sense of relaxed movement, her body positioned diagonally across the canvas. This diagonal placement draws the eye through the intimate space, creating a sense of depth despite the close-up, shallow perspective. She rests against the deep reds of the sofa upholstery,…

      Håndmalet oliereproduktion fra $178 36 × 27 cm Samme størrelse som originalen $511 125 × 96 cm Bestil i original størrelse →
      Lady in White Blouse (First Wife of the Artist) (1913) af Anton Faistauer
      4

      Lady in White Blouse (First Wife of the Artist)

      1913 · Oil

      The woman sits in a moment of profound stillness, her gaze steady and unblinking as she meets the viewer's eyes. She is draped in a white blouse that catches the light from the upper left, the fabric rendered with thick, tactile strokes of paint that give the garment a physical weight. This brightness creates a sharp contrast against the deep, earthy shadows of the background, where tones of ochre, dark…

      Håndmalet oliereproduktion fra $178 25 × 40 cm Samme størrelse som originalen $364 66 × 108 cm Bestil i original størrelse →
      Seated Lady in Blue Blouse (1912) af Anton Faistauer
      5

      Seated Lady in Blue Blouse

      1912 · Oil

      A seated woman occupies the center of this 1912 oil painting, positioned from the waist up in a medium close-up view. She is turned slightly off-center, her head resting heavily upon her hand in a gesture of fatigue or deep thought. Her blouse is a deep, saturated blue, which contrasts against the warm ochre and tan tones of her skirt and the surrounding background. Small accents of red appear at…

      Håndmalet oliereproduktion fra $178 29 × 35 cm Samme størrelse som originalen $380 80 × 96 cm Bestil i original størrelse →
      Nude (1920) af Anton Faistauer
      6

      Nude

      1920 · Oil

      In this 1920 oil painting, titled Nude, we encounter a quiet moment of repose captured by the Austrian artist Anton Faistauer. The work presents a traditional nude study, focusing on the natural form of a reclining female figure. It is a piece that reflects the artist's specific engagement with the human figure during a period of significant transition in his career.

      Håndmalet oliereproduktion fra $178 39 × 26 cm
      Mother with Two Children (1925) af Anton Faistauer
      7

      Mother with Two Children

      1925 · Oil On Canvas · Bavarian State Painting Collections, München

      In "Mother with Two Children" by Anton Faistauer, a vertical arrangement anchors the three figures against a plain, textured backdrop. The composition is centered, drawing the eye immediately to the intimate grouping. The mother occupies the background, her form slightly turned as she holds a young child in her arms. Below them, a second child stands in the foreground, positioned lower in the frame to complete the triangular weight of…

      Håndmalet oliereproduktion fra $228 19 × 52 cm Samme størrelse som originalen $541 64 × 179 cm Bestil i original størrelse →
      Temple Walk of Mary (1923) af Anton Faistauer
      8

      Temple Walk of Mary

      1923 · Oil

      In this 1923 oil painting, we find ourselves observing a solitary female figure moving through an architectural space. She walks with a steady, profile grace across a paved terrace, her presence defined by bold, gestural brushstrokes that favor texture over fine detail. To her left, a dark, rounded structure sits in the mid-ground, while the background reveals a dense cityscape rising toward a pale sky and a blue-toned mountain. The…

      Håndmalet oliereproduktion fra $178 29 × 35 cm Samme størrelse som originalen $946 148 × 180 cm Bestil i original størrelse →
      Young Woman in Pink Dress (1926) af Anton Faistauer
      9

      Young Woman in Pink Dress

      1926 · Oil On Canvas

      A young woman sits in the center of the frame, her body turned slightly away while her eyes drift toward an unseen point beyond the canvas. She wears a garment of pink and coral, a splash of warmth against a background of deep blues and earthy ochre. The light enters from the upper left, carving the contours of her face and neck with soft, heavy shadows. There is a stillness…

      Håndmalet oliereproduktion fra $178 28 × 36 cm
      Richard Mayr in the Costume of the Ox on Lerchenau (1927) af Anton Faistauer
      10

      Richard Mayr in the Costume of the Ox on Lerchenau

      1927 · Oil

      The painting titled Richard Mayr in the Costume of the Ox on Lerchenau is a work by the Austrian Expressionist Anton Faistauer. Created about 1927, the portrait captures a specific moment of theatrical transformation. The subject is Richard Mayr, an Austrian operatic bass-baritone. He is rendered here in the character of Baron Ochs.

      Håndmalet oliereproduktion fra $178 25 × 40 cm

      Anton Faistauer: lærreder fra 11 til 34 på ranglisten

      Anton Faistauers lærreder, periode for periode

      Hvad Anton Faistauer har malet mest af

      De fire motiver, der optræder hyppigst på disse lærreder, hver med sit mest elskede eksempel.

      Hvor Anton Faistauer's lærreder hænger

      De 3 museer, der rummer flest af malerierne på denne side.

      Museum By Værker af Anton Faistauer Malerier fra denne liste
      Leopold Museum, WienLeopold Museum Wien 5 Street towards Dürnstein, Still Life with Coffee Cups, German Blumenstilleben mit Rittersporn
      Bavarian State Painting Collections, MünchenBavarian State Painting Collections München 1 Mother with Two Children
      Salzburg Museum, SalzburgSalzburg Museum Salzburg 1 The Red House

      Anton Faistauers mest berømte lærred, årti efter årti

      1. 1910s
        The Painter Georg Christian Andersen (1911) af Anton Faistauer
        Rangeret som nr. 1 ud af 34

        The Painter Georg Christian Andersen

        Alder 23 – 32

        In this intimate portrait, titled The Painter Georg Christian Andersen, we encounter a work from approximately 1911. The subject is rendered with a profound sense of presence, capturing…

      2. 1920s
        Nude (1920) af Anton Faistauer
        6 ud af 34

        Nude

        Alder 33 – 42

        In this 1920 oil painting, titled Nude, we encounter a quiet moment of repose captured by the Austrian artist Anton Faistauer. The work presents a traditional nude study,…

      3. 1930s

      Anton Faistauers lærreder, spørgsmål for spørgsmål

      Hvilket lærred er Anton Faistauer mest kendt for?Læs svaret

      The Painter Georg Christian Andersen (1911), efterfulgt af Reclining female nude (1910) og Young Woman on Red Sofa (1913).

      The Painter Georg Christian Andersen: hvor gammel var Anton Faistauer, da det blev malet?Læs svaret

      Anton Faistauer, født i 1887, var 24 år gammel: The Painter Georg Christian Andersen er fra 1911.

      Hvad er Anton Faistauers ti mest berømte lærreder?Læs svaret

      The Painter Georg Christian Andersen, Reclining female nude, Young Woman on Red Sofa, Lady in White Blouse (First Wife of the Artist), Seated Lady in Blue Blouse, Nude, Mother with Two Children, Temple Walk of Mary, Young Woman in Pink Dress og Richard Mayr in the Costume of the Ox on Lerchenau. Hvert lærred i den ovenstående rangliste er angivet med årstal og museum.

      Hvor mange malerier har Anton Faistauer skabt?Læs svaret

      41 værker af Anton Faistauer er i vores katalog, dateret fra 1910 til 1930.

      Hvor hænger Anton Faistauers mest berømte lærreder i dag?Læs svaret

      Primært i Leopold Museum (Wien), Bavarian State Painting Collections (München) og Salzburg Museum (Salzburg); listen ovenfor nævner hvert museum og dets lærreder.

      Hvornår malede Anton Faistauer sine mest berømte lærreder?Læs svaret

      I 1910s, som udgør 21 af de 34 værker på denne side, herunder The Painter Georg Christian Andersen.

      Hvilket berømt lærred af Anton Faistauer kom først, og hvilket kom sidst?Læs svaret

      Det tidligste lærred her er Reclining female nude (1910); det seneste er Flower Still-life (1930).

      Hvilke motiver malede Anton Faistauer mest?Læs svaret

      Woman (7), Portrait (5) og Table (3), fordelt på de 34 værker på denne side.

      Hvilket medie optræder hyppigst i Anton Faistauer's malerier?Læs svaret

      Oil, anvendt i 6 af de 34 værker på denne side.

      Hvilke malerier af Anton Faistauer er i Leopold Museums samling?Læs svaret

      Leopold Museum, Wien har 5 af værkerne på denne side, herunder Street towards Dürnstein, Still Life with Coffee Cups og German Blumenstilleben mit Rittersporn.

      Hvor kan jeg købe en reproduktion af et maleri af Anton Faistauer?Læs svaret

      Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.

      Mød maleren: Anton Faistauer

      The Soul of Austrian Expressionism: The Life and Legacy of Anton Faistauer

      In the turbulent landscape of early 20th-century Europe, few artists captured the profound psychological shifts of the era as poignantly as Anton Faistauer. Born in 1887 to a farming family near Maishofen, his path was not originally destined for the canvas; he initially harbored ambitions of entering the priesthood. However, fate intervened through a transformative encounter with Albert Paris Gütersloh at the gymnasium in Bolzano. This meeting ignited a passion for painting that would eventually lead him away from theology and toward the radical frontiers of the avant-garde. His formal training, which took him from the private Robert Scheffer Akademie to the prestigious Academy of Fine Arts in Vienna under masters like Alois Delug and Christian Griepenkerl, provided him with a technical foundation that he would later use to dismantle academic tradition.

      Faistauer’s artistic identity was forged in rebellion. In 1909, he famously resigned from the Academy, a move that signaled his refusal to adhere to conservative, stagnant dogmas. Alongside luminaries such as Egon Schiele and Anton Kolig, he became a founding member of the Neukunstgruppe, a collective dedicated to protesting academic conventions and advocating for a more visceral, expressive mode of creation. This period of wandering and exploration—stretching through Ticino, Northern Italy, and Berlin—allowed him to absorb diverse influences, refining a style that blended the raw emotion of Expressionism with a unique, symbolic depth. His work began to move beyond mere representation, seeking instead to capture the spiritual and emotional essence of his subjects.

      A Journey Through Light, Shadow, and War

      The trajectory of Faistauer’s life was irrevocably altered by the shadows of World War I. Forced back to Maishofen and eventually drafted into the Austro-Hungarian army, he served in a capacity deemed "unsuitable" for combat, yet even amidst the upheaval of war, his creative spirit remained unextinguished. During this period, he maintained a profound connection to the art world, collaborating with Schiele on war art exhibitions and contributing to the reorganization of the Heeresgeschichtliches Museum. These years of forced stillness and military duty paradoxically provided a space for him to deepen his engagement with the symbolic power of art, using the era's collective trauma as a backdrop for his evolving visual language.

      The post-war years brought both new beginnings and profound personal tragedy. Settling in Salzburg, Faistauer co-founded the radical group Der Wassermann, continuing his pursuit of experimental aesthetics. Yet, the triumphs of his professional life were often shadowed by loss; the death of his first wife on the eve of their inaugural exhibition cast a long gloom over his later years. Despite facing debilitating lung and stomach disorders that necessitated frequent therapeutic retreats to Bolzano, Faistauer’s productivity remained remarkable. He achieved significant recognition through major commissions, including breathtaking frescoes for the Kleines Festspielhaus in Salzburg and works for religious and aristocratic settings in Bamberg and Vienna.

      Technique and the Expressionist Vision

      To look upon a Faistauer painting is to witness a masterclass in texture and emotional resonance. His technique often utilized a rich, textured impasto that gave his surfaces a tactile, living quality. Whether he was rendering a somber portrait or a quiet still life, his use of color was never merely decorative; it was deeply symbolic. In works such as German Gedeckter Tisch, one can observe a post-impressionistic approach where flattened perspectives and vibrant hues create a sense of structured intimacy. Conversely, his watercolors, like the poignant German Anbetung, demonstrate an ability to use transparency and light to evoke religious and spiritual fervor.

      The enduring significance of Anton Faistauer lies in his ability to bridge the gap between the traditional and the radical. He did not simply reject the past; he reinterpreted it through a modern lens, infusing classical themes with the anxieties and intensities of the modern age. His legacy remains etched in the history of Austrian Expressionism, serving as a testament to an artist who, despite personal hardship and historical upheaval, remained steadfast in his quest to reveal the hidden truths of the human condition through the transformative power of paint.