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      Benjamin Blyth, 1746 – 1811

      Benjamin Blyth: De 1 mest kendte malerier

      Af alle Benjamin Blyth's malerier er Ezekiel Hersey (1709-1770) (1761) det mest berømte; det hænger på Harvard Art Museums i Cambridge. Blandt de 1 værker af Benjamin Blyth i vores katalog er disse 1 de mest fejrede, hver vist med sin dato, sit museum og sin historie.

      Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.

      Portræt af Benjamin Blyth
      Benjamin Blyth · 1746 – 1811
      Født · død
      1746 – 1811, Salem
      Værker i vores katalog
      1
      Mest kendte
      Ezekiel Hersey (1709-1770) (1761)
      Flest værker hos
      Harvard Art Museums

      Benjamin Blyths 10 mest fejrede malerier

      Hvor Benjamin Blyth's lærreder hænger

      Det museum, der rummer flest af malerierne på denne side.

      Museum By Værker af Benjamin Blyth Malerier fra denne liste
      Harvard Art Museums, CambridgeHarvard Art Museums Cambridge 1 Ezekiel Hersey (1709-1770)

      År for år: Benjamin Blyths mest fejrede lærreder

      Et år, 1761, indeholder alle daterede lærreder af Benjamin Blyth på denne side: her er de, de mest berømte først.

      1. 1761

      Dine spørgsmål om Benjamin Blyths malerier, besvaret

      Hvilket er det mest berømte maleri af Benjamin Blyth?Læs svaret

      Ezekiel Hersey (1709-1770) (1761)

      Hvor gammel var Benjamin Blyth på tidspunktet for Ezekiel Hersey (1709-1770)?Læs svaret

      Benjamin Blyth, født i 1746, var 15 år gammel: Ezekiel Hersey (1709-1770) er fra 1761.

      Hvor mange malerier af Benjamin Blyth er kendt?Læs svaret

      1 værker af Benjamin Blyth er i vores katalog.

      Hvilke museer udstiller Benjamin Blyths mest kendte lærreder?Læs svaret

      Primært i Harvard Art Museums (Cambridge); listen ovenfor nævner hvert museum og dets lærreder.

      Kan jeg bestille en håndmalet kopi af et maleri af Benjamin Blyth?Læs svaret

      Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.

      Benjamin Blyth: malerens historie

      The Silent Chronicler of a Revolution

      In the salt-aired streets of 18th-century Salem, Massachusetts, a period defined by both maritime prosperity and burgeoning political fervor, the brushstrokes of Benjamin Blyth captured more than mere likenesses; they preserved the very soul of an emerging nation. Born in 1746, Blyth emerged as a vital visual biographer of the American colonial elite. While history often remembers the thunderous rhetoric of the Revolution, it is through the quiet, dignified gaze of Blyth’s portraits that we truly encounter the faces behind the movement. His work serves as a window into a world of merchant families, local dignitaries, and the architects of American independence, rendered with a precision that speaks to both his technical skill and his deep connection to his New England roots.

      The narrative of Blyth’s life is one of fascinating transition and movement. Though he began his artistic journey in the bustling maritime hub of Salem, his trajectory took him far from the familiar shores of Massachusetts. By 1782, a period of significant upheaval, Blyth had fled Salem for Virginia, a move that perhaps mirrored the shifting political landscapes of the era. This migration created a poignant separation between his early formative years in the North and his later life, which eventually led him to Zanesville, Ohio, where he passed away in 1811. This journey from the established colonial centers to the expanding American frontier reflects the broader movement of the young United States itself, making his personal history an echo of the national story.

      A Legacy of Faces and Fates

      Blyth’s artistic repertoire is most celebrated for its intimate connection to some of the most iconic figures in American history. He is perhaps best known for his masterful portraits of John and Abigail Adams, works that do not merely document their physical presence but imbue them with the gravity and intellectual weight they carried during the founding of the republic. Through his use of light and subtle texture, Blyth was able to convey the character of his subjects—the stern resolve of a statesman or the quiet strength of a matriarch. His ability to capture the essence of local merchants and participants in the American Revolution allowed him to weave a tapestry of social history that remains indispensable to scholars today.

      Beyond the famous political figures, Blyth’s oeuvre is characterized by a delightful breadth of subject matter, ranging from:

      • The dignified portraits of local Salem families and merchant classes.
      • Intimate depictions of individuals involved in the American Revolutionary struggle.
      • Detailed likenesses that serve as genealogical anchors for New England history.
      While his brother Samuel pursued a more commercially successful path in construction and decoration, Benjamin’s contribution was purely aesthetic and historical. He did not seek the wealth of trade, but rather the immortality of the image. His work remains a testament to the power of portraiture to act as a vessel for memory, ensuring that the faces of the 18th century continue to gaze upon us with their enduring, silent wisdom.