Atelier — Gratis fragt til hele verden — Leveringstid: 2–6 uger
      August Pezold, 1794 – 1859

      De 6 mest berømte August Pezold-malerier, rangeret

      Det mest elskede maleri af August Pezold er Ludwig van Beethoven (1818), som hænger på Beethoven-Haus Bonn i Bonn. Portrait of a Lady before Landscape (1824) og Self-Portrait (1855) følger derefter blandt de lærreder, som læserne kender bedst. Vores katalog indeholder 6 værker af August Pezold: her er de 6 mest berømte, hver med årstal, museum og hvad der gør dem mindeværdige.

      Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.

      Portræt af August Pezold
      August Pezold · 1794 – 1859
      Født · død
      1794 – 1859, Rakvere
      Værker i vores katalog
      6
      Mest kendte værker
      Ludwig van Beethoven (1818)
      Flest værker i
      Berlinische Galerie

      Top 10 August Pezold malerier: lærrederne som alle kender

      Ludwig van Beethoven (1818) af August Pezold
      1

      Ludwig van Beethoven

      1818 · Drawing · Beethoven-Haus Bonn, Bonn

      This black and white drawing, created in 1818, presents a striking portrait of the composer Ludwig van Beethoven. The work captures his distinctive facial features, including his bushy hair, mustache, and beard, as he gazes directly at the viewer with an intense expression. The composition utilizes chiaroscuro, employing dramatic contrasts between light and shadow to sculpt his form and create a palpable sense of presence. In the background, two additional…

      Håndmalet oliereproduktion fra $196 29 × 35 cm Samme størrelse som originalen $199 27 × 40 cm Bestil i original størrelse →
      Portrait of a Lady before Landscape (1824) af August Pezold
      2

      Portrait of a Lady before Landscape

      1824 · Oil On Canvas · Berlinische Galerie, Berlin

      A young woman sits in a bust-length composition, her gaze fixed directly upon the viewer with a steady, calm composure. She is framed by dark, thick ringlets that fall from a center part, cascading around a face illuminated by soft, even light. Her dark, low-cut dress features subtle textures along the bodice and sleeves, while her hands rest quietly in her lap. Behind her, the landscape opens into a vista…

      Håndmalet oliereproduktion fra $196 28 × 36 cm Samme størrelse som originalen $208 33 × 42 cm Bestil i original størrelse →
      Self-Portrait (1855) af August Pezold
      3

      Self-Portrait

      1855 · Pastel

      In this 1855 self-portrait, we encounter a man caught in a moment of quiet, intellectual gravity. The subject, depicted from the chest up, gazes directly at us with piercing blue eyes that seem to hold a lifetime of thought. His expression is one of serious introspection, a stillness that suggests a mind constantly at work. The lighting, descending softly from the upper left, carves out the contours of his face,…

      Håndmalet oliereproduktion fra $196 27 × 37 cm
      Arm Study (1840) af August Pezold
      4

      Arm Study

      1840 · Watercolor · Berlinische Galerie, Berlin

      In "Arm Study" by August Pezold, the focus narrows to the quiet architecture of the human form. Created about 1840, this detailed anatomical study captures the forearm and hand in a tight, vertical arrangement. The limb rests horizontally at the base of the frame, a heavy presence of bone and muscle. It is a singular moment of observation, stripped of any surrounding narrative or distraction.

      Håndmalet oliereproduktion fra $196 29 × 34 cm
      Sketch for a Triumph Procession (1860) af August Pezold
      5

      Sketch for a Triumph Procession

      1860 · Oil · Berlinische Galerie, Berlin

      The scene unfolds within Sketch for a Triumph Procession, a work that captures a fleeting moment of movement and energy. August Pezold, the hand behind this expressive study, breathes life into the composition through a rapid and gestural approach. This piece emerges from around 1860, a period that finds the artist's hand working with a sense of immediacy and purpose. The sketch exists as a window into a world of…

      Håndmalet oliereproduktion fra $196 43 × 23 cm
      Ludwig van Beethoven (1818) af August Pezold
      6

      Ludwig van Beethoven

      1818 · Akryl på lærred · Beethoven-Haus Bonn, Bonn

      Carl Friedrich August von Klöber og Ludwig van Beethoven – Et Portræt af Romantikens Ånd Klöbers kunstneriske rejse begyndte i Breslau, hvor han modtog en omfattende uddannelse inden for kunsthistorie og akademisk skrivning. Denne solide baggrund ville senere forme hans evne til at skildre menneskelige følelser og historiske øjeblikke med stor præcision – egenskaber der er tydelige i hans ikoniske portrætter, herunder dette udførlige billede af Ludwig van Beethoven. Klöber…

      Håndmalet oliereproduktion fra $196 27 × 36 cm Samme størrelse som originalen $199 27 × 40 cm Bestil i original størrelse →

      Hvad August Pezold har malet mest af

      De fire motiver, der optræder hyppigst på disse lærreder, hver med sit mest elskede eksempel.

      Hvor August Pezold's lærreder hænger

      De 2 museer, der rummer flest af malerierne på denne side.

      Museum By Værker af August Pezold Malerier fra denne liste
      Berlinische Galerie, BerlinBerlinische Galerie Berlin 3 Portrait of a Lady before Landscape, Arm Study, Sketch for a Triumph Procession
      Beethoven-Haus Bonn, BonnBeethoven-Haus Bonn Bonn 2 Ludwig van Beethoven, Ludwig van Beethoven

      August Pezolds mest elskede lærred fra hvert årti

      1. 1810s
        Ludwig van Beethoven (1818) af August Pezold
        Lærred 1 af 6

        Ludwig van Beethoven

        Alder 16 – 25 · Beethoven-Haus Bonn

        This black and white drawing, created in 1818, presents a striking portrait of the composer Ludwig van Beethoven. The work captures his distinctive facial features, including his bushy…

      2. 1820s
        Portrait of a Lady before Landscape (1824) af August Pezold
        Lærred 2 af 6

        Portrait of a Lady before Landscape

        Alder 26 – 35 · Berlinische Galerie

        A young woman sits in a bust-length composition, her gaze fixed directly upon the viewer with a steady, calm composure. She is framed by dark, thick ringlets that…

      3. 1840s
        Arm Study (1840) af August Pezold
        Rangeret som nr. 4 ud af 6

        Arm Study

        Alder 46 – 55 · Berlinische Galerie

        In "Arm Study" by August Pezold, the focus narrows to the quiet architecture of the human form. Created about 1840, this detailed anatomical study captures the forearm and…

      4. 1850s
        Self-Portrait (1855) af August Pezold
        Lærred 3 af 6

        Self-Portrait

        Alder 56 – 65

        In this 1855 self-portrait, we encounter a man caught in a moment of quiet, intellectual gravity. The subject, depicted from the chest up, gazes directly at us with…

      Om August Pezold's lærreder: dine spørgsmål besvaret

      Hvad er det mest kendte maleri af August Pezold?Læs svaret

      Ludwig van Beethoven (1818), Beethoven-Haus Bonn, Bonn. Portrait of a Lady before Landscape (1824) og Self-Portrait (1855) følger efter.

      Hvor gammel var August Pezold, da Ludwig van Beethoven blev malet?Læs svaret

      August Pezold, født i 1794, var 24 år gammel: Ludwig van Beethoven er fra 1818.

      Hvor mange værker malede August Pezold i alt?Læs svaret

      6 værker af August Pezold er i vores katalog, dateret fra 1818 til 1855.

      Hvor kan jeg se August Pezolds mest berømte lærreder?Læs svaret

      Primært i Berlinische Galerie (Berlin) og Beethoven-Haus Bonn (Bonn); listen ovenfor nævner hvert museum og dets lærreder.

      Hvornår malede August Pezold de mest elskede lærreder?Læs svaret

      I 1810s, som udgør 2 af de 6 værker på denne side, herunder Ludwig van Beethoven.

      Hvilke er August Pezolds tidligste og seneste berømte lærreder?Læs svaret

      Det tidligste lærred her er Ludwig van Beethoven (1818); det seneste er Self-Portrait (1855).

      Hvad malede August Pezold oftest?Læs svaret

      German art (2), Romantic era (2) og Sienna (2), fordelt på de 6 værker på denne side.

      Hvilke lærreder af August Pezold hænger på Berlinische Galerie?Læs svaret

      Berlinische Galerie, Berlin har 3 af værkerne på denne side, herunder Portrait of a Lady before Landscape, Arm Study og Sketch for a Triumph Procession.

      Kan jeg købe en reproduktion af et lærred af August Pezold?Læs svaret

      Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.

      August Pezold: et liv i maling

      Carl Friedrich August von Klöber: A Portraitist Bridging Parisian Elegance and Prussian Tradition

      Carl Friedrich August von Klöber, born in Breslau (modern-day Wrocław), Germany, in 1793, was a pivotal figure in 19th-century German art. His life’s journey—a tapestry woven with military service, artistic study across Europe, and ultimately, the creation of compelling portraits – reflects the dynamic social and cultural shifts of his era. Klöber's career unfolded against the backdrop of Napoleonic wars, burgeoning Romanticism, and the rise of urban centers as hubs for artistic innovation. He died in Berlin in 1864, leaving behind a legacy marked by both technical skill and an ability to capture the essence of his subjects, particularly through his celebrated portraiture.

      Early Life and Artistic Foundations

      Klöber’s early years were shaped by military service; he enlisted as a volunteer in the wars of liberation against Napoleon in 1813-14, participating in battles at Groß-Görschen, Bautzen, and even briefly stationed near Paris. This experience instilled discipline and broadened his perspective beyond the confines of Breslau. Following his military service, he pursued formal artistic training, initially at the Berlin Cadet School and later at the *Bauschule* (School of Design) in Breslau. Crucially, he then enrolled at the *Königlich Preussischen Akademie der Künste* (Royal Prussian Academy of Arts) in Berlin, where he honed his skills under the tutelage of established masters. His studies there were further enriched by a period of intensive study in Paris and Vienna – cities renowned for their artistic ferment during this time. These experiences exposed him to diverse movements, including Neoclassicism and nascent Romanticism, profoundly influencing his stylistic development.

      Parisian Influence and Viennese Refinement

      Klöber’s sojourn in Paris proved particularly formative. He immersed himself in the vibrant artistic scene, absorbing the techniques of established portraitists and engaging with the prevailing trends of the era. The influence of Parisian art is readily apparent in his later works – a refined elegance, an attention to detail, and a sophisticated understanding of light and shadow all contribute to this effect. Subsequently, he spent four years in Vienna, where he continued his artistic education and developed a distinct style characterized by a balance between German realism and the more expressive tendencies of Austrian painting. This period solidified his ability to capture not just physical likeness but also the character and personality of his subjects.

      Notable Portraits and Artistic Style

      Klöber’s most enduring contribution lies in his portraiture. He was particularly celebrated for his depictions of prominent figures, including Ludwig van Beethoven – a painting that is now considered a significant work in German art history. He also produced numerous portraits of members of the Grillparzer family, capturing their individual personalities with remarkable sensitivity. His artistic style can be described as characterized by meticulous observation, skillful rendering of fabrics and textures, and an ability to convey a sense of inner life within his subjects. He wasn’t merely replicating appearances; he was striving to reveal something deeper about the individuals he portrayed. His use of light and shadow created depth and drama, while his compositions were often balanced and harmonious.

      Legacy and Continued Recognition

      Carl Friedrich August von Klöber's legacy continues to be celebrated today. His works are showcased in various museums and galleries across Germany, testament to their enduring artistic value. The *Akademie der bildenden Künste Wien* (Academy of Fine Arts Vienna), where he once studied, actively promotes fine arts education and research, ensuring that his contributions are remembered and appreciated by future generations. Resources like TopImpressionists.com provide valuable insights into his oeuvre, while the Kunstsammlungen der Akademie der bildenden Künste W Wien offer a comprehensive collection of artworks from various periods and styles, including those of other notable artists such as Wilhelm Trübner and Jörg the elder Breu. Furthermore, research conducted by sites like Artprice.com reveals valuable information about the market value and historical significance of his paintings, particularly his portraits. His work stands as a bridge between the formal training of the Prussian Academy and the artistic innovations emerging from Paris and Vienna – a testament to the interconnectedness of European art in the 19th century.