Af alle Daniel Burnham's malerier er Plate 51 from The Plan of Chicago (1909) det mest berømte; det hænger på Art Institute of Chicago i Chicago. Blandt de 1 værker af Daniel Burnham i vores katalog er disse 1 de mest fejrede, hver vist med sin dato, sit museum og sin historie.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret oktober 2026. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion på lærred, eller som et kunsttryk i den størrelse, du vælger.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Daniel Burnham | Malerier fra denne liste |
|---|---|---|---|
| Chicago | 1 | Plate 51 from The Plan of Chicago |
Et år, 1909, indeholder alle daterede lærreder af Daniel Burnham på denne side: her er de, de mest berømte først.
Plate 51 from The Plan of Chicago (1909)
Daniel Burnham, født i 1846, var 63 år gammel: Plate 51 from The Plan of Chicago er fra 1909.
1 værker af Daniel Burnham er i vores katalog.
Primært i Art Institute of Chicago (Chicago); listen ovenfor nævner hvert museum og dets lærreder.
Ja. Hvert maleri på denne side kan bestilles fra sin egen side som en håndmalet oliereproduktion eller som et kunsttryk i den størrelse, du vælger.
Daniel Burnham was an American architect and urban designer. He was a proponent of the Beaux-Arts movement and was known as a successful power broker within the American architectural profession. His career included significant roles in the creation of master plans for several cities, including the Plan of Chicago, as well as plans for Manila, Baguio, and downtown Washington, D.C. He served as the Director of Works for the 1892–93 World's Columbian Exposition, an event colloquially referred to as "The White City."
Burnham's architectural output was diverse, encompassing skyscrapers, city planning, and significant commercial structures. He designed several famous buildings, such as:
Throughout his career, Burnham was involved in numerous notable projects and commissions. He was a member and the first chairman of the United States Commission of Fine Arts. His work often utilized classical styles, and he was a prominent advocate for the revival of Neo-classical architecture. His firm, D.H. Burnham & Company, was considered the world's largest architectural firm at the time of his death.
His notable commissions included: