Cornelia Scheffer, 1769 – 1839
Cornelia Scheffer: De 4 mest kendte malerier
Af alle Cornelia Scheffer's malerier er Self-portrait (1795) det mest berømte; det hænger på Dordrechts Museum i Dordrecht. Lige efter følger Woman with Two Children on a Country Road (1811) og The Women of Souli (1833). Blandt de 4 værker af Cornelia Scheffer i vores katalog er disse 4 de mest fejrede, hver vist med sin dato, sit museum og sin historie.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret oktober 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.
- Født · død
- 1769 – 1839, Dordrecht
- Værker i vores katalog
- 4
- Mest kendte
- Self-portrait (1795)
- Flest værker hos
- Dordrechts Museum
Cornelia Scheffers 10 mest fejrede malerier
2
Woman with Two Children on a Country Road
Håndmalet oliereproduktion fra $203 29 × 34 cm
Samme størrelse som originalen $306 60 × 73 cm Bestil i original størrelse →
3
The Women of Souli
Håndmalet oliereproduktion fra $453 37 × 27 cm
Samme størrelse som originalen $745 112 × 95 cm Bestil i original størrelse →
4
Portrait of a small child presumably Karel Arnoldus Scheffer at 3 years of age
Håndmalet oliereproduktion fra $178 30 × 33 cm
Hvor Cornelia Scheffer's lærreder hænger
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Cornelia Scheffer | Malerier fra denne liste |
|---|---|---|---|
 Dordrechts Museum |
Dordrecht | 4 | Self-portrait, Woman with Two Children on a Country Road, The Women of Souli |
Årti for årti: Cornelia Scheffers mest fejrede lærred
-
1790s
1 ud af 4Self-portrait
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1810s
-
1830s
Lærred 3 af 4The Women of Souli
Dine spørgsmål om Cornelia Scheffers malerier, besvaret
Hvilket er det mest berømte maleri af Cornelia Scheffer?Læs svaret
Self-portrait (1795), Dordrechts Museum, Dordrecht. Woman with Two Children on a Country Road (1811) og The Women of Souli (1833) følger efter.
Hvor gammel var Cornelia Scheffer på tidspunktet for Self-portrait?Læs svaret
Cornelia Scheffer, født i 1769, var 26 år gammel: Self-portrait er fra 1795.
Hvor mange malerier af Cornelia Scheffer er kendt?Læs svaret
4 værker af Cornelia Scheffer er i vores katalog, dateret fra 1795 til 1833.
Hvilke museer udstiller Cornelia Scheffers mest kendte lærreder?Læs svaret
Primært i Dordrechts Museum (Dordrecht); listen ovenfor nævner hvert museum og dets lærreder.
Hvad er de første og de sidste af Cornelia Scheffers berømte lærreder?Læs svaret
Det tidligste lærred her er Self-portrait (1795); det seneste er The Women of Souli (1833).
Hvad kan jeg se af Cornelia Scheffer på Dordrechts Museum?Læs svaret
Dordrechts Museum, Dordrecht har 4 af værkerne på denne side, herunder Self-portrait, Woman with Two Children on a Country Road og The Women of Souli.
Kan jeg bestille en håndmalet kopi af et maleri af Cornelia Scheffer?Læs svaret
Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.
Cornelia Scheffer: malerens historie
A Life of Miniature Precision
Dordrecht, 1769. Cornelia Lamme enters the world as the daughter of Arie Lamme, a landscape painter whose influence likely shaped her early hands. She grows up within an artistic circle, learning the delicate nuances of portrait miniatures. Her childhood is marked by linguistic agility, mastering French, German, and English. The stability of the Dutch Republic shifts in 1787 when Prussian forces arrive; the family flees to the southern Netherlands for two years before returning home.
In October 1794, a union occurs that merges two artistic lineages. Cornelia marries Johann Baptist Scheffer. This partnership is defined by shared skill and the movement of a family through The Hague, Rotterdam, and Amsterdam. She carries the title of miniature painter, working with watercolor and gouache on ivory to capture the likenesses of her own kin.
The Move to Paris
The year 1809 brings a sudden fracture. Johann dies at age 45. The financial weight of the family shifts. Following the death of her husband, Cornelia moves to Brussels, and by 1811, she settles in Paris. This relocation is a calculated decision; she believes the French capital offers better prospects for an artist than the Netherlands. She brings her sons, Ary and Hendrik, into this new environment.
Life in Paris involves navigating the district of Saint-Germain under difficult financial circumstances. As her son Ary gains prominence, Cornelia finds a new rhythm within his orbit. Starting in 1821, she begins working as a copyist for him and Hendrik. She uses her brush to replicate their paintings, effectively building a personal collection of their work through duplication.
Legacy in Miniature
Cornelia’s presence in the Parisian art scene is felt through her proximity to the great figures of the era. While living with Ary in his villa near Montmartre, she likely encounters the likes of Eugene Delacroix, Theodore Gericault, and Jean Baptiste-Dominating Ingres. Her role as a mother and a copyist places her at the center of a significant artistic household.
Her technical output remains rooted in the intimate scale of her training:
- Self-portrait Cornelia Scheffer-Lamme: A 1795 painting capturing her own likeness.
- Miniature portraits of her family: Executed in watercolor and gouache on ivory, held in the Dordrechts museum.
- Genre works: Including pieces such as The women of Souli, a copy of her son's work.
She remains in Paris until her death in 1839 at age 70. She is laid to rest in the Montmartre Cemetery.