The Dublin Hand Dublin, 1650. A child is born into a world of shifting borders and rising tensions. This is the beginning of Edward Luttrell. He does not emerge as a painter of grand landscapes or sweeping historical dramas, but as a specialist of the intimate. His focus settles on the face, the subtle curve of a jaw, the weight of a gaze. By 1680, his hand is active in the medium of crayon and pastel, carving out identities through soft textures and sharp lines. The work begins to take shape with a specific technical intent. He moves between the delicate application of pastel and the precise…