Atelier — Gratis fragt til hele verden — Leveringstid: 2–6 uger
      Birgitte Levison, 1832 – 1916

      De 1 mest berømte Birgitte Levison-malerier, rangeret

      Det mest elskede maleri af Birgitte Levison er Self-portrait (1858), som hænger på Statens Museum for Kunst i København. Vores katalog indeholder 1 værker af Birgitte Levison: her er de 1 mest berømte, hver med årstal, museum og hvad der gør dem mindeværdige.

      Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.

      Portræt af Birgitte Levison
      Birgitte Levison · 1832 – 1916
      Født · død
      1832 – 1916, Copenhagen
      Værker i vores katalog
      1
      Mest kendte
      Self-portrait (1858)
      Flest værker hos
      Statens Museum for Kunst

      Top 10 Birgitte Levison malerier: lærrederne som alle kender

      Hvor Birgitte Levison's lærreder hænger

      Det museum, der rummer flest af malerierne på denne side.

      Museum By Værker af Birgitte Levison Malerier fra denne liste
      Statens Museum for Kunst, KøbenhavnStatens Museum for Kunst København 1 Self-portrait

      Birgitte Levisons mest elskede lærreder, år for år

      Hvert dateret lærred af Birgitte Levison på denne side er malet i 1858; her er de mest berømte først.

      1. 1858

      Om Birgitte Levison's lærreder: dine spørgsmål besvaret

      Hvad er det mest kendte maleri af Birgitte Levison?Læs svaret

      Self-portrait (1858)

      Hvor gammel var Birgitte Levison, da Self-portrait blev malet?Læs svaret

      Birgitte Levison, født i 1832, var 26 år gammel: Self-portrait er fra 1858.

      Hvor mange værker malede Birgitte Levison i alt?Læs svaret

      1 værker af Birgitte Levison er i vores katalog.

      Hvor kan jeg se Birgitte Levisons mest berømte lærreder?Læs svaret

      Primært i Statens Museum for Kunst (København); listen ovenfor nævner hvert museum og dets lærreder.

      Kan jeg købe en reproduktion af et lærred af Birgitte Levison?Læs svaret

      Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.

      Birgitte Levison: et liv i maling

      A Life in Color and Line

      Birgitte Levison lived her life within the quiet, creative rhythms of Denmark. Born in København in 1832, she was a woman who found her voice through the tip of a brush and the careful application of oil on canvas. Her early years were shaped by the guidance of respected teachers, including Wilhelm Marstrand, C F Hetsch, and Heinrich Hansen. These mentors provided her with the technical foundation needed to navigate the demanding world of nineteenth-century painting.

      In 1864, her personal life underwent a significant change when she married Herman Hertz Levison, a master carpenter. This union brought about a shift in how she presented herself to the public; while her earlier works were signed with her birth name, Birgitte Neumann, she adopted the name Levison for her later compositions. It was a period of transition that mirrored the evolution of her own hand as an artist.

      The Subjects of Her Brush

      Levison’s repertoire was diverse, ranging from the intimate to the expansive. She possessed a particular talent for genre paintings, capturing small, meaningful moments of daily life. One might find herself looking at a quiet scene of a sitting dog or the soft light of a sunset reflecting on a lake where two children play. These works suggest a deep appreciation for the stillness found in nature and the simple presence of living things.

      Beyond landscapes and animals, she was also a skilled portraitist. Her ability to capture the likeness and character of her subjects allowed her to participate in the broader artistic conversations of her time. Her work has been recognized by institutions such as Charlottenborg and the Women's Exhibition, places where her skill could be seen by her peers and the public alike.

      A Lasting Presence

      Though she passed away in Frederiksberg in 1916, Levison’s presence remains felt through the works held in permanent collections. Her self-portrait, a piece that offers a direct look at the artist herself, is part of the collection at the Statens Museum for Kunst. This preservation ensures that her perspective on the world—and her place within it—is not lost to time.

      Her legacy is found in the quiet strength of her oil paintings. Through her dedication to her craft, she left behind a record of Danish life and a personal history written in pigment and light.