Leaf from a Kalpa Sutra (Jain Book of Rituals) (1449) er det maleri, som Bhadrabāhu er bedst kendt for; det befinder sig på Metropolitan Museum of Art, New York. Leaf from a Kalpa Sutra (Jain Book of Rituals) (1449) og Leaf from a Kalpa Sutra (Jain Book of Rituals) (1449) fuldender trioen af de mest elskede lærreder. Vores katalog indeholder 73 værker af Bhadrabāhu. Her er de 68 mest berømte, med årstal, museum og historien bag hvert lærred.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Bhadrabāhu | Malerier fra denne liste |
|---|---|---|---|
| New York | 66 | Leaf from a Kalpa Sutra (Jain Book of Rituals), Leaf from a Kalpa Sutra (Jain Book of Rituals), Leaf from a Kalpa Sutra (Jain Book of Rituals) |
1049 år med Bhadrabāhus lys og farver, fra 401 til 1449: de mest berømte lærreder fra hvert år, efter hinanden.
Leaf from a Kalpa Sutra (Jain Book of Rituals) (1449), Metropolitan Museum of Art, New York. Leaf from a Kalpa Sutra (Jain Book of Rituals) (1449) og Leaf from a Kalpa Sutra (Jain Book of Rituals) (1449) følger efter.
Leaf from a Kalpa Sutra (Jain Book of Rituals), Leaf from a Kalpa Sutra (Jain Book of Rituals), Leaf from a Kalpa Sutra (Jain Book of Rituals), Leaf from a Kalpa Sutra (Jain Book of Rituals), Leaf from a Kalpa Sutra (Jain Book of Rituals), Leaf from a Kalpa Sutra (Jain Book of Rituals), Leaf from a Kalpa Sutra (Jain Book of Rituals), Leaf from a Kalpa Sutra (Jain Book of Rituals), Leaf from a Kalpa Sutra (Jain Book of Rituals) og Leaf from a Kalpa Sutra (Jain Book of Rituals). Hvert lærred i den ovenstående rangliste er angivet med årstal og museum.
73 værker af Bhadrabāhu er i vores katalog, dateret fra 401 til 1449.
Primært i Metropolitan Museum of Art (New York); listen ovenfor nævner hvert museum og dets lærreder.
I 1449, som udgør 63 af de 68 værker på denne side, herunder Leaf from a Kalpa Sutra (Jain Book of Rituals).
Det tidligste lærred her er Leaf from a Kalpa Sutra (Jain Book of Rituals) (401); det seneste er Leaf from a Kalpa Sutra (Jain Book of Rituals) (1449).
Metropolitan Museum of Art, New York har 66 af værkerne på denne side, herunder Leaf from a Kalpa Sutra (Jain Book of Rituals), Leaf from a Kalpa Sutra (Jain Book of Rituals) og Leaf from a Kalpa Sutra (Jain Book of Rituals).
Ācārya Bhadrabāhu stands as a pivotal figure in the history of Jainism, particularly within the Digambara sect. Born into a Brahmin family during a period when Pundravardhana served as a secondary capital of the Mauryan Empire, his early life was marked by prophecy – at just seven years old, Govarddhana Mahamuni foretold that Bhadrabāhu would be the last Shruta Kevalin (one who attains omniscience through hearsay or indirect knowledge). This designation highlights his unique position as a spiritual leader possessing profound understanding transmitted through tradition. His life coincided with significant political shifts, notably the rise of Chandragupta Maurya, whom he served as a spiritual advisor.
Bhadrabāhu is most renowned for his authorship or, more accurately, compilation and preservation of the Kalpa Sutras. This extensive body of work details the proper performance of Jain religious ceremonies, outlines rules for monks and nuns, and provides a comprehensive guide to monastic life. The Kalpa Sutras are considered essential texts within the Digambara tradition, shaping their practices and beliefs. The preservation of these sutras is particularly significant as they represent a vital link to earlier Jain traditions and teachings.
Bhadrabāhu’s life was also instrumental in shaping the early divisions within Jainism. During his time, a severe famine struck northern India, prompting Bhadrabāhu to lead a significant portion of the monastic community (the sangha) southward to Karnataka and Tamil Nadu. This migration was accompanied by a doctrinal dispute concerning the length of fasting periods. Bhadrabāhu advocated for stricter adherence to traditional practices, while others favored more lenient interpretations. This disagreement resulted in a formal split within the Jain community, with Bhadrabāhu’s followers becoming known as the Digambaras (meaning "sky-clad," referring to their practice of nudity), and those who remained behind forming the Svetambara sect ("white-clad").
Ācārya Bhadrabāhu’s legacy extends far beyond his lifetime. As the last Shruta Kevalin recognized by the Digambara sect, he represents a crucial link in the chain of spiritual transmission within Jainism. His relationship with Chandragupta Maurya underscores his political and religious influence during a formative period in Indian history. Most importantly, his meticulous compilation and preservation of the Kalpa Sutras ensured that core Jain principles and practices would endure, shaping the Digambara tradition for centuries to come. He remains a revered figure embodying dedication, scholarship, and spiritual leadership within the Jain community.