The Architecture of the Image Peter Rónai operates at the intersection of the physical object and the flickering screen. His practice is defined by a refusal to let the image remain a passive thing to be looked at. Instead, he treats the medium—be it video, photography, or a constructed object—as a site of interrogation. He does not merely represent reality; he manipulates the mechanics of how we perceive it. This approach makes his work a study in the tension between what is seen and what is known. His early training in Bratislava and Budapest provided the technical foundation, but his tru…