Det mest elskede maleri af Benjamin Abramowitz er Labyrinth (1949), som hænger på The Phillips Collection i Washington, D.C.. Vores katalog indeholder 2 værker af Benjamin Abramowitz: her er de 2 mest berømte, hver med årstal, museum og hvad der gør dem mindeværdige.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Benjamin Abramowitz | Malerier fra denne liste |
|---|---|---|---|
| Washington, D.C. | 2 | Labyrinth, Capriccio |
Hvert dateret lærred af Benjamin Abramowitz på denne side er malet i 1949; her er de mest berømte først.
Labyrinth (1949)
Benjamin Abramowitz, født i 1917, var 32 år gammel: Labyrinth er fra 1949.
2 værker af Benjamin Abramowitz er i vores katalog.
Primært i The Phillips Collection (Washington, D.C.); listen ovenfor nævner hvert museum og dets lærreder.
The Phillips Collection, Washington, D.C. har 2 af værkerne på denne side, herunder Labyrinth og Capriccio.
Benjamin Abramowitz was a prolific American painter, printmaker, and sculptor whose creative output spanned nearly eight decades. Born in Brooklyn, United States, he began his artistic journey early, studying life drawing at the Brooklyn Museum School and holding his first solo exhibition there at the age of 16. During the late 1930s and early 1940s, he was known as Ben Hoffman, a name under which he joined the Works Progress Administration (WPA) in New York City. As a senior artist with the Federal Art Project, he served as a teacher, mural assistant, senior printmaker, and painter.
In 1941, Abramowitz moved to Washington, D.C., where he took on various U.S. government graphic assignments. He established his home and studio in Greenbelt, where he remained for more than half a century. His artistic evolution saw him move from the disciplined nightly practice of drawing and painting as a lithographer to a diverse practice that eventually included making wall works and freestanding sculptures in the 1970s.
Abramowitz's work is characterized by its resistance to easy categorization, encompassing painting, sculpture, and works on paper such as drawing and watercolor. His mastery was recognized by major institutions, with his pieces held in notable collections including:
Beyond his own studio practice, he was a significant educator and "art coach" in the Washington metropolitan area, teaching students such as Lilian Thomas Burwell. He also served as an artist-in-residence for the Ford Foundation, lecturing and conducting seminars across the country. His extensive body of work and his role in the mid-century modern art movement of the Washington region have been documented in numerous prestigious biographical volumes and exhibitions.