Det mest elskede maleri af Bichitr er Portrait of Raja Bikramajit (1620), som hænger på Metropolitan Museum of Art i New York. Jahangir Preferring a Sufi Shaikh to Kings (1618) og Shah Jahan with Asaf Khan (1640) følger derefter blandt de lærreder, som læserne kender bedst. Vores katalog indeholder 6 værker af Bichitr: her er de 6 mest berømte, hver med årstal, museum og hvad der gør dem mindeværdige.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.
The Portrait of Raja Bikramajit emerges from the quietude of the Mughal era, a delicate Mughal Watercolor and Gold Leaf Painting that captures a moment of stillness. Created by the artist Bichitr around 1620, the work presents a single male figure in profile. This subject, Raja Bikramajit, gazes outward from his place within the composition, his presence defined by the precise hand of a master accustomed to the imperial courts.
The work before us is titled Jahangir Preferring a Sufi Shaikh to Kings, a significant Mughal miniature painting executed by the artist Bichitr. Created between 1615 and 1618, this piece emerged from the sophisticated artistic environment of the Mughal court. It was specifically commissioned for the court of the Fourth Mughal emperor, Jahangir, reflecting the high level of patronage enjoyed by Bichitr during this period.
The air feels heavy with the weight of imperial presence as Shah Jahan stands poised in a landscape of soft, pastel hues. He is draped in a deep purple jama, its surface alive with the shimmer of gold embroidery that catches a light seemingly coming from within. A golden halo encircles his head, a silent declaration of his divine right to rule, while his hand rests upon a staff, grounding…
The Portrait of the Elephant 'Alam Guman is a Mughal watercolor and gold leaf painting by the artist Bichitr. Created about 1640, this work offers a formal and majestic depiction of a large, decorated elephant. The subject is presented in profile against a solid, muted green background, a choice that emphasizes the clarity of the animal's form.
In the grand tapestry of Mughal history, few moments possess the dramatic tension and ceremonial splendor captured by the master painter Bichitr in his Padshahnama plate 10. This exquisite miniature painting serves as a window into the spring of 1628, a period defined by both political upheaval and profound familial reconciliation. As the Emperor Shah Jahan returned to the Agra Fort following a turbulent rebellion against his father, Jahangir, he…
A single rectangular panel holds the weight of poetry. Within this frame, the Nasta'liq script flows like water over smooth stones, each stroke a rhythmic movement of the brush. The ink settles into the paper with a quiet authority, creating a dance of curves and sharp terminals. It is a landscape of letters, where the black pigment meets the cream-colored surface in a silent dialogue. Gold leaf catches the light,…
De fire motiver, der optræder hyppigst på disse lærreder, hver med sit mest elskede eksempel.
De 3 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Bichitr | Malerier fra denne liste |
|---|---|---|---|
 Metropolitan Museum of Art |
New York | 3 | Portrait of Raja Bikramajit, Portrait of the Elephant 'Alam Guman, Nasta'liq Calligraphy |
 Freer Gallery of Art |
Washington, D.C. | 1 | Jahangir Preferring a Sufi Shaikh to Kings |
 Royal Collection |
London | 1 | Padshahnama plate 10 : Shah-Jahan receives his three eldest sons and Asaf Khan during his accession ceremonies (8 March 1628) |
The work before us is titled Jahangir Preferring a Sufi Shaikh to Kings, a significant Mughal miniature painting executed by the artist Bichitr. Created between 1615 and 1618,…
The Portrait of Raja Bikramajit emerges from the quietude of the Mughal era, a delicate Mughal Watercolor and Gold Leaf Painting that captures a moment of stillness. Created…
The air feels heavy with the weight of imperial presence as Shah Jahan stands poised in a landscape of soft, pastel hues. He is draped in a deep…
In the grand tapestry of Mughal history, few moments possess the dramatic tension and ceremonial splendor captured by the master painter Bichitr in his Padshahnama plate 10. This…
Portrait of Raja Bikramajit (1620), Metropolitan Museum of Art, New York. Jahangir Preferring a Sufi Shaikh to Kings (1618) og Shah Jahan with Asaf Khan (1640) følger efter.
6 værker af Bichitr er i vores katalog, dateret fra 1618 til 1657.
Primært i Metropolitan Museum of Art (New York), Freer Gallery of Art (Washington, D.C.) og Royal Collection (London); listen ovenfor nævner hvert museum og dets lærreder.
I 1640s, som udgør 3 af de 6 værker på denne side, herunder Shah Jahan with Asaf Khan.
Det tidligste lærred her er Jahangir Preferring a Sufi Shaikh to Kings (1618); det seneste er Padshahnama plate 10 : Shah-Jahan receives his three eldest sons and Asaf Khan during his accession ceremonies (8 March 1628) (1657).
Flowers (3), Gold embroidery (2) og People (2), fordelt på de 6 værker på denne side.
Watercolor, anvendt i 6 af de 6 værker på denne side.
Metropolitan Museum of Art, New York har 3 af værkerne på denne side, herunder Portrait of Raja Bikramajit, Portrait of the Elephant 'Alam Guman og Nasta'liq Calligraphy.
Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.
